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Search : PETER MAILLAND PLAY

1584 results

Untitled

  • Date: 19 June 1885
  • Creator(s): Anonymous
Text:

"Be seated, I will sit here where I can see the children at play beneath the green leaves," and the poet

Thomas Jefferson Whitman to Walt Whitman, 23 February 1885

  • Date: February 23, 1885
  • Creator(s): Thomas Jefferson Whitman
Text:

office—he was in St Louis a week—with one of the dramatic Companies  I saw him often—did'nt go to the play

Walt Whitman to Talcott Williams, 11 October 1884

  • Date: October 11, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?"

William D. O'Connor to Walt Whitman, 2 October 1884

  • Date: October 2, 1884
  • Creator(s): William D. O'Connor
Text:

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions

Walt Whitman to William D. O'Connor, 29 September 1884

  • Date: September 29, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?"

Walt Whitman to Jeannette L. and Joseph B. Gilder, 16 September 1884

  • Date: September 16, 1884
  • Creator(s): Walt Whitman
Annotations Text:

"What Lurks Behind Shakspeare's Historical Plays?" appeared in The Critic on September 27.

Walt Whitman to Edwin Booth, 21 August 1884

  • Date: August 21, 1884
  • Creator(s): Walt Whitman
Text:

knowing I do)—I am writing for the magazine market—or rather have written—a reminiscence of the actors & plays

James Knowles to Walt Whitman, 20 August 1884

  • Date: August 20, 1884
  • Creator(s): James Knowles
Text:

obliged by your kind offer of the little M.S. manuscript on "What lurks behind Shakespeare's Historical Plays

Walt Whitman

  • Date: June 1884
  • Creator(s): Kennedy, Walker
Text:

Suppose, however, he undertook to play the part in a cutaway coat, a plug hat, corduroy trowsers, and

Walt Whitman to Peter Bolger, [29 May 1884]

  • Date: May 29, 1884
  • Creator(s): Walt Whitman
Text:

for you if you want it your telegram recd recieved yesterday too late. for the paper Walt Whitman to Peter

Allen Upward to Walt Whitman, 12 March 1884

  • Date: March 12, 1884
  • Creator(s): Allen Upward
Text:

I have written plays, comedy & tragedy, allegory, satire and biting political pieces, a few of them printed

Yet for its better advancement I have to play the part of a genteel citizen,—part repugnant!

Walt Whitman to Harry Stafford, 10 February 1884

  • Date: February 10, 1884
  • Creator(s): Walt Whitman
Text:

to the theatre last week, & enjoyed it, "Francesca da Rimini"—lots of love-making & hugging in the play

spied me in front, & sent around to ask me to come behind the scenes, which I did at the end of the play

Annotations Text:

Commonplace Book on January 30: "B[arrett] sent for me behind the stage & I went at the close of the play

What lurks behind Shakespeare's historical plays?

  • Date: 1884
Text:

fol.00003xxx.00465S.b.89What lurks behind Shakespeare's historical plays?

[manuscript], ca. 1884What lurks behind Shakespeare's historical plays?

leaveshandwritten; A late-stage manuscript of Whitman's essay What lurks behind Shakespeare's historical plays

What lurks behind Shakespeare's historical plays?

Walt Whitman

  • Date: 1883
  • Creator(s): Richard Maurice Bucke
Text:

Yes, unhesitatingly; the plays of the great poet are not only the concentration of all that lambently

played in the best fanciesof those times — not only the gathering sunset ofthe stirringdays of feudalism

corner of the room where there was a group ofyoung children, with whom he talked and laughed and played

I play Alphonso neither togenius nor to God.

, and interpret itas a law of Nature interpretsthe complex play of factswhich proceeds Iroiuit.

Two or three memories

  • Date: December 13, 1883
Text:

Whitman referred to Mario in Specimen Days & Collect, published in 1882-1883, in the passages entitled Plays

Walt Whitman to William D. O'Connor, 9 December 1883

  • Date: December 9, 1883
  • Creator(s): Walt Whitman
Text:

Camden N J Dec 9 '83 A young workingman & engineer, Edward Doyle, (brother of my dear friend Peter D.

Walt Whitman

  • Date: September 1883
  • Creator(s): Metcalfe, William Musham
Text:

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

religion, and the democratic adjustments, all these swarms of poems, literary magazines, dramatic plays

He could no more have written the idylls of the King , or a play of Shakespeare than he could have written

Walt Whitman to Peter Doyle, June 1883

  • Date: June 1883
  • Creator(s): Walt Whitman
Text:

Walt Whitman to Peter Doyle, June 1883

William D. O'Connor to Walt Whitman, 25 May 1886

  • Date: May 25, 1886
  • Creator(s): William D. O'Connor
Annotations Text:

Elegancies, was the text that was often cited by Baconians as evidence that Bacon was the author of the plays

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Craig McGinnis to Walt Whitman, 30 April 1883

  • Date: April 30, 1883
  • Creator(s): Craig McGinnis
Annotations Text:

The quote is from Roman playwright Publius Terentius Afer's adaptation of the ancient Greek play "Heauton

Herbert Gilchrist to Walt Whitman, 29 April 1883

  • Date: April 29, 1883
  • Creator(s): Herbert Gilchrist
Text:

You play a prominent part in this picture—seated at table bending over a nosegay of flowers, poetizing

