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  • Literary Manuscripts / Loose Manuscripts 91

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Search : part 2 roblox story kate and jayla
Sub Section : Literary Manuscripts / Loose Manuscripts

91 results

A Voice from Death

  • Date: June 1889
  • Creator(s): Walt Whitman
Text:

and fire, and wholesale elemental crash, (this voice so solemn, strange,) I too a minister of Deity. 2

The idea that in the

  • Date: Between 1854 and 1888
  • Creator(s): Walt Whitman
Text:

see notes Sept 2 1888 The idea that of the that in the nature of things, thr ough all affairs and deeds

national or individual, good and bad, each has its inherent law of punishment or reward, which is part

Annotations Text:

.; see notes Sept 2 1888; Transcribed from digital images of the original.

Fancies at Navesink

  • Date: Between about 1885 and 1888
  • Creator(s): Walt Whitman
Text:

sparse leaves of me Ah not that granite dead & cold published You tides with ceaseless swell & ebb 2

A Prairie Sunset

  • Date: Early 1888
  • Creator(s): Walt Whitman
Text:

sent to Herald March 2 A Prairie sunset.

wooding at night

  • Date: Between 1848 and 1887
  • Creator(s): Walt Whitman
Text:

with us, until the wood was transferred— Spectacle of the men lying around in groups in the forward part

the females—Painful effect of the excessive flatness of the country.— 10 This manuscript chronicles part

1848 New Orleans

  • Date: Between 1848 and 1887
  • Creator(s): Walt Whitman
Text:

On board steamer Griffith Upper part of Lake Huron, Saturday morning, June 10th, 1848.

My own pride was touched—and I met their conduct with equal haughtiness on my part.

They agreed to my plan (after some objections on the part of me); and I determined to leave on the succeeding

is difficult to speculate on the circumstances or date of its composition, but it seems likely that parts

Emory Holloway (Garden City, NY: Doubleday, Page & Co., 1921), 2:77–78. 1848 New Orleans

Annotations Text:

Emory Holloway (Garden City, NY: Doubleday, Page & Co., 1921), 2:77–78.

Last of ebb, and daylight waning

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

To th 9. 2 Last of the ebb, and daylight waning of the poured-out ebb, and daylight waning, s S cented

on —on, and do your part, ye shrouding burying waters! On, for your time, ye furious debouché!

Proudly the flood comes in

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

This manuscript is a draft of "Proudly the Flood Comes In," first published as part of "Fancies at Navesink

Nor you alone

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

, Duly from you the inborne tide again —duly the hinge a‑ turning Duly the needed blending discord‑parts

your needed blending discord‑parts

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

As ne your needed blending discord‑parts join'd in offsetting 15 But for your time, — your needed your

part —duly the hinge a‑turning, Really Duly ?

through duly all thy your glamour's Many Through the discord parts that round Time's diapason.) from

joined in The A rhythmus of life eternal.) as needed blended discord parts Many the parts discord parts

Transcribed from digital images of the original. your needed blending discord‑parts

Last of ebb

  • Date: 1885
  • Creator(s): Walt Whitman
Text:

last 2 11 At the Mouth of the River Last of the ebb, and daylight waning, Scented sea‑breaths landward

If I should need to name, O Western World!

  • Date: October 25, 1884
  • Creator(s): Walt Whitman
Text:

At one point this leaf was probably glued to the first leaf and constituted the first part of the note

By thine own lips, O Sea

  • Date: 1883
  • Creator(s): Walt Whitman
Text:

utterance of these liquid tongues And To pass within my soul, which loves the grim, mysterious, wordless story

September 11, 12, 13—1850

  • Date: Between 1850 and 1883
  • Creator(s): Walt Whitman
Text:

.— West Hills is a romantic and beautiful spot; it is the most hilly and elevated part of Long Island

place, it is indeed a fine situation, and it seemed familiar enough to me, for I remembered every part

that I remember, appear to have been cut down.— The Whitmans were among the earliest settlers of that part

by descendants in New England My father's grandfather was quite a large territorial owner in that part

the canvass covering of the stage was painted, would make me.— After my own grandmother died, in 18 2

