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founded by Alexander Hamilton in 1801 and was edited by abolitionist, poet, and Democratic partisan William

And grass and white and red morning-glories, and white and red clover, and the song of the phoebe-bird

Charles Reagan Wilson and William R. Ferris.

William Cronon. Washington, DC: Library of America, 1997. Mulder, William.

Charles Reagan Wilson and William R. Ferris.

Charles Reagan Wilson and William R. Ferris.

William Michael Rossetti, “Adah Isaacs Menken,” in American Poems, ed.

Fowler,William Chauncey. “Charles William Chauncey of New York.”

Howells,William Dean.

Edited by William White. New York: New York University Press, 1978. ———.

, 114– 15 O’Connor,William, 5 Mullen, Edward F.

readers: a white fireman would have taken the white faces for granted and not have specified their color

The white that is—to whites—normally transparent becomes instead opaque, worth mentioning, there.

to a white speaker the whiteness of white faces is invisible or transparent.

to black and black to white.

William White (New York: New York University Press, 1978), 3:748. 22.

Other correspondents include Anne Burrows Gilchrist, Thomas Biggs Harned, William Sloane Kennedy, James

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

Goldsmith) mentioned "Death in the School-Room" in William Shepard Walsh's edited collection Pen Pictures

article, which focuses primarily on Whitman's life and writing in the late 1850s and early 1860s, see William

See the letter from Walt Whitman to William Sloane Kennedy of August 5, 1886 .

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

Williams (Washington, DC: CQ Press, 2010), 1862.

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

The editors published works by Nathaniel Hawthorne, Ralph Waldo Emerson, William Cullen Bryant, and Henry

In that it features a group of white settlers banding against a Native American character, this early

John Sartain and William Sloanaker bought the magazine in late 1848 and moved it to Philadelphia.

Thereafter it printed works by Henry Wadsworth Longfellow, Edgar Allan Poe, and William Cullen Bryant

Neale, Narrative of the Mutiny at Nore (London: William Tegg, 1861).

An article in The Sunday Times printed on March 30, 1851, stated that Whitman and William J.

The man describes himself as "white by education and Indian by birth."

These versions are described in William G.

Wisdom" as Captain William A.

For a more complete history of William Wisdom and his presidency of the New York Washingtonians, see

The dream vision of a great homogenous (white) nation coming together twenty years in the future, in

These versions are described in William G. Lulloff, " Franklin Evans; or The Inebriate ," in J. R.

Lulloff, William G. "Franklin Evans (1842)." In Walt Whitman: An Encyclopedia , 234–236. M. W. H.

Williamson (1823–1867) and William Burns (1818–1850) founded the Sunday Dispatch in 1846 as a weekly

Williamson and William Burns were arrested sometime before December 11, 1849 as part of a libel suit

" and twenty-four other works in the magazine, as well as Edgar Allan Poe, James Fenimore Cooper, William

, included Whitman's "Bervance; or, Father and Son," as well as works by John Greenleaf Whittier, William

The account begins with the following: "I am a white man by education and an Indian by birth.

, "Addenda to Whitman's Short Stories," 221–222; White, "Two Citations" 36–37; White, "Whitman as Short

White, William. "Addenda to Whitman's Short Stories."

The Maclay Bill was backed by the Whig governor of New York, William Seward, who sought to use the debate

inter-party fight fit loosely with Whitman's loco-foco inclinations, which, following the model of William

William Douglas O’Connor, Three Tales (Boston: Houghton Mifflin, 1892).

William James famously analyzes the corporeality of feeling in his 1884 “What Is an Emotion?”

William James, “What Is an Emotion?” Mind 9, no. 34 (April 1884): 188–205.

William White, vol. 3 (New York: New York University Press, 1978), 816.

White, “Emily Dickinson’sExistentialDramas,” in The CambridgeCompanionto Emily Dickinson, ed.

For help with chapter 1, I am indebted to William L.

