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and the breast that ha fed his young , and so buys a nomination to great office; i I nforme d against my
brother and sister and got t ook aking pay for their blood, hearts; l L aughed when I looked from my
iron necklace, after the steamboat that carried away my woman.— Whitman probably drafted this manuscript
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
for I am you seem to me all one lurid Curse oath curse; I look down off the river with my bloodshot eyes
, after 10 I see the steamboat that carries away my woman.— Damn him!
how he does defile me This day, or some other, I will have him and the like of him to curse the do my
I will stop the drag them out—the sweet marches of heaven shall be stopped my maledictions.— Whitman
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
11 He The sores on my neck shoulders are from his iron necklace I look on the off on the river with my
bloodshot eyes He stops the steamboat and till she will paddle off with away take my woman, and paddle
The sores on my shoulders
titled "The Sleepers": "How he laughs when I look down the bend after the steamboat that carries away my
of Grass, eventually titled "Song of Myself": "The supernatural of no account . . . . myself waiting my
Open your mouth gums my pardy, that I put send blow grit in you with one a breath ; Spread your palms
19 I am become the poet of babes and the little things I descend many steps—I go backward primeval My
equanimous arms feet 209 I surround retrace things steps oceanic—I pass to around not merely my own
. / My feet strike an apex of the apices of the stairs, / On every step bunches of ages, and larger bunches
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger" (1855, p. 33).; 22; Transcribed from digital images of the original.;
am myself and nobody else, am the greatest traitor, I went myself first to the headland, — my own hands
I have lost my wits . . . .
I and nobody else am the greatest traitor, / I went myself first to the headland . . . . my own hands
The first several lines of the poem were published in 1880 as "My Picture-Gallery.
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
/ It seems to me more than all the print I have read in my life. / My tread scares the wood-drake and
wood-duck on my distant and daylong ramble, / They rise together, they slowly circle around. / . . .
manuscript appeared as the following, in the poem eventually titled "Song of Myself": "All I mark as my
He swoops by me, and rebukes me hoarse ly with his invitation; He complains with sarcastic voice of my
roughs, a kosmos" (1855, p. 29) and "The spotted hawk swoops by and accuses me . . . . he complains of my
gab and my loitering. / I too am not a bit tamed . . . .
.— what my touch wanted any thing whatever I wanted.— Surely I am out of my head!
I am lost to myself and someth something else Nature in another form has laid down in my place.
not smell— —I smell the your beautiful white roses— I kiss their soft your leafy lips—I reach slide my
Because I am in my place what of that? The perfect male and female are everywhere in their place.
the 1855 edition of Leaves of Grass, later titled "Song of Myself": "I resist anything better than my
own diversity, / And breathe the air and leave plenty after me, / And am not stuck up, and am in my
to the President at his levee, / And he says Good day my brother, to Cudge that hoes in the sugarfield
of the poem (not including this line) were revised and published in The American in October 1880 as "My
/ Why are there men and women that while they are nigh me the sun-light expands my blood?
/ Why when they leave me do my pennants of joy sink flat and lank?
blood—that if I walk with an arm of theirs around my neck, my soul leaps and laughs like a new-waked
—(Am I loved by them boundlessly because my love for them is more boundless?
truth, my sympathy, and my dignity.
. * shall uncage in my breast a thousand armed great winged broad‑ wide‑winged strengths and unknown
I want that untied tenor, clean and fresh as the Creation, whose vast pure volume floods my soul.
paces and powers, uncage in my heart a thousand new strengths, and unknown ardors and terrible —making
furious than hail hail and lightning. that leap lulling me drowsily with honeyed uncaging waking in my
likely relates to the following lines, from the poem that would be titled "Song of Myself": "I open my
": "My tread scares the wood-drake and wood-duck on my distant and day-long ramble, / They rise together
these lines may relate to the following line in the poem ultimately titled "Song of Myself": "I take my
To the Poor— I have my place among you Is it nothing that I have preferred to be poor, rather than to
See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
the long stretch of my life" (145).