Notes where wild bees flitting hum

  • Date: About 1880
  • Creator(s): Walt Whitman
Text:

The lines that appear in this manuscript were published posthumously as part of a poem titled "Supplement

poems entitled "Old Age Echoes" to a new printing of Leaves of Grass, and "Supplement Hours" was a part

Joel Myerson (New York: Garland, 1993), 2:624; and Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:624; and Major American Authors on CD-Rom: Walt Whitman (Westport

The Sobbing of the Bells

  • Date: September 1881
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:520; Major American Authors on Cd-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:520; Major American Authors on Cd-Rom: Walt Whitman (Westport

Eidólons

  • Date: 1875 or early 1876
  • Creator(s): Walt Whitman
Text:

No more the visible human fleeting, fractional face or limb, Nor hour, nor day—no segments, parts put

The order of the manuscript has been established based in part upon the order of linegroups in the poem

On the back of the fourth leaf is part of a faded letter in a hand other than Whitman's. Eidólons

The man-of-war.-Bird

  • Date: Between 1869 and 1876
  • Creator(s): Walt Whitman
Text:

verse, or a response to a newspaper piece about the frigate bird (also known as the man-of-war-bird), part

Song of the Universal

  • Date: June 1874
  • Creator(s): Walt Whitman
Text:

life a share, or more or less, None born but it is born—conceal'd or unconceal'd the seed is waiting. 2

Proud music of the Storm

  • Date: Mid- to late 1860s
  • Creator(s): Walt Whitman
Text:

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Annotations Text:

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Silence

  • Date: Between 1850 and 1865
  • Creator(s): Walt Whitman
Text:

.— Parts of this section may be related to the poem that would later be titled "Great Are the Myths":

incidents, for (Soldier in the Ranks)

  • Date: About 1865
  • Creator(s): Walt Whitman
Text:

had occupied, & where the preceding night, they had gathered their dead— the an dea d lay in certain parts

Wants

  • Date: Between 1841 and 1862
  • Creator(s): Walt Whitman
Text:

majority of the merchants and prosperous mechanics do not appear in their columns— indeed rarely in their 2

run around and look to all intermediate agencies for a situation.— As to And among the commercial part

—Not a few of them are really good looking; although, as a general thin k g , the best part of their

Nehemiah Whitman

  • Date: Between 1845 and 1861
  • Creator(s): Walt Whitman
Text:

jr born June 25, 1776 Died at Dix Hills, Sept. 8, 1845 Sarah Whitman, born Jan. 1, 1778. died Feb. 2,

Army of 1776 under chief command of Washington, See 1st edition Reminiscences of Long Island, vol. 2,

Moved from Liberty st. to Front st, (eastern part, and lived there in spring and early summer of 1833

Sold the two 3 story houses in Cumberland st. March 1853.

Moved into the little 2 story house Cumberland st April 21st, '53 (lived there just one year exactly.

Annotations Text:

One of the names referenced on the verso, Covert, appears as a character in both Whitman's short story

" next to which Whitman writes "the villain," appears as a villainous character in Whitman's short story

Sculpture

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

Sculpture —then sculpture was necessary—it was an eminent part of religion it gave grand and beautiful

—It and was the true needed expression of the people, the times, and their aspirations.— It was a part

Slavery

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

distinction whatever, is neither more or less than another, and the debatable points to be settled 2

countrymen ours in several sections of the Republic who profess their readiness to pick out certain parts

of that half part of the compact as either not necessary or not right just.— .

—For myself however I am free to say with a candid heart I know not of any such parts.

— 20 References to the Fugitive Slave Law of 1850 indicate that parts of this manuscript were likely

Annotations Text:

.; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 15; 16; 17; 18; 19; 20; Transcribed from digital images

The most immense part of

  • Date: Between 1855 and 1860
  • Creator(s): Walt Whitman
Text:

It is doubtless the case The The most immense share part of a A ncient History is altogether unