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Han just recieved your letter, with kind enclosure of 1 dollar for herself.
a sweet loaf for herself, she has been craving after, several days—The public have treated us well—1
lbs choice flour—3 fowls and a turkey, by other friends unknown—bread, sugars—teas, coffee—Lou sent 1
I have connected my stove with hers in bedroom, by adding more pipe and elbow —at a cost of 1 doll ar
I have no money am s hort 10 dollars, interest 1 year—at Bank—due 10th Nov—not quite out of coal yet.
Have on taxes yet 10 dollars, 1 years interest, 15 dollars. Charlie Charles L.
Han recd your note, with 1 dollar was too weakly to read it, just then.
June 7th, 18 89 Bro Walt, Your letter to Han, with 1 dollar—received.
Now Walt, we need money most—taxes—then 1 ton of coal, 1 cord of wood, which Lou promise to pay for—coal
Bancroft, San Francisco (Publishers and Booksellers.) as follows: 1 Leaves of Grass, to be sent to F.
Moulton (L.M) answered Dec 1 '88 by HLT. See notes Nov 30, '88.
same to the passion of Woman-Love as the Calamus-Leaves are to adhesiveness, manly love" (Notebooks 1:
Journal of the American Studies Association of Texas 27 (1996): 1–18. Bloom, Harold. Introduction.
New York: Chelsea House, 1987. 1–6. Chopin, Kate.
1889poetryhandwritten1 leaf13.5 x 18.5 cm; A proof with three emendations and a notation by Horace Traubel: "See notes 1/
that such economic injustice "is an evil... that... sows a public crop of other evils" (Uncollected 1:
(Gathering 1:150–151).As a poet, however, Whitman often presented himself as one who has the unique capacity
of this leaf is a draft of a poem published first in the 1860 edition of Leaves of Grass as number 1
they are, especially in the South Building) which a patient can have all to himself, for the price of $1
declamations and escapades undoubtedly enter'd into the gestation of 'Leaves of Grass'" (Prose Works 1:
daily reportage Whitman always recalled fondly (see, for example, "Starting Newspapers," Prose Works 1:
fields, trees, birds, sun-warmth and free skies, or it will certainly dwindle and pale" (Prose Works 1:
Here was America, "brought to Hospital in her fair youth" (Correspondence 1:69), and yet, sadly, the
I must be continually bringing out poems—now is the hey day" (Correspondence 1:185).
Whitman believed, would "shape the destinies of the future of the whole of mankind" (Correspondence 1:
Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.
Bloomington: Indiana UP, 1962. 1–14.____. 1855 Preface. Complete Poetry and Collected Prose. Ed.
questions, though I do think that if we ever moved toward a crowdsourcing model the key issues would be 1)
Gordon, "Experiencing Women's History as a Documentary Editor," Documentary Editing 31 (2010), 1–9.
until 1950 (William Huntzicker, The Popular Press, 1833-1865 [Westport, CT:Greenwood Press, 1999], 1–
Vol. 1. Boston: Small, Maynard, 1906. Winter, William.
THE RETURN OF THE HEROES. 1 FOR the lands and for these passionate days and for myself, Now I awhile
THIS COMPOST. 1 SOMETHING startles me where I thought I was safest, I withdraw from the still woods I
THE SINGER IN THE PRISON. 1 O sight of pity, shame and dole! O fearful thought—a convict soul.
P., Buried 1870.) 1 WHAT may we chant, O thou within this tomb?
VOCALISM. 1 VOCALISM, measure, concentration, determination, and the divine power to speak words; Are
THE RETURN OF THE HEROES. 1 FOR the lands and for these passionate days and for myself, Now I awhile
THIS COMPOST. 1 SOMETHING startles me where I thought I was safest, I withdraw from the still woods I
THE SINGER IN THE PRISON. 1 O sight of pity, shame and dole! O fearful thought—a convict soul.
P., Buried 1870.) 1 WHAT may we chant, O thou within this tomb?
VOCALISM. 1 VOCALISM, measure, concentration, determination, and the divine power to speak words; Are
(A Reminiscence of 1864.) 1 WHO are you, dusky woman, so ancient, hardly human, With your woolly-white
SONG OF THE UNIVERSAL. 1 COME said the Muse, Sing me a song no poet yet has chanted, Sing me the universal
WITH ANTECEDENTS. 1 WITH antecedents, With my fathers and mothers and the accumulations of past ages,
SONG OF THE UNIVERSAL. 1 COME said the Muse, Sing me a song no poet yet has chanted, Sing me the universal
WITH ANTECEDENTS. 1 WITH antecedents, With my fathers and mothers and the accumulations of past ages,
Cluster: Calamus. (1860) CALAMUS. 1.
