Simply enter the word you wish to find and the search engine will search for every instance of the word in the journals. For example: Fight. All instances of the use of the word fight will show up on the results page.
Using an asterisk (*) will increase the odds of finding the results you are seeking. For example: Fight*. The search results will display every instance of fight, fights, fighting, etc. More than one wildcard may be used. For example: *ricar*. This search will return most references to the Aricara tribe, including Ricara, Ricares, Aricaris, Ricaries, Ricaree, Ricareis, and Ricarra. Using a question mark (?) instead of an asterisk (*) will allow you to search for a single character. For example, r?n will find all instances of ran and run, but will not find rain or ruin.
Searches are not case sensitive. For example: george will come up with the same results as George.
Searching for a specific phrase may help narrow down the results. Rather long phrases are no problem. For example: "This white pudding we all esteem".
Because of the creative spellings used by the journalists, it may be necessary to try your search multiple times. For example: P?ro*. This search brings up numerous variant spellings of the French word pirogue, "a large dugout canoe or open boat." Searching for P?*r*og?* will bring up other variant spellings. Searching for canoe or boat also may be helpful.
| Entering in only one field | Searches |
|---|---|
| Year, Month, & Day | Single day |
| Year & Month | Whole month |
| Year | Whole year |
| Month & Day | 1600-#-# to 2100-#-# |
| Month | 1600-#-1 to 2100-#-31 |
| Day | 1600-01-# to 2100-12-# |
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star
To Workingmen TO WORKINGMEN. 1 COME closer to me; Push close, my lovers, and take the best I possess;
When Lilacs Last in the Door-Yard Bloom'd WHEN LILACS LAST IN THE DOOR-YARD BLOOM'D. 1 WHEN lilacs last
as 12 feet below the street, will give the depth of tide-water in the sewer, at high water, at about 1
(John 1:46).
like unto fine brass, as if they burned in a furnace; and his voice as the sound of many waters" (Rev. 1:
Figure 1.
information he would use in the thirteenth installment of his newspaper series "Brooklyniana," on March 1,
verbatim from an article in the American Phrenological Journal and Miscellany on "Longevity," 8, no. 1
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
LEAVES OF GRASS. 1.
THOUGHTS. 1.
LEAVES OF GRASS. 1.
LEAVES OF GRASS. 1.
THOUGHTS. 1.
Chapter 1. Things of the Earth Chapter 2. The Fall of the Redwood Tree Chapter 3.
I take as my point of departure in chapter 1 a poem from the second (1856) edition of —"This Compost"
that has stopped working in this first movement of the poem, which encompasses the entirety of Section 1,
Emerson transmits the Romantic-transcendentalist party line on language theory in three key claims: 1.
She is sitting in her room thinking of a story now I'm telling you the story she is thinking. (1) In
Contents Acknowledgments Introduction Chapter 1. Whitman in Blackface Chapter 2.
Whitman at the Movies Notes Figures 1.
For permission to reprint, in Chapter 1, a single paragraph from my coauthored essay published in American
CHAPTER 1 WHITMAN IN BLACKFACE I come back to Walt Whitman. What in the hell happened to him.
CHAPTER 2 EDITH WHARTON AND THE PROBLEM OF WHITMANIAN COMRADESHIP As Chapter 1 noted, "Walt Whitman"
endorsed in his own hand: "friendly note from Ward, the sculptor (will send an order and money after May 1)
loafe and invite my soul, / I lean and loafe at my ease observing a spear of summer grass" (section 1)
In 1996 1 sympathized: "'What a sad journey the sequence takes us on' (p. 191), he lamented after exposing
Grier, Notebooks and Unpublished Prose Manuscripts (New York: New York University Press, 1984), 1:128
next was at Chantilly, The Battle of Chantilly (also called the Battle of Ox Hill; Virginia, September 1,
in The Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, Page & Co., 1921) 1:
Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:
(A Reminiscence of 1864.) 1 WHO are you, dusky woman, so ancient, hardly human, With your woolly-white
PASSAGE TO INDIA. 1 SINGING my days, Singing the great achievements of the present, Singing the strong
THE SLEEPERS. 1 I WANDER all night in my vision, Stepping with light feet, swiftly and noiselessly stepping
PASSAGE TO INDIA. 1 SINGING my days, Singing the great achievements of the present, Singing the strong
THE SLEEPERS. 1 I WANDER all night in my vision, Stepping with light feet, swiftly and noiselessly stepping
Traubel section of this part of the is proceeding quickly; the transcription and encoding of volumes 1
Volume 1 is now live on the site, and volume 4 will be posted soon.
Afternoon and till 9 in the evening, visited Campbell Hospital; attended specially to one case in Ward 1;
; in the bed above, also amputation of the left leg; gave him part of a jar of raspberries; bed No. 1,
These wards are either lettered alphabetically, Ward G, Ward K, or else numerically, 1, 2, 3, &c.
First he had me read the letter aloud. 14 Millborne Grove, Brompton,London, England, Feb. 1, '68.
The postmark was Chicago, March 1. The letter was written in New York.1267 Broadway, New York.
Vol. 1. Santiago, Chile: Editorial Nascimiento, 1939.Erkkila, Betsy. Whitman the Political Poet.
big book you bound for me seems to be first- rate duplicate sample of pictures herewith numbered No. 1—
Walt Whitman Quarterly Review 12 (1994): 1-51. Shively, Charley, ed.
" (March 30, 1842) and " Scenes of Last Night " (April 1, 1842).
A special issue of The Walt Whitman Quarterly Review (4 [Fall/Winter 1986-1987], 1-74) first brought
growing value of property in lower Manhattan, Trinity sold the park to the Hudson River Railroad for $1
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star
SONG OF THE EXPOSITION. 1 (AH little recks the laborer, How near his work is holding him to God, The
SONG OF THE EXPOSITION. 1 (AH little recks the laborer, How near his work is holding him to God, The
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
THE MYSTIC TRUMPETER. 1 HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
THE MYSTIC TRUMPETER. 1 HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates
episode of NBC's situation comedy Friends entitled "The One at the Fertility Clinic" (first aired May 1,
Washington: Library of Congress, pp.1–12. Folsom, Ed, and Price, Kenneth M. (1995—).
Polydor Incorporated, LP839 604-1. My Robot Friend (2004). Walt Whitman.
1 O TAKE my hand Walt Whitman! Such gliding wonders! such sights and sounds!
CROSSING BROOKLYN FERRY. 1 FLOOD-TIDE below me! I see you face to face!
A SONG FOR OCCUPATIONS. 1 A SONG for occupations!
P., Buried 1870.) 1 WHAT may we chant, O thou within this tomb?
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
Let us see what he says on this point:— MIRACLES. 1. What shall I give? And what are my miracles?
Fig. 1.
Young Kersley and Danney came for me in a carriage at 1, and bro't me back at 5; enjoy'd the ride, the
Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.
Vol. 1. Boston: Small, Maynard, 1906.Whitman, Walt. Notebooks and Unpublished Prose Manuscripts.