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head at nightfall, and he is fain to say, "I too am not a bit tamed—I too am untranslatable; I sound my
I do not press my finger across my mouth, I keep as delicate around the bowels as around the head and
Amelioration is my lesson, he says with calm voice, and progress is my lesson and the lesson of all things
I am the teacher of athletes, He that by me spreads a wider breast than my own proves the width of my
own, He most honors my style who learns under it to destroy the teacher.
What is commonest and cheapest and nearest and easiest is Me, Me going in for my chances, spending for
my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion
My Soul!
We closed with him . . . . the yards entangled . . . . the cannon touched, My captain lashed fast with
I laughed content when I heard the voice of my little captain, We have not struck, he composedly cried
Come my children, Come my boys and girls, and my women and household and intimates, Now the performer
He swears to his art, I will not be meddlesome, I will not have in my writing any elegance or effect
What I experience or portray shall go from my composition without a shred of my composition.
You shall stand by my side and look in the mirror with me.
Is it uniform with my country? Are its disposals without ignominious distinctions?
what answers for me an American must answer for any individual or nation that serves for a part of my
my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion
My Soul!
We closed with him . . . . the yards entangled . . . . the cannon touched, My captain lashed fast with
I laughed content when I heard the voice of my little captain, We have not struck, he composedly cried
Come my children, Come my boys and girls, and my women and household and intimates, Now the performer
COME closer to me, Push close my lovers and take the best I possess, Yield closer and closer and give
I will have my own whoever enjoys me, I will be even with you, and you shall be even with me.
become so for your sake; If you remember your foolish and outlawed deeds, do you think I cannot remember my
am this day just as much in love with them as you, But I am eternally in love with you and with all my
friendly companions, I intend to reach them my hand and make as much of them as I do of men and women
How perfect is my soul! How perfect the earth, and the minutest thing upon it!
O my soul! if I realize you I have satisfaction, Animals and vegetables!
I cannot define my satisfaction . . yet it is so, I cannot define my life . . yet it is so.
Leaves of Grass, "I Wander All Night in My Vision," Leaves of Grass.
My hands are spread forth . .
I descend my western course . . . . my sinews are flaccid, Perfume and youth course through me, and I
darn my grandson's stockings.
though I lie so sleepy and sluggish, my tap is death.
curious breathing laughing flesh is enough, To pass among them . . to touch any one . . . . to rest my
As I see my soul reflected in nature . . . . as I see through a mist one with inexpress- ible inexpressible
Features of my equals, would you trick me with your creased and cadaverous march?
I saw the face of the most smeared and slobbering idiot they had at the asylum, And I knew for my consolation
what they knew not; I knew of the agents that emptied and broke my brother, The same wait to clear the
Come nigh to me limber-hip'd man and give me your finger and thumb, Stand at my side till I lean as high
Fill me with albescent honey . . . . bend down to me, Rub to me with your chafing beard . . rub to my
And I stood before the young man face to face, and took his right hand in my left hand and his left hand
in my right hand, And I answered for his brother and for men . . . . and I answered for the poet, and
to the President at his levee, And he says Good day my brother, to Cudge that hoes in the sugarfield;
Then the mechanics take him for a mechanic, And the soldiers suppose him to be a captain . . . . and
Leaves of Grass, "Who Learns My Lesson Complete?" WHO learns my lesson complete?
as every one is immortal, I know it is wonderful . . . . but my eyesight is equally wonderful . . . .
and how I was conceived in my mother's womb is equally wonderful, And how I was not palpable once but
thirty-six years old in 1855 . . . . and that I am here anyhow—are all equally wonderful; And that my
thousands, each one with his entry to himself; They are always watching with their little eyes, from my
head to my feet.
lift put the girder of the earth a globe the house away if it lay between me and whatever I wanted.— My
Henceforth After this day, A touch shall henceforth be small Little things is shall be are henceforth my
my tongue proof and argument It They shall tell s for me that people In them, the smallest least of
over all, and what we thought death is but life brought to a finer parturition.— An inch's contact My
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
204 My tongue must can never be content with pap harness from this after this, It c will not talk m in
My tongue can never be
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
am that foolish half grown angry boy, fallen asleep, The tears of foolish passion yet undried upon my
Bibles i are divine revelations of God But I know say that any each leaf of grass and every hair of my
compiled composed is not august enough to dent endow answer tally a leaf of grass the partition of in my
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
These words are for the five or six grand poets, too; and the masters of artists: — I waste no ink, nor my
receive you, and attach and clasp hands with you, / The facts are useful and real . . . . they are not my
do not procreate like men; all of them and all existing creeds grows not so much of God as I grow in my
moustache, And I am myself waiting my time to be a God; I think I h shall do as much good and be as
pure and prodigious, and do as much good as any; — And when my do, I am, do you suppose it will please
wriggles through the world mankind and hides under helmets and it is not beloved never loved or believed.— My
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
My Soul Spirit was curious and sped back to the beginning, sped back returned to the times when the earth
eternally; And devise themselves to this spot place These States and this hour, Again But yet still my
My Spirit sped back to
.— I rate myself high—I receive no small sums; I must have my full price—whoever enjoys me.