A SONG. 1 COME, I will make the continent indissoluble; I will make the most splendid race the sun ever
A SONG. 1 COME, I will make the continent indissoluble; I will make the most splendid race the sun ever
1.
Weather-beaten vessels, landings, settlements, the rapid stature and muscle, The haughty defiance of the Year 1—
I SING THE BODY ELECTRIC. 1 I SING the Body electric; The armies of those I love engirth me, and I engirth
I SING THE BODY ELECTRIC. 1 I SING the Body electric; The armies of those I love engirth me, and I engirth
OUT OF THE ROLLING OCEAN, THE CROWD. 1 OUT of the rolling ocean, the crowd, came a drop gently to me,
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
I SING THE BODY ELECTRIC. 1 I SING the body electric, The armies of those I love engirth me and I engirth
DRUM-TAPS. 1 FIRST, O songs, for a prelude, Lightly strike on the stretch'd tympanum, pride and joy in
1 BEAT! beat! drums!—Blow! bugles! blow!
Come Up from the Fields, Father. 1 COME up from the fields, father, here's a letter from our Pete; And
THE DRESSER. 1 AN old man bending, I come, among new faces, Years looking backward, resuming, in answer
GIVE ME THE SPLENDID SILENT SUN. 1 GIVE me the splendid silent sun, with all his beams full- dazzling
RISE O DAYS FROM YOUR FATHOMLESS DEEPS. 1 RISE O days from your fathomless deeps, till you loftier, fiercer
THE WOUND-DRESSER. 1 AN old man bending I come among new faces, Years looking backward resuming in answer
GIVE ME THE SPLENDID SILENT SUN. 1 GIVE me the splendid silent sun with all his beams full-dazzling,
RISE O DAYS FROM YOUR FATHOMLESS DEEPS. 1 RISE O days from your fathomless deeps, till you loftier, fiercer
THE WOUND-DRESSER. 1 AN old man bending I come among new faces, Years looking backward resuming in answer
GIVE ME THE SPLENDID SILENT SUN. 1 GIVE me the splendid silent sun with all his beams full-dazzling,
Cluster: Enfans D'adam. (1860) Enfans d'Adam. 1.
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
THE MYSTIC TRUMPETER. 1 HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates
FACES. 1 SAUNTERING the pavement or riding the country by-road, lo, such faces!
THE MYSTIC TRUMPETER. 1 HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates
AS I PONDER'D IN SILENCE. 1 AS I ponder'd in silence, Returning upon my poems, considering, lingering
IN CABIN'D SHIPS AT SEA. 1 IN cabin'd ships, at sea, The boundless blue on every side expanding, With
Cluster: Leaves of Grass. (1860) LEAVES OF GRASS. 1. ELEMENTAL drifts!
Cluster: Leaves of Grass. (1867) LEAVES OF GRASS. 1.
Cluster: Leaves of Grass. (1867) LEAVES OF GRASS. 1. O HASTENING light! O free and extatic!
Cluster: Leaves of Grass. (1867) LEAVES OF GRASS. 1.
Cluster: Leaves of Grass. (1867) LEAVES OF GRASS. 1.
Cluster: Leaves of Grass. (1867) LEAVES OF GRASS. 1 O ME, man of slack faith so long!
FACES 1 SAUNTERING the pavement, or riding the country by- road by-road —lo! such faces!
MANHATTAN'S STREETS I SAUNTER'D, PONDERING. 1 MANHATTAN'S streets I saunter'd, pondering, On time, space
THIS COMPOST. 1 SOMETHING startles me where I thought I was safest; I withdraw from the still woods I
AS I SAT ALONE BY BLUE ONTARIO'S SHORE. 1 As I sat alone, by blue Ontario's shore, As I mused of these
Weather-beaten vessels, landings, settlements, embryo stature and muscle, The haughty defiance of the Year 1—
1 COME, my tan-faced children, Follow well in order, get your weapons ready; Have you your pistols?
WHEN LILACS LAST IN THE DOORYARD BLOOM'D. 1 WHEN lilacs last in the dooryard bloom'd, And the great star