DB William White, ed., Walt Whitman: Daybooks and Notebooks. 3 vols.

William G.

William H.

, William Allen, 57 “Verses Written at the Grave of white settlement myth, 184, 251n116 McIntosh” (Posey

See also William J.

Morehouse, and William W.

William A.

Blodgett, Arthur Golden, and William White, eds. “Clus- ter Arrangements in Leaves of Grass.”

Williams, William Carlos. “An Essay on Leaves of Grass.”

Whitman, letter to William D.

See William H.

William Wordsworth,The Complete Poetical Works of William Wordsworth, 394; also at Melville’s Marginalia

Blodgett, Arthur Golden, and William White. 3 vols. New York: New York University Press, 1980. ———.

Williams, Megan Rowley.

been stricken with paralysis: he appears "at first sight quite an old man, with long grey, almost white

England in their integrity, and not only in the necessarily anaesthetized anthology provided in 1868 by William

another office, thanks to the intervention of friends, especially the writer and fellow civil servant William

tapping (with impeccably sassy aplomb) from a very high Old World source indeed, nothing less than William

William Thayer and Charles Eldridge were enterprising young men, eager to qualify themselves on the conservative

William White, 3 vols. (New York: New York University Press, 1978).

MWJ Herman Melville, White-Jacket; or, The World in a Man-of-War, ed.

Let the white person tread the black person under his heel! (Say!

William L. Andrews (New York: Oxford University Press, 1996), 129. 10.

William White. 3 vols. New York: New York University Press, 1978. Bibliography 255 ———.

and from two collections of essays, Walt Whitman in Europe Today, edited by Roger Asselineau and William

Carlos Williams.

He soon met nu- merousAmericanwriters,includingCarlSandburg,LolaRidge,William Carlos Williams, and Alfred

See Rossetti’s letter to Whitman of March 31, 1872, in Selected Letters of William Michael Rossetti,

See Humorous Poems Selected and Edited by William Michael Rossetti (London: E.

Mymanuscriptwasrevisedunderverydifficultconditions,andIowea great deal to my siblings—the late Rachel Grant, William

Aslateas1860,withhisnewpartyonthebrinkofnationalvictory,William Sewardcouldshowhisrhetoricaldependenceonthetraditionalrepublican

observingthatthepoemfollowstypicalantislaveryrepresentationsofthe Fugitive Slave Law as jeopardizing “the freedom of Northern white

becausetheygapeandgaze.Thegapingitselfisall thatthebroken-heartedfathershaveleftbehind;theymust“let[their]white

RobertJ.,2 forcollectiveaction,21,27–28, Sedgwick,Theodore,206 119–20,135,138–39,142,147–48, Seward,William

William White's 1969 bibliography of Whitman's journalism largely replicates this decision.

Reconstructing Whitman's Desk at the Brooklyn Daily Times Walt Whitman Quarterly Review 2015 33 1 21–50 White

, William Walt Whitman's Journalism: A Bibliography Detroit, MI Wayne State University Press 1969 Written

anti-slavery politics inclined toward free-soilism, an ideology focused on the economic rights of independent white

White

Death of William Cullen Bryant

(William Sloane Kennedy, for example, wrote that Whitman would "probably have desired to have him privately

William Douglas O'Connor photograph of William Douglas O'Connor Walt Whitman met William Douglas O'Connor

Walt Whitman's Champion: William Douglas O'Connor . College Station: Texas A&M UP, 1978.

O'Connor, William Douglas. "The Carpenter: A Christmas Story."

"O'Connor, William Douglas [1832–1889]," by Deshae E.

Biography of William Douglas O'Connor

what is unsuitable is also unintelligible to her; and, if no dark shadow from without be cast on the white

In a letter on July 19, 1869, William Michael Rossetti had urged Gilchrist to "suppress" her name; see

The Letters of William Michael Rossetti , ed.

writing positively of it in his December 9, 1869 letter to Rossetti and in his May 11, 1870 letter to William

The White House by Moonlight — . 24.—A spell of fine soft weather.

