Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1600-#-# to 2100-#-#
Month 1600-#-1 to 2100-#-31
Day 1600-01-# to 2100-12-#

Work title

See more

Year

See more
Search : part 2 roblox story kate and jayla

6238 results

The most immense part of

  • Date: Between 1855 and 1860
Text:

duk.00003xxx.00231MS q 1The most immense part ofBetween 1855 and 1860poetryprose5 leaveshandwritten;

until the 1881–1882 edition of Leaves.; duk.00006; duk.00008; tex.00002; duk.00942 The most immense part

A main part of the greatness

  • Date: about 1857
Text:

duk.00152xxx.00847Box III-6AA main part of the greatnessabout 1857poetryprose1 leafhandwritten; Handwritten

A main part of the greatness

the most definitely

  • Date: 1855
Text:

Volume 196)xxx.00798the most definitely1855prosehandwritten1 leaf; This prose fragment appears to be part

Bardic Symbols

  • Date: about 1860
Text:

of the manuscript leaves are stored with a letter to the editor, James Russell Lowell, dated October 2,

The singer in the prison

  • Date: about 1869
Text:

Finally, in the 1881–82 edition it became part of the Autumn Rivulets cluster.

6

  • Date: about 1860
Text:

In the 1871–72 edition, revised and titled Thought, it was included in the Songs of Parting cluster.

2

  • Date: about 1860
Text:

In the 1867 and 1871–72 editions it appeared again as 2 in clusters titled Thoughts.

Finally, in Leaves of Grass (1881–82) Whitman combined parts of this and another poem, again titled Thoughts

, and included it in the By the Roadside cluster. 2

To Other Lands

  • Date: about 1860
Text:

eventually titled To Foreign Lands, first published in Leaves of Grass (1860–61) as To other Lands as part

Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

I take part . . . .

 . . . . any thing is but a part.

does not counteract another part . . . .

all became part of him.

Sure as life holds all parts together, death holds all parts together; Sure as the stars return again

Preface. Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

convening of Congress every December, the members duly coming up from all climates and the uttermost parts

is the reason that about the proper expression of beauty there is precision and balance . . . one part

He is most wonderful in his last half-hidden smile or frown . . . by that flash of the moment of parting

escape . . . . or rather when all life and all the souls of men and women are discharged from any part

of the earth—then only shall the instinct of liberty be discharged from that part of the earth.

Leaves of Grass, "I Celebrate Myself,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

I believe in the flesh and the appetites, Seeing hearing and feeling are miracles, and each part and

The sentries desert every other part of me, They have left me helpless to a red marauder, They all come

Parting tracked by arriving . . . . perpetual payment of the perpetual loan, Rich showering rain, and

I take part . . . .

 . . . . any thing is but a part.

Leaves of Grass, "To Think of Time . . . . To Think Through"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

. that every thing was real and alive; To think that you and I did not see feel think nor bear our part

, To think that we are now here and bear our part.

He was a goodfellow, Freemouthed, quicktempered, not badlooking, able to take his own part, Witty, sensitive

Leaves of Grass, "I Wander All Night in My Vision,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

loves unre- quited unrequited , the moneymaker, The actor and actress . . those through with their parts

Leaves of Grass, "A Young Man Came to Me With"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

own, and bestows it upon men . . and any man translates . . and any man translates himself also: One part

does not counteract another part . . . .

Leaves of Grass, "There Was a Child Went Forth Every"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

upon and received with wonder or pity or love or dread, that object he became, And that object became part

of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years

The early lilacs became part of this child, And grass, and white and red morningglories, and white and

all became part of him.

And the field-sprouts of April and May became part of him  . . . . wintergrain sprouts, and those of

Leaves of Grass, "Great Are the Myths . . . . I Too Delight"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

Sure as life holds all parts together, death holds all parts together; Sure as the stars return again

med Cophósis

  • Date: Between 1852 and 1854
  • Creator(s): Walt Whitman
Text:

, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part

and received with wonder or pity or love or dread, that object he became, / And that object became part

of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years

The "voices" described in the last part of this section may relate to the following lines: "Through me

come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n

is to be poor, rather than rich—but to prefer death sooner than any mean dependence.— Prudence is part

of the new born child is greater than the woman's part— or where father than is more needful than a

And the world is no joke, Nor any part of it a sham, This passage contains a line directly related to

w ill you sting me most even at parting?

Annotations Text:

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

that it fibre and strengthen

  • Date: About 1854
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

The offices

  • Date: 1854
  • Creator(s): Walt Whitman
Text:

—They are part of the organic motion of the city, for the life and health of it from head to foot.— WW

Walt Whitman by Samuel Hollyer, engraving of a daguerreotype by Gabriel Harrison (original lost), 1854

  • Date: July 1854
  • Creator(s): Hollyer, Samuel | Harrison, Gabriel
Text:

1881 edition, Whitman insisted on its facing "Song of Myself" because the portrait "is involved as part

Ascent of Mount Popocatapetl

  • Date: After March 23, 1854; 23 March 1854
  • Creator(s): Walt Whitman | Gerard Noel | Anonymous
Text:

P., dated Mexico, Jan. 2, 1854, and describing his successful attempt to ascend Popocatapetl in the depth

The crater is a vast basin, three miles in circumference and 900 feet deep; in some parts perpendicular

I know a rich capitalist

  • Date: Between about 1854 and 1860
Text:

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

and published as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part

Citizens took by mutual agreement

  • Date: Between 1853 and 1855
Text:

The leaf originally was part of a larger notebook (loc.00024) that probably dates to between 1853 and

The regular old followers

  • Date: Between 1853 and 1855
Text:

in The American in October 1880 as My Picture-Gallery, a poem later included in Leaves of Grass as part

a schoolmaster

  • Date: Before or early in 1852; 12 March 1852
  • Creator(s): Walt Whitman | unknown author
Text:

.— ☞ At a late fire in Cambridge, Mass., while the flames were consuming the lower part of a dwelling

Fay, a merchant of Boston, and boarder at the Brattle House, observed in the upper story a female and

The entire upper part of the building was in a moment after enveloped in flames.

Tribune March 12 1852 Part of this notebook outlines a piece of early fiction.

The name of the character "Covert" also appears in Whitman's story "Revenge and Requital; A Tale of a

Annotations Text:

The name of the character "Covert" also appears in Whitman's story "Revenge and Requital; A Tale of a

first published in the United States Magazine and Democratic Review in 1845, although the plot of that story

Imagination and Fact

  • Date: 1852 or later; January 1852; Unknown
  • Creator(s): Walt Whitman | ["W.D."] | Anonymous
Text:

The story is much older than Kirke.

In a late memoir (Achille de Vaulabelle's) of the "Two Restorations," we are told that an old story of

But on the appearance of the story in an English work, a naval officer who witnessed the affair of the

The story of the Duke of Wellington lying in the hollow square of the Guards at Waterloo, and, on the

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

A Sermon Preached in the Central Reformed Protestant Dutch Church

  • Date: After July 27, 1851; 1851
  • Creator(s): Walt Whitman | Jacob Brodhead
Text:

The next year, a block house, called "Fort Nassau," was built on Castle ☜ Island, now forming a part

of the famous apostle of New England, John Eliot, to teach the gospel to the savages, near Boston. 2

this congregation remained in Holland, under their clergyman, the Reverend John Robinson : another part

The ground on which the church is erected is part of what formed one of the intrenchments of our army

Modern English Poets

  • Date: After December 1, 1851; December 1851
  • Creator(s): Walt Whitman | Anonymous
Text:

It is well enough to probe a wound to ascertain its nature and extent, but the probing is no part of

Letters from Paumanok

  • Date: 14 August 1851
  • Creator(s): Walt Whitman
Text:

Brodky Lawrence, Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Vol. 2:

And even good singers, upon the stage beyond them, you may see presently, who will mar their parts with

In answer to the old man's rebukes and questions, we hear the story of love.

I always thought the plot of the "Favorite" a peculiarly well-proportioned and charming story.

Is it the story of his own sad wreck he utters? Listen.

Annotations Text:

Brodky Lawrence, Strong on Music: The New York Music Scene in the Days of George Templeton Strong, Vol. 2:

Greenport, L. I., June 25. a machine readablewith transcription

  • Date: 27 June 1851
  • Creator(s): Walt Whitman
Text:

Gelardi, “Nearshore Saltwater Sportfish,” New York State Department of Environmental Conservation, pg. 2,

Rockaway, too, and many other parts of sea-girt Paumanok.