Walt Whitman to John Burroughs, 15 December 1882

  • Date: December 15, 1882
  • Creator(s): Walt Whitman
Text:

me over 10 years ago) boxed up & stored with other traps in Washington at the house of old Mr Nash, Peter

Review of Specimen Days and Collect

  • Date: 27 November 1882
  • Creator(s): Anonymous
Text:

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

Review of Specimen Days and Collect

  • Date: 18 November 1882
  • Creator(s): Dowden, Edward
Text:

me over the gaps of the bridge, through impediments, safely aboard"), and would enjoy the stir and play

activity, nor "that other shape of personality dearer far to the artist-sense (which likes the strongest play

All About Walt Whitman

  • Date: 4 November 1882
  • Creator(s): Anonymous
Text:

Look at this sturdy child of Nature playing with his mother: Hanging clothes on a rail near by, keeping

Whitman's New Book

  • Date: 15 October 1882
  • Creator(s): Whitman, Walt, and Sylvester Baxter
Text:

Printing Office—Old Brooklyn…Lafayette…Broadway Sights…My Passion for Ferries…Omnibus Jaunts and Drivers…Plays

The play of imagination, with the sensuous objects of nature for symbols, and faith—with love and pride

He says "there is another shape of personality dearer far to the artist sense (which likes the play of

Walt Whitman to Susan Stafford, 10 September [1882]

  • Date: September 10, 1882
  • Creator(s): Walt Whitman
Text:

this it is a very pleasant quiet Sunday—as I sit here by my open window, a lady nearly opposite is playing

Walt Whitman to Harry Stafford, 10 September [1882]

  • Date: September 10, 1882
  • Creator(s): Walt Whitman
Text:

are over home—I wish I was there with you all— —As I finish my letter a lady opposite is singing & playing

William D. O'Connor to Walt Whitman, 28 August 1882

  • Date: August 28, 1882
  • Creator(s): William D. O'Connor
Text:

I have been much played out this summer, especially the last month.

William D. O'Connor to Walt Whitman, 19 August 1882

  • Date: August 19, 1882
  • Creator(s): William D. O'Connor
Text:

have not again written him, being quite satisfied with letting him know what I thought of his fair-play

Herbert Gilchrist to Walt Whitman, 16 August 1882

  • Date: August 16, 1882
  • Creator(s): Herbert Gilchrist
Text:

Wednesday afternoon I played the delightful game of lawn-tennis with them and their friends & the following

day I was asked to go and play tennis at the Rectory two miles off.

Walt Whitman's Complete Volume

  • Date: 12 August 1882
  • Creator(s): Gordon, T. Francis
Text:

Love's like a red, red rose, That's newly sprung in June: O my Love's like a melodie That's sweetly played

William D. O'Connor to Walt Whitman, 29 May 1882

  • Date: May 29, 1882
  • Creator(s): William D. O'Connor
Text:

I think John will be delighted with my sword-play.

Leaves of Grass

  • Date: February 1882
  • Creator(s): Anonymous
Text:

is a rational animal, and not like the beasts, which have no sense; and all effort on his part to play

Whitman, Poet and Seer

  • Date: 22 January 1882
  • Creator(s): G. E. M.
Text:

fight between Deity on one side and somebody else on the other—not Milton, not even Shakespeare's plays

The Poetry of the Future

  • Date: 19 January 1882
  • Creator(s): Anonymous
Text:

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

Annotations Text:

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

Herbert Gilchrist to Walt Whitman, 15 January 1882

  • Date: January 15, 1882
  • Creator(s): Herbert Gilchrist
Text:

here in London very good-naturedly volunteered to stand to me for a picture of Consuelo & Hayden playing

Thomas Nicholson to Walt Whitman, 6 December 1881

  • Date: December 6, 1881
  • Creator(s): Thomas Nicholson
Text:

Things in the asylum is quite lively now the Dances and Plays is in full blast now, And they make the

Thomas W. H. Rolleston to Walt Whitman, 28 November [1881]

  • Date: November 28, 1881
  • Creator(s): Thomas W. H. Rolleston
Text:

offers extraordinary facilities for translation especially poetic, from foreign tongues, e.g. a Greek play

"Leaves of Grass"

  • Date: 26 November 1881
  • Creator(s): Anonymous
Text:

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

Annotations Text:

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

"Leaves of Grass"

  • Date: 13 November 1881
  • Creator(s): Anonymous
Text:

a passage remarkable for its nobility: "With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play Marches for conquer'd and slain persons.

A Poet's Supper to his Printers and Proof-Readers

  • Date: 17 October 1881
  • Creator(s): Anonymous
Text:

should be observed toward President Arthur, who has in some respects, the most perplexing part to play

Anne Gilchrist to Walt Whitman, 17 June 1881

  • Date: June 17, 1881
  • Creator(s): Anne Gilchrist
Text:

everything—the being with Norah (who is like one of my own) & the dearest jolliest little man digging & playing

Thomas W. H. Rolleston to Walt Whitman, 10 February [1881]

  • Date: February 10, 1881
  • Creator(s): Thomas W. H. Rolleston
Text:

But we must recognise the situation as practical men, and must not play into their hands, but must simply

Cluster: Inscriptions. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Children of Adam. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Calamus. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Sea-Drift. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: By the Roadside. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Drum-Taps. (1881)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

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