—everything so white, so marbly pure and dazzling, yet soft—the White House of future poems, and of dreams

There are fires in large stoves, and the prevailing white of the walls is reliev'd by some ornaments,

Williams, age 21, 3d Va. Cavalry.

Father, John Williams, Millensport, Ohio. 9–10.

in toward land; The great steady wind from west and west-by-south, Floating so buoyant, with milk-white

, I was refresh'd by the storm; I watch'd with joy the threatening maws of the waves; I mark'd the white

Then to the third—a face nor child, nor old, very calm, as of beautiful yellow-white ivory: Young man

NOT alone our camps of white, O soldiers, When, as order'd forward, after a long march, Footsore and

WORLD, take good notice, silver stars fading, Milky hue ript, weft of white detaching, Coals thirty-six

table Henry Clapp, Walt Whitman, Fitz James O'Brien, Ned Wilkins, George Arnold, Sheppard, Gardette, William

William Winter was its literary critic.

William Winter came from the Cambridge (Mass.) Chronicle in 1859.

Our transcription is based on William Shepard, ed., Pen Pictures of Modern Authors (New York: G. P.

looked a moment at the blaze of the great wood fire, ran his forefinger and left through the heavy white

The Italian bedfellow kisses and hugs, and fills the house with white towels.

The youth float on their backs, their white bellies soak up the sun; they do not wonder who clasps them

I neither suffer nor despair despite my exhaustion, Beautiful and white are the people surrounding me

I depart like the air, shake my white hair towards the setting sun, Throw my flesh into eddies, let it

Hall Walt Whitman in Europe Today Roger Asselineau and William White Detroit Wayne State University Press

" ("Pevec ličnosti i žizni") and "The Poetry of Struggle" ("Poèzija borʹby"), appear in the volume White

which has in effect powerfully recreated: Me and mine, loose windrows, little corpses, Froth, snowy white

By the time he became acquainted with Whitman's poetry through William Rossetti's British edition of

It was facilitated by Whitman's friends, probably under the aegis of William D.

The translators were an unlikely team—Thomas William Rolleston (1857–1920) was an Irish nationalist and

He is also a prominent translator of American dramatists (among them Williams, Miller, and Wilder).

And four voices under the high white hats reply: "Et c'est bon!" . . .

William Parry reports that in Baku poems by Whitman were distributed as morale builders to oil workers

"I am both white and black, and belong to every caste—mine is every faith—I am a farmer, gentleman, mechanic

Traubel was fifteen years old when he began to chat occasionally with the white-bearded old poet on the

See Roger Asselineau and William White, eds., Walt Whitman in Europe Today (Detroit: Wayne State University

William White, ed., The Bicentennial Walt Whitman (Detroit: Wayne State University Press, 1976), 14.

Asselineau and White, , 19.

The early lilacs became part of this child, And grass and white and red morning-glories, and white and

Roger Asselineau and William White, eds., (Detroit, Wayne State University Press, 1972).

See, for instance, Swinburne's discussion of Whitman in William Blake: A Critical Essay (London: John

Hyder, "Swinburne's 'Changes of Aspect' and Short Notes," PLMA 58 (March 1943): 241; William J.

(Edinburgh: William Brown, 1884); originally published in the Round Table Series 4. 13.

This is what William Carlos Williams learned from Whitman, the natural cadence, the flow of breath as

William Carlos Williams once praised a poem by Marianne Moore as an anthology of transit, presumably

that swing and bloom; in your dining room, close to the tiled stove that smells of pine resin and white

America] most nearly recognizes its image is good gray Whitman in his open-collared shirt, in his white

class or of his own intellectual caste, of his own region or territorial area, or of his own race of white-skinned

Perhaps his long white hair made him seem paternal or maternal in the eyes of fatally wounded young men