Annotations Text:

Gelardi, “Nearshore Saltwater Sportfish,” New York State Department of Environmental Conservation, pg. 2,

A Sermon Preached in the Central Reformed Protestant Dutch Church, Brooklyn, on Sabbath Morning, the 27th Day of July, 1851

  • Date: 1851 and about 1862
Text:

The longest of these notes, which appears on p. 2 of the appendix, constitutes a draft of a passage that

O Mother, did you think

  • Date: about 1856
Text:

With this list, Whitman was gathering material for the noteworthy final section, a paean to body parts

Robert Chambers

  • Date: Between 1850 and 1860; 1850
  • Creator(s): Walt Whitman | Ludwig Herrig | Robert Chambers
Text:

Excepting in the western parts, which are mostly hilly, the surface is either level or composed of gentle

Scotland, or the northern part of Britain, is more rugged and hilly than England, and is much indented

Scotland, latterly, has advanced in social and physical improvement at a more rapid pace than any other part

it cannot be doubted that Ireland will ultimately enjoy a degree of prosperity equal to that of any part

sanction of all the three branches of the legislature, it is called an Act of Parliament, and becomes part

Poem among the Siamese

  • Date: Between 1850 and 1860; unknown; 1850
  • Creator(s): Walt Whitman | Unknown
Text:

There are 2 four yugs or ages : the first was the age of innocence or truth, and embraces 1,728,000 years

praise of blood the gallows, the knout, torture, &c. ☝ At one point, this manuscript likely formed part

Walt Whitman to Alfred and Moses Beach, 17 June 1850

  • Date: June 17, 1850
  • Creator(s): Walt Whitman
Text:

.— You will see that the title of the original is "The childhood of Erik Menved"; the latter part of

the original story, consisting very much of prolic prolix detail of historical events, gives it that

name—but that part of the story I have contracted into a few paragraphs—and have taken a singular trait

suit you, and how much it would be worth to you, so that I can have an answer by the middle or latter part

of the week.— The story would make about 65 leaded short columns of the Sun—so that, at an average of

Annotations Text:

is referring to Fredrika Bremer (1801–1865), who was a Swedish reformer and a writer of romantic stories

A City Walk

  • Date: About 1855
Text:

.00112xxx.00085A City WalkAbout 1855poetryhandwritten1 leaf4.5 x 12 cm; A faint horizontal line beneath part

Original. Walks Down This Street;

  • Date: about 1856
Text:

Walks Down This Street;about 1856poetryhandwritten1 leaf7 x 16 cm paster to 4 x 15.5 cm; Both parts of

[Never fails]

  • Date: about 1855
Text:

deleted with a single pencil stroke, appear after revision and expansion to have eventually formed part

Hear my fife

  • Date: Between 1850 and 1860
Text:

The poem was later published in Leaves of Grass as part of the Autumn Rivulets cluster.

Children and maidens

  • Date: about 1855
Text:

leaf7 x 21 cm; The laid paper was originally the last page of a letter; a few illegible words and part

American air I have breathed

  • Date: Between 1850 and 1859
Text:

the lines on another manuscript in the University of Virginia collection, which were revised to form part

Merely What I tell is

  • Date: Between 1850 and 1860
Text:

The lines eventually became part of the independent poem Poets to Come.

Remember if you are dying

  • Date: Between 1850 and 1860
Text:

book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)

[Who wills with his own brain]

  • Date: about 1855
Text:

brain]about 1855poetryhandwritten1 leaf5 x 16 cm; Draft lines of an incomplete poem, of which other parts

[Have I]

  • Date: about 1856
Text:

Inscribed and extensively revised in pencil, these verses were part of a larger set of lines before Whitman

The voice is a curious organ

  • Date: 1850-1855
Text:

WhitmanThe voice is a curious organ1850-1855prose1handwrittenprinted; This manuscript scrap might be part

In the gymnasium

  • Date: Between 1850 and 1860
Text:

The poem was later published in Leaves of Grass as part of the Autumn Rivulets cluster.

See'st thou

  • Date: Between 1850 and 1855
Text:

It probably relates to the seventh poem in that edition, originally untitled, part of which eventually

What babble is this about

  • Date: Between 1850 and 1867
Text:

The poem was later published in Leaves of Grass as part of the Autumn Rivulets cluster (1881, p. 310)

Back to top