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Search : PETER MAILLAND PLAY

1584 results

Influences on Whitman, Principal

  • Creator(s): Worley, Sam
Text:

Awakening, Protestant pulpit style, particularly that of evangelicals, became freer and more varied and played

Interpretation of the Poetry of Walt Whitman

  • Date: 1930
  • Creator(s): Pavese, Cesare
Text:

Croce saw all of history as a playing out of the human spirit into a multitude of individual acts.

It is an insistent, a loud work, like a long piece of music played continuously con brio.

Peter Bondanella and Julia Conaway Bondanella (Westport, CT: Greenwood Press, 1996)143; Antonio Gramsci

AAminta: a lyric, pastoral play first performed in 1573; considered Torquato Tasso’s most important and

That is, while he composed the national epic in which the figures and forces creating the nation play

Intimate with Walt: Selections from Whitman’s Conversations with Horace Traubel 1888-1892

  • Date: 2001
  • Creator(s): Schmidgall, Gary
Text:

[A few days later:] W. told Ed: “Play your violin: play it as much as you choose: I like it: when I am

Ed at first played in the next room. I advised him to play downstairs.

Think of it—the games they play—the travesty!

Peter Doyle no writer In October 1891 Whitman was surprised to learn that Peter Doyle was thenbasedinBaltimore

Greeks versus Shakespeare The Shakespeare plays are essentially the plays of an aristocracy: they are

Introduction

  • Creator(s): Dennis Berthold | Kenneth M. Price
Text:

Jeff played the guitar and sang pleasantly, and Walt encouraged such musical inclinations by purchasing

poet developed during his work in the hospitals (and indeed for his relationships after the war with Peter

As an independent consultant he played a major role in planning the Milwaukee sewer system, incorporating

Introduction

  • Creator(s): Jerome M. Loving
Text:

Emory Holloway (New York: Peter Smith Press, 1921), II, 37-41.

Whitman feared that the Confederate authorities were "playing foul" by moving George and other officers

Introduction to Franklin Evans and "Fortunes of a Country-Boy"

  • Date: 2015
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

"Scores of lesser-known writers produced temperance novels, stories, poems, plays, and periodicals,"

temperance out of Franklin Evans for publication in the Brooklyn Daily Eagle in 1846, however, he also played

Conclusion Whitman's decision to play down the temperance theme when he republished Franklin Evans as

thinking through dynamics that would eventually become central to Leaves of Grass , including the play

New York: Peter Lang, 1998. Blanck, Jacob, comp. Bibliography of American Literature . 9 vols.

Introduction to Horace Traubel

  • Creator(s): Matt Cohen
Text:

As Whitman's health failed, he needed more help with daily tasks, and from the mid-1880s, Traubel played

Introduction to the 1855 Leaves of Grass Variorum

  • Creator(s): Nicole Gray
Text:

Terry (1847–1928) was a member of Henry Irving's company, famous for her appearances in Shakespeare plays

and destruction, the roles Whitman's writing and the books he helped to produce have continued to play

Oxford: Peter Lang, 2005. - - -.

Riley, Peter J. L. " and Real Estate." 28 (Spring 2011): 163–87.

Stallybrass, Peter.

Introduction to Walt Whitman, Poemas, by Álvaro Armando Vasseur

  • Creator(s): Matt Cohen | Rachel Price
Text:

At the same time he plays on the multiple meanings of the verb "exponserse," which can mean both to risk

arrive with powerful musics, between the thundering of my trumpets and of my drums, I do not only play

marches for sacred victors, I also play them for the vanquished and the victims.

Introduction to Walt Whitman's Short Fiction

  • Date: 2016
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

Steel called the tale "weirdly Hawthornesque" and contended that Whitman "told his whist playing friends

The insanity that played a memorable role in several of Poe's stories appears in Whitman's "Bervance:

New York: Peter Lang Publishing, Inc. 1998. Blalock, Stephanie, and Nicole Gray.

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 New York: Peter

Introduction to Whitman's Annotations and Marginalia

  • Creator(s): Matt Cohen
Text:

Van Egmond, Peter. "Bryn Mawr College Library Holdings of Whitman Books." 20 (June 1974): 41-50.

[It is a fearful thing]

  • Date: 12 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

"Italian Music in Dakota" (1881)

  • Creator(s): Krieg, Joann P.
Text:

When played by the regimental band in the western wilderness, rather than in a city opera house, the

[Italian Opera in New Orleans]

  • Date: 15 April 1842
  • Creator(s): Walt Whitman
Text:

The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Annotations Text:

She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."