His blood My gore presently oozes from trickles down from a score of thinned with the plentiful sweat
salt ooze of my skin , And See how it as trickles down the black skin I slowly fall s on the reddened
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
though I lie so sleepy and sluggish, my tap is death" (1855, p. 74).
man who claims or takes the power to own another man as his property, stabs me in that the heart of my
own The one scratches me a little on the cheek forehead , the other draws his murderous razor through my
t T hat black and huge lethargic mass, my sportsmen, dull and sleepy as it seems, has holds the lightning
eventually titled "Song of Myself": "Buying drafts of Osiris and Isis and Belus and Brahma and Adonai, / In my
It was later reprinted in Good-Bye My Fancy (1891), under the title American National Literature before
I hope to be able to announce in my next the commencement of our agricultural operations.
Such boundless and affluent souls. . . . . . . bend your head in reverence, my man!
.— (He could say) I know well enough the perpetual myself in my poems—but it is because the universe
am a Russ, An arctic sailor traversing I traverse the sea of Kara A Kamskatkan Kamchatkan drawn on my
I say to my own greatness, Away!
outward" (1855, p. 51). may be related to a similar phrase in the poem eventually titled "Who Learns My
in the 1856 edition of Leaves of Grass : "The best I had done seemed to me blank and suspicious, / My
—I doubt whether who my greatest thoughts, as I had supposed them, are not shallow.
—My pride is impotent; my love gets no response.
faces of my kind something that presents the sentiment of the Druid walking in the woods " " of the Indian
The first several lines of the notebook draft were revised and published as "My Picture-Gallery" in The
swear I will am can not to evade any part of myself, Not America, nor any attribute of America, Not my
body—not friendship, hospitality, procreation, Not my soul—not the last explanation of prudence, Not
Part of "Pictures" was published as "My Picture-Gallery" in The American in October 1880 and later incorporated
The oppression of my heart is not fitful and has no pangs; but a torpor like that of some stagnant pool
Around me are my brother men, merry and jovial.
—Ah, if the flesh could but act what my rational mind, in its moments of clear inspiration aspires to
Although the poem was unpublished in its entirety, the seventh line was used in the poem To My Soul,
50-51uva.00246xxx.00072[Was it I who walked the]Scented Herbage of My Breast1857-1859poetryhandwritten1
who walked the / earth..." were not used in Calamus, but the five lines beginning "Scented herbage of my
Section 2 of the Calamus group was permanently retitled Scented Herbage of my Breast in 1867.
notice, you Kanuck woods") became verses 6-10; and the lines on the half-page ("I am indifferent to my
the first page correspond to verses 1-3 of the 1860 version, and those on the second page ("Publish my
name and hang up/ my picture...") to lines 4-11.
correspond to verses 1-5 of the 1860 version, and those on the second page ("And when I thought how/ my
lines 2-3 of the 1860 version, and the lines on the second page ("Do you suppose you can easily/ be my
50-51uva.00023xxx.00085City of my walks and joyslate 1850spoetryhandwritten1 leaf8.5 x 10 cm pasted to
City of my walks and joys
In 1860 the first set, with the addition of a new first line ("Here my last words, and the most baffling
brown-black ink, with revisions in lighter ink (including the deletion, undone in 1860, of the phrase "My
My Likeness! [Earth]
poem was revised to form section 32 of Calamus in 1860, and in 1867 was retitled What Think You I Take My
This was revised to become section 40 of Calamus in 1860; in 1867 it was retitled That Shadow, My Likeness
50-51uva.00190xxx.00413xxx.00047Thought [Of closing up my songs by these]1857-1859poetryhandwritten2
Thought [Of closing up my songs by these]
Whitman retitled the poem To My Soul when it was first published, in the 1860 edition of Leaves of Grass
reinforce the truthfulness of Pierson's stories about the "koboo," Whitman mentions the fact that Captain
Captain Walter M.
Layard, " was the extent of my discoveries at Koyunjik.
No matter what length of time I spent in proving my case, I generally found my eloquence was expended
I had but time to throw up my right arm, when the avalanche descended.
I await my turn. In due time it comes.
My warriors fell around me. It began to look dismal. I saw my evil day at hand.
Also included in this manuscript is a draft of That Shadow My Likeness, first published in New-York Saturday
This poem later appeared as Calamus No. 40, Leaves of Grass (1860); as That Shadow My Likeness, Leaves
.— When my little friend Tom Thumb, travelled with the circus he stood behind the stand, in a Missouri
of the lines only to reintroduce them in Sands at Seventy (1888), under the title Small the Theme of My
Both One's-self I Sing and Small the Theme of My Chant appeared in the 1891-92 edition of Leaves of Grass