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Search : PETER MAILLAND PLAY

1584 results

Matters Which Were Seen and Done in an Afternoon Ramble

  • Date: 19 November 1846
  • Creator(s): Walt Whitman
Text:

presentment of "The Troublesome Raigne of John, King of England," (which is probably more Marlowe's play

From first to last it was a continuous stretch of unsurpassed by–play and fine elocution.

Only the morbid appetite for unnatural strained effect can complain of want of interest in such a play

Arthur took the sympathies of the whole house; she played with quiet, grace, and modesty.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

About Pictures, &c.

  • Date: 21 Novermber 1846
  • Creator(s): Walt Whitman
Text:

(an instrument, by the by, which discourses very eloquent music, well–played, and is cheap to buy, and

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 15 August 1846
  • Creator(s): Walt Whitman
Text:

Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Some Thoughts about This Matter of the Washington Monument

  • Date: 18 October 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Free Exhibitions of Works of Art

  • Date: 21 October 1846
  • Creator(s): Walt Whitman
Text:

Peter's Basilica in the Vatican, the largest and most distinguished Renaissance church in Italy.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 10 August 1846
  • Creator(s): Walt Whitman
Text:

likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Annotations Text:

likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play

The Literary World

  • Date: 12 October 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Visit to Plumbe's Gallery

  • Date: 2 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

City Intelligence

  • Date: 4 August 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Memorials of the Red Men

  • Date: 9 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The monthly Magazines

  • Date: 28 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

That Indian Gallery

  • Date: 22 July 1846
  • Creator(s): Walt Whitman
Text:

Catlin as a "precious collection" Painter George Peter Alexander Healy (1813–1894) was one of more than

Volume I: 1834–1846 (New York: Peter Lang, 1998).

About Children

  • Date: 16 April 1842
  • Creator(s): Walt Whitman
Text:

What can be more merry than their voices, ringing out upon the air in play—and what, than their innocent

[Italian Opera in New Orleans]

  • Date: 15 April 1842
  • Creator(s): Walt Whitman
Text:

The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Annotations Text:

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Polishing the "Common People"

  • Date: 12 March 1846
  • Creator(s): Walt Whitman
Text:

Chromolithographs, art historian Peter Marzio writes, served the "democratization of culture" by making

possible the distribution of inexpensive fine-art imagery to the burgeoning middle class (Peter C.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

New Publications

  • Date: 14 March 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary News, Notices, &c., Works of Art, &c.

  • Date: 15 April 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

[Among the embellished periodicals]

  • Date: 17 March 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 19 May 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Splendid Churches

  • Date: 9 March 1846
  • Creator(s): Walt Whitman
Text:

Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

["Pastourel," by Frederick Soulie]

  • Date: 28 September 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

["The new Juvenile Drawing Book"]

  • Date: 29 September 1847
  • Creator(s): Walt Whitman
Text:

For efforts to promote drawing in the schools see especially Peter C.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

New publications

  • Date: 8 November 1847
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Literary Notices

  • Date: 26 August 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Leaves of Grass (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

some playing, some slumbering? Who are the girls? who are the married women?

play the part that looks back on the actor or actress!

The most renown'd poems would be ashes, orations and plays would be vacuums.

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

Let the priest still play at immortality! Let death be inaugurated!

Cluster: Inscriptions. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the strange sad war revolv- ing revolving , With all its angry and vehement play

Cluster: Children of Adam. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

, He shall be lawless, rude, illiterate—he shall be one condemn'd by others for deeds done; I will play

Cluster: Calamus. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

remain in the same room with you, Little you know the subtle electric fire that for your sake is playing

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

Cluster: Drum-Taps. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

defiles through the woods, gain'd at night, The British advancing, wedging in from the east, fiercely playing

Maryland have march'd forth to intercept the enemy; They are cut off—murderous artillery from the hills plays

Cluster: Marches Now the War Is Over. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

head; No more of soft astral, but dazzling and fierce, With war's flames, and the lambent lightnings playing

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

Let the priest still play at immortality! Let death be inaugurated!

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Trottoirs throng'd—vehicles—Broadway—the women— the shops and shows, The parades, processions, bugles playing

Cluster: Bathed in War's Perfume. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with me, and play

Cluster: Leaves of Grass. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute

Cluster: Songs of Parting. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage; (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

To Thee, Old Cause!

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the strange sad war revolv- ing revolving , With all its angry and vehement play

Starting From Paumanok.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

step they wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing

its part, and passing on; Another generation playing its part, and passing on in its turn, With faces

Walt Whitman.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

not marches for accepted victors only—I play great marches for conquered and slain persons.

To the Garden, the World.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

I Sing the Body Electric.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

under-hold, the hair rumpled over and blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed; Mad filaments, ungovernable shoots play

Native Moments.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

, He shall be lawless, rude, illiterate—he shall be one condemn'd by others for deeds done; I will play

Cluster: Inscriptions. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Children of Adam. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Calamus. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Sea-Drift. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: By the Roadside. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Drum-Taps. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Autumn Rivulets. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

The passionate teeming plays this curtain hid!)

Cluster: Whispers of Heavenly Death. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Cluster: Songs of Parting. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

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