I feel satisfied my visit will be worthy of me and of my Hosts and Favorites; I leave it to them how
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
appeared in two of the poems in that edition, eventually titled "A Song for Occupations" and "Who Learns My
in the eleventh poem of the first (1855) edition of Leaves of Grass, ultimately titled "Who Learns My
I will have my own whoever enjoys me, / I will be even with you, and you shall be even with me" (1855
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
trowser-ends in my boots and went and had a good time" (1855, p. 18).
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
Clean er shaved and more grammatical folks I call Mister, and lay the tips of my fingers inside their
headline in the morning papers, and pass the time as comfortably as the law allows.— But for the others, my
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
is reminiscent of lines from the poem that read "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (1855, pp. 15–16).; Transcribed
.— I celebrate myself to celebrate you; every man and woman alive; I transpose my my spirit I pass as
that hear me; I am loosen the voice tongue that was tied in you them In me It begins to talk out of my
a makes raises but bubble of the sea-ooze in comparison with against that unspeakable Something in my
—I look back upon that time in my own days.— I have no gibes nor mocks mockings or laughter;—I have only
the 1855 edition of Leaves of Grass, which was ultimately titled "Song of Myself": "Backward I see in my
when I visited the Asylum and they showed me their most smeared and slobbering idiot, Yet I knew for my
for my consolation, of the great laws that emptied and broke my my brother s Whitman probably drafted
Have I hasten to inform you it is just as good to die, and I know it; I know it For I take my death with
the dying, And my birth with the new-washed babe Whitman probably drafted this manuscript in the early
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
Until you can explain a paving stone, to every ones my perfect satisfaction O Priests , do not try to
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
.— I assume this day, the whole debt of all I take my place by right among the sudorous or sweaty men
a handsomer man with be has better finer health and cleaner shaped limbs than I, who do business in my
The press of my foot to the earth springs a hundred affections, They scorn the best I can do to relate
What is nearest and commonest and nearest and cheapest and easiest is Me, Me going in for my chances,
myself to bestow myself on the first that will take me, Not asking the sky to come down to receive my
But when a voice in my our hearing excuses this Fugitive damned Act, because it binds no leg and breaks
I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
The Elder Brother of the soul—my soul.
Grass, ultimately titled "Song of Myself": "And I know that the spirit of God is the eldest brother of my
Still Night of Sleep—my bridal Night!
Earth of the limpid gray of clouds purer and clearer for my sake!
See in particular: "And I know that the hand of God is the elderhand of my own, / And I know that the
spirit of God is the eldest brother of my own" (1855, p. 15–16).; Transcribed from digital images of
three winters to be articulate child Whitman revised this poetic fragment and used it in "Who Learns My
Whitman revised this poetic fragment and used it in "Who Learns My Lesson Complete?
appeared in the 1855 edition of Leaves of Grass, in a poem that would eventually be entitled "Who Learns My
: "I know it is wonderful . . . . but my eyesight is equally wonderful . . . . and how I was conceived
in my mother's womb is equally wonderful, / And how I was not palpable once but am now . . . . and was
this manuscript may connect to the stanza of the poem eventually titled "Song of Myself" that begins "My
— Bloss Branched Le Verdure , blossom branch , fruit and vine The irregular tapping of rain off the my
Can my your sight behold them as with oysters eyes?
Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My Lesson
Song of Myself": "Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, / My
respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through
my lungs, / The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- rocks, and
.; Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My
senses all men is truth; Logic and sermons never convince ; me; The dew of the night drives deep er into my
/ Logic and sermons never convince, / The damp of the night drives deeper into my soul. / Only what proves
drink, / But as soon as you sleep and renew yourself in sweet clothes I will certainly kiss you with my
lines 40 letters 1120 1120 letters in page of Skakspere Shakespeare 's poems 1600 letters in one of my
sauntering the pavement, 9 great are the myths, I wander all night 10 Come closer to me Who learns my
the breath is leaving my throat; ! Open your floodgates!
I am faintish I can contain resist you no longer think I shall drop sink , Take drops the tears of my
¶Little as your mouth yo lips are am faintish I am faintish; and it has drained me dry of my strength
. . . . my breath is tight in its throat; / Unclench your floodgates!
The retrospective extasy ecstasy is upon me— I am now my soul —spirit burns volcanic The earth recedes
ashamed before my prophetical crisis.— Whitman probably drafted this manuscript in the early 1850s as
similar to the following line in the poem eventually titled "Song of Myself": "The dirt receding before my
night walkers And do no better for me— Who am a regular gentlemen or lady, With a marble broad stoop to my
And is the day here when I vote at the polls, One with the immigrant that last August strewed lime in my
sings as well as I, because although she reads no newspaper; never learned the gamut; And to shake my
The first lines of the notebook poem were revised and published as "My Picture-Gallery" in The American
The Great Laws do not" also includes draft lines that appeared in the poem later titled "Who Learns My
with me about God; I can yet just begin to comprehend nothing more wonderful than so tremendous as my