"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Italian Translations of "Poets to Come"

  • Creator(s): Marina Camboni
Text:

Responding to different cultural and ideological needs, they played important and well-differentiated

Across the Atlantic , edited by Marina Camboni, Andrea Carosso, Sonia Di Loreto, and Marco Mariano (Peter

ideological construction of society, tells of the new role writers and intellectuals were expected to play

One year later, in 1989, the film Dead Poets Society , directed by Peter Weir, made Whitman popular again

played a large role in that film, of course) and the book's appeal to a larger, and possibly younger,

Italy, Whitman in

  • Creator(s): Sanfilip, Thomas
Text:

Peter Mitilineos. Washington, D.C.: NCR Microcard Editions, 1973.McCain, Rea.

J. F. Cooper

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

J. Hubley Ashton to James M. Carlisle, 17 October 1866

  • Date: October 17, 1866
  • Creator(s): J. Hubley Ashton | Walt Whitman
Text:

Sir: Before pronouncing on the petition of Peter Targarona "for pardon, & remission of forfeiture," the

James, Henry (1843–1916)

  • Creator(s): Dye, Renée
Text:

Calamus: A Series of Letters Written during the Years 1868–1880 by Walt Whitman to a Young Friend (Peter

James Knowles to Walt Whitman, 20 August 1884

  • Date: August 20, 1884
  • Creator(s): James Knowles
Text:

obliged by your kind offer of the little M.S. manuscript on "What lurks behind Shakespeare's Historical Plays

James Scovel to Walt Whitman, 26 November 1888

  • Date: November 26, 1888
  • Creator(s): James Scovel
Text:

I met Maurice Barrymore, the actor who was playing in "Held by the Enemy" at the Academy last week.

Annotations Text:

champion before taking up acting; he emigrated to the United States and debuted in Augustin Daly's play

A play by William Gillette (1853–1937), set during the Civil War, and now recognized as having a significant

James W. Wallace to Walt Whitman, 11 September 1891

  • Date: September 11, 1891
  • Creator(s): James W. Wallace
Text:

As we approached along the avenue a band struck up, playing by lamplight, the new moon shining over head

Everyone manifestly glad to see him back—talk & laughter, band playing all the time—now "Home, Sweet

James W. Wallace to Walt Whitman, 20 September 1891

  • Date: September 20, 1891
  • Creator(s): James W. Wallace
Text:

Outside, the sky perfectly clear & cloudless, the fountain playing, the trees across the open space,

—Evening spent in the house—chiefly in learning & playing "Pedro" with Willie & his friends.

James W. Wallace to Walt Whitman, 21 September 1891

  • Date: September 21, 1891
  • Creator(s): James W. Wallace
Annotations Text:

Helena Modjeska (1840–1909) was a well-known Polish actress, particularly famous for playing Shakespearean

James W. Wallace to Walt Whitman, 3 April 1891

  • Date: April 3, 1891
  • Creator(s): James W. Wallace
Annotations Text:

is referencing Hamlet's "To be, or not to be" soliloquy in Act 3, Scene 1 of William Shakespeare's play

James W. Wallace to Walt Whitman, 31 July–1 August 1891

  • Date: July 31–August 1, 1891
  • Creator(s): James W. Wallace
Text:

coming into supper, & then adjourning to the barn, where to the light of 2 or 3 candles Johnston played

James W. Wallace to Walt Whitman, 4 October 1891

  • Date: October 4, 1891
  • Creator(s): James W. Wallace
Text:

—I liked too to get out into the "bush"—chipmunks calling & playing about me—one little fellow descending

a tree in front of me & playing about for fully 5 minutes before running off amid the rustling leaves

James W. Wallace to Walt Whitman, 5 December 1891

  • Date: December 5, 1891
  • Creator(s): James W. Wallace
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

Joaquin Miller to Walt Whitman, December 1877

  • Date: December 1877
  • Creator(s): Joaquin Miller
Text:

chief figure in a box with Childs Dayton and self on the eve of the 24th inst at the opening of my play

John Addington Symonds to Walt Whitman, 7 February 1872

  • Date: February 7, 1872
  • Creator(s): John Addington Symonds | Symonds, John Addington
Text:

Peters John Addington Symonds to Walt Whitman, 7 February 1872

John Burroughs to Walt Whitman, 12 July 1889

  • Date: July 12, 1889
  • Creator(s): John Burroughs
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John Burroughs to Walt Whitman, 27 August 1889

  • Date: August 27, 1889
  • Creator(s): John Burroughs
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John Burroughs to Walt Whitman, 29 September [1877]

  • Date: September 29, 1877
  • Creator(s): John Burroughs | Walt Whitman
Text:

All work seem'd seemed play to him.

John Burroughs to Walt Whitman, [29 September 1878]

  • Date: September 29, 1878
  • Creator(s): Walt Whitman | John Burroughs
Text:

All work seem'd seemed play to him.

John Burroughs to Walt Whitman, 4 May 1890

  • Date: May 4, 1890
  • Creator(s): John Burroughs
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

John H. Johnston to Walt Whitman, 30 November 1891

  • Date: November 30, 1891
  • Creator(s): John H. Johnston
Text:

Giacosa —the Shakspear of Italy—whose Play on Wed. night at the Standard Theater Sarah Bernhard Bernhardt

Annotations Text:

The French actress Sarah Bernhardt (1844–1923) starred in stage productions of popular French plays in

She had roles in plays by Victor Hugo and Alexandre Dumas and played males roles, including Shakespeare's

John M. Binckley to Leander Holmes, 4 November 1867

  • Date: November 4, 1867
  • Creator(s): John M. Binckley | Walt Whitman
Text:

Courts, the latter being a species of power incident to the Legislative power of the United States. 1 Peters

Canter , 1 Peters, 542.

John M. Binckley to Ulysses S. Grant, 15 August 1867

  • Date: August 15, 1867
  • Creator(s): John M. Binckley | Walt Whitman
Text:

States a good and valid Title in fee to said Lot. 2; That the proposed conveyance of Lot 64, from Peter

Wright, to which reference is made in a Deed of said Lot from Henry Thalimer to the said Peter, dated

John Newton Johnson to Walt Whitman, 14 March [1878]

  • Date: March 14, 1878
  • Creator(s): John Newton Johnson
Text:

Temperature agreeable even to a still or idle person—no wind, a good deal smoky, birds chirping, children playing

John Newton Johnson to Walt Whitman, 16 September 1877

  • Date: September 16, 1877
  • Creator(s): John Newton Johnson
Text:

.☞ They scared me tho' , and made me think "God" would rather do so than not—to "play the Devil with"

John Newton Johnson to Walt Whitman, 3 April [1875]

  • Date: April 3, [1875]
  • Creator(s): John Newton Johnson
Text:

out of money— we put my boo flag) on top our house fap flap we will bin bring big fiddles too, for play

Josie Morse to Walt Whitman, 22 November 1875

  • Date: November 22, 1875
  • Creator(s): Josie Morse
Text:

Whitman pasted this letter together with a letter he received from Peter Doyle.

Journalism, Whitman's

  • Creator(s): Killingsworth, M. Jimmie
Text:

punishment, temperance, slavery, and health issues; and literature and the arts, including reviews of plays

Joyce, James (1882–1941)

  • Creator(s): Moore, Andy J.
Text:

echoes and phrases from "Song of Myself": "I have heard the melodious harp / On the streets of Cork playing

Julius Bing to Walt Whitman, 21 January 1869

  • Date: January 21, 1869
  • Creator(s): Julius Bing
Text:

Immense Caravanserais starting from all lands for several centuries, inspire by rapt men—Peter the Hermit

Popes, Bishops; Christ Peter the Hermit Walter the Pennyless Godefroi de Bouillon Richard Coeur de Lion

Saviour's tomb Columbus was its immaculate conception and a new world thus linked with old Palestine Peter

Justus F. Boyd to Walt Whitman, 18 September 1864

  • Date: September 18, 1864
  • Creator(s): Justus F. Boyd
Text:

very pleaseant City They have two or three Theaters going now I was to one of them last evening they Played

Kivas Tully to Walt Whitman, 4 August 1880

  • Date: August 4, 1880
  • Creator(s): Kivas Tully
Text:

Peter immediately west of Three Rivers, so that vessels drawing 20 feet of water can ascend the river

Lafontaine, born about 1621

  • Date: 1853 or later; 1853
  • Creator(s): Walt Whitman | Charles Knight | Unknown
Text:

good family, inherited some property,—wrote fables in verse— somewhat like Æsop's—also wrote poems & plays—lived

Last Evening

  • Date: 12 April 1842
  • Creator(s): Walt Whitman
Text:

[New York: Peter Lang Publishers, 1998], 1: 222).

The whole of this manœuvre is about as bungling and poorly worked a game as we ever saw played.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The Late Riots

  • Date: 15 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

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