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Search : William White

3753 results

Cluster: Calamus. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

sea-waves hurry in and out, Not the air delicious and dry, the air of ripe summer, bears lightly along white

BEHOLD this swarthy face, these gray eyes, This beard, the white wool unclipt upon my neck, My brown

Cluster: Calamus. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

sea-waves hurry in and out, Not the air delicious and dry, the air of ripe summer, bears lightly along white

BEHOLD this swarthy face, these gray eyes, This beard, the white wool unclipt upon my neck, My brown

Cluster: Calamus. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

and out, Not the air, delicious and dry, the air of the ripe sum- mer summer , bears lightly along white

BEHOLD this swarthy face—these gray eyes, This beard—the white wool, unclipt upon my neck, My brown hands

Cluster: Calamus. (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

hurry in and out, Not the air, delicious and dry, the air of the ripe summer, bears lightly along white

BEHOLD this swarthy face, this unrefined face—these gray eyes, This beard—the white wool, unclipt upon

Cluster: Calamus. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

hurry in and out, Not the air, delicious and dry, the air of the ripe summer, bears lightly along white

Behold this swarthy and unrefined face—these gray eyes, This beard—the white wool, unclipt upon my neck

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

For shame old maniacs—bring down those toss'd arms, and let your white hair be, Here gape your great

Cluster: By the Roadside. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

For shame old maniacs—bring down those toss'd arms, and let your white hair be, Here gape your great

Cluster: Birds of Passage. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

signs, I would sing your contest for the 19th Presidentiad, I would sing how an old man, tall, with white

Cluster: Birds of Passage. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

signs, I would sing your contest for the 19th Presidentiad, I would sing how an old man, tall, with white

Cluster: Bathed in War's Perfume. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

ah my woolly white and crim- son crimson ! Ah to sing the song of you, my matron mighty!

in toward land; The great steady wind from west and west-by-south, Floating so buoyant, with milk-white

(A Reminiscence of 1864.) 1 WHO are you, dusky woman, so ancient, hardly human, With your woolly-white

WORLD, take good notice, silver stars fading, Milky hue ript, weft of white detaching, Coals thirty-eight

Cluster: Autumn Rivulets. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The early lilacs became part of this child, And grass and white and red morning-glories, and white and

at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white

grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white

cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white

some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white

Cluster: Autumn Rivulets. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

The early lilacs became part of this child, And grass and white and red morning-glories, and white and

at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white

grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white

cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white

some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white

Clement Hugh Hill to William McMichael, 14 October 1871

  • Date: October 14, 1871
  • Creator(s): Clement Hugh Hill | Walt Whitman
Text:

as noted: Elizabeth Lorang Joshua Ware John Schwaninger Nima Najafi Kianfar Clement Hugh Hill to William

Clement Hugh Hill to William Darlington, 6 January 1871

  • Date: January 6, 1871
  • Creator(s): Clement Hugh Hill | Walt Whitman
Text:

noted: Elizabeth Lorang Nima Najafi Kianfar Kevin McMullen John Schwaninger Clement Hugh Hill to William

Clement Hugh Hill to William Darlington, 24 October 1871

  • Date: October 24, 1871
  • Creator(s): Clement Hugh Hill | Walt Whitman
Text:

noted: Elizabeth Lorang John Schwaninger Anthony Dreesen Nima Najafi Kianfar Clement Hugh Hill to William

Clement Hugh Hill to Hendricks, Howe, & Hendricks, 19 May 1871

  • Date: May 19, 1871
  • Creator(s): Clement Hugh Hill | Walt Whitman
Text:

Williams, has been received, and the transcript placed on file in the clerk's office of the Supreme Court

A Clear Midnight

  • Date: about 1880
Text:

Williams" dated December 2, 1880. The poem was first published in 1881. A Clear Midnight

Clapp, Henry (1814–1875)

  • Creator(s): Stansell, Christine
Text:

He worked as a journalist and theater critic in New York until his death.Bibliography Howells, William

Winter, William. Old Friends, Being Literary Recollections of Other Days.

Claims of Partisans

  • Date: 22 April 1842
  • Creator(s): Walt Whitman
Text:

featured many sensationalized stories that were discredited, The Sun persisted in some form until 1950 (William

, Light and Shadows of Irish Life (Philadelphia: Carey, Lea and Blanchard, 1838), 141; "Patrick," William

according to the belief of these sage, grave men, The phrase "sage, grave men" comes from a line in William

originally worked to elect Jeffersonian Republicans and to extend the right to vote to non-property owning white

Annotations Text:

originally worked to elect Jeffersonian Republicans and to extend the right to vote to non-property owning white

Civil War Washington, the Walt Whitman Archive, and Some Present Editorial Challenges and Future Possibilities

  • Creator(s): Kenneth M. Price
Text:

American literary and historical studies focuses on canonical writers and political leaders—that is, on white

advice from Brett Barney, Amanda Gailey, Wendy Katz, Elizabeth Lorang, Vanessa Steinroetter, and William

Civil War, The [1861–1865]

  • Creator(s): Hutchinson, George
Text:

Here he settled into a rooming house where an acquaintance, William Douglas O'Connor, was staying with

Gertrude Traubel and William White. Carbondale: Southern Illinois UP, 1982; Vol. 7. Ed.

City Photographs—No. VII

  • Date: 17 May 1862
  • Creator(s): Walt Whitman
Text:

Here is plenty of room, and the roof of canvas, red, white and blue, makes it all cool and nice for summer

City Photographs—No. VI

  • Date: 3 May 1862
  • Creator(s): Walt Whitman
Text:

small size, opened in 1835. down in the square—on account of the real genius of the acting in it of William

William Sefton and John Sefton were brothers.

William was the first stage manager of the Franklin Theatre.

City Photographs—No. III

  • Date: 29 March 1862
  • Creator(s): Walt Whitman
Text:

Colden, the Hones, Whitehead and Valentine Hicks, William and James Jauncey, the Kortwrights, Livingstons

Dunlap, William Dunlap (1766–1839) was a painter who was also famous for writing History of the Rise

City Photographs

  • Date: 16 March 1862
  • Creator(s): Walt Whitman
Text:

Hammersley, who served an equally long time; William Hammersley was one of the earliest physicians and

It is a large apartment, very clean of course, white-washed, with high-ceilings, well-lighted, perhaps

City of my walks and joys

  • Date: late 1850s
Text:

1850spoetryhandwritten1 leaf8.5 x 10 cm pasted to 20 x 16 cm; On a composite leaf consisting of two pieces of white

The City Dead-House.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Or white-domed Capitol itself, with majestic figure sur- mounted surmounted —or all the old high-spired

The City Dead-House.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Or white-domed capitol with majestic figure surmounted, or all the old high-spired cathedrals, That little

The City Dead-House.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Or white-domed capitol with majestic figure surmounted, or all the old high-spired cathedrals, That little

The City Dead-House

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

Or white-domed Capitol itself, with magestic majestic figure sur- mounted surmounted —or all the old

The Chinese

  • Date: 12 February 1858
  • Creator(s): Walt Whitman
Text:

into the needle, pushed the board against the plane, instead of the plane against the board; wore white

The Child's Champion

  • Date: November 20, 1841
  • Creator(s): Walt Whitman
Text:

She who sat on the door-step was a widow; her neat white cap covered locks of gray, and her dress though

'Children of Adam' [1860]

  • Creator(s): Miller, James E., Jr.
Text:

and deliciously aching, / Limitless limpid jets of love hot and enormous, quivering jelly of love, white-blow

The Child-Ghost; A Story of the Last Loyalist

  • Date: May 1842
  • Creator(s): Walt Whitman
Text:

"The old occupants of this place," continued the white-haired narrator, "were well off in the world,

His cheeks were white with excitement; ferocity gleamed in every look and limb; and the frightened Gills

"All white!"

continued the miserable, conscience-stricken creature; "all white, and with the grave-clothes around

The Child and the Profligate

  • Date: October 1844
  • Creator(s): Walt Whitman
Text:

These versions are described in William G.

She who sat on the door step was a widow; her neat white cap covered locks of gray, and her dress, though

Chats with Walt Whitman

  • Date: February 1898
  • Creator(s): Grace Gilchrist
Text:

His beard and hair were snow-white, his complexion a fine colour, and unwrinkled.

He was dressed always in a complete suit of grey clothes with a large and spotless white linen collar

, his flowing white beard filling in the gap at his strong sunburnt throat.

twinkle of amusement in his blue eyes, their blueness intensified by their overhanging, bushy, snow-white

year of which I write he stayed at Timber Creek, and dilated on these pleasures:— "The birds at the White

A Chat with the Good Gray Poet

  • Date: December 1887
  • Creator(s): Cyrus Field Willard
Text:

It's like beauty; like a handsome person; I've seen 'em them : Negroes, Indians, white, yellow, men,

women, children, babies, short, tall, well, sick, long-haired, short-haired, white-haired, red-haired

Chase, Richard Volney (1914–1962)

  • Creator(s): Graffin, Walter
Text:

New York: William Sloane Associates, 1955. Chase, Richard Volney (1914–1962)

Charlotte St. Clair to Walt Whitman, 6 April 1866

  • Date: April 6, 1866
  • Creator(s): Charlotte St. Clair
Text:

Whitman Sir I rec'd a letter from Mr William of Bascom 242 F Street stating that our testimony did not

Charles William Dalmon to Walt Whitman, 27 September 1888

  • Date: September 27, 1888
  • Creator(s): Charles William Dalmon
Text:

I am Your's Charles William Dalmon c/o Duggan & Co 34 James Street Liverpool England Charles William

Charles Warren Stoddard to Walt Whitman, 8 February 1867

  • Date: February 8, 1867
  • Creator(s): Charles Warren Stoddard
Text:

Amongst the blushes on her cheek Her small, white hand reposes: I am a shepherd, for I seek That wilful

Charles Warren Stoddard to Walt Whitman, 14 June 1880

  • Date: June 14, 1880
  • Creator(s): Charles Warren Stoddard
Text:

more— the Autograph "Behold this swarthy face, this unrefined face—these gray eyes, This beard—the white

Charles W. Eldridge to Walt Whitman, 8 October 1889

  • Date: October 8, 1889
  • Creator(s): Charles Eldridge | Charles W. Eldridge
Text:

Especially the Boston Transcripts, Critics, Liberty &c—I am glad to see the notices of William that appear

Charles W. Eldridge to Walt Whitman, 22 September 1883

  • Date: September 22, 1883
  • Creator(s): Charles W. Eldridge
Text:

false statements about you at which your friends were naturally indignant, but I am surprised that William

Charles W. Eldridge to Walt Whitman, 2 May 1876

  • Date: May 2, 1876
  • Creator(s): Charles W. Eldridge
Text:

May 2. 1876 Dear Walt: Enclosed I send you a copy of a letter received by William.

You had better accept their invitation—How did you like Williams William's article?

Charles W. Eldridge to Walt Whitman, 13 July 1889

  • Date: July 13, 1889
  • Creator(s): Charles Eldridge | Charles W. Eldridge
Text:

.— The death of William O'Connor though long anticipated, was a great shock when the news came.

Charles W. Eldridge to Walt Whitman, 11 February 1887

  • Date: February 11, 1887
  • Creator(s): Charles Eldridge | Charles W. Eldridge
Text:

Pasadena, California February 11, 1887 Dear Walt, William and I are here at Dr. Channing's home.

I brought William out here from Washington in the hope that the climate might arrest the progress of

William and I received here (forwarded from Washington) letters from Mr.

William was unable to answer, much to his regret, but I did the best I could on my own account.

Charles L. Heyde to Walt Whitman, December 1866

  • Date: December 1866
  • Creator(s): Charles L. Heyde
Text:

Richard Grant White has but paid just sympathy to a true poet "Swinburne"; The criticism is a "Poem,"

Annotations Text:

Drum-Taps written by John Burroughs and a review of Algernon Charles Swinburne's work by Richard Grant White

Richard Grant White (1822–1885) was a prominent Shakespeare scholar and journalist from New York.

Charles L. Heyde to Walt Whitman, December 1866

  • Date: December 1866
  • Creator(s): Charles L. Heyde
Text:

Richard Grant White has but paid just sympathy to a true poet "Swinburne"; The criticism is a "Poem,"

Annotations Text:

Drum-Taps written by John Burroughs and a review of Algernon Charles Swinburne's work by Richard Grant White

Charles L. Heyde to Walt Whitman, 3 May [1890]

  • Date: May 3, [1890]
  • Creator(s): Charles L. Heyde
Text:

studies closely— Hard times with me for money— I sent a painting to New York—to Aquila, Rich, 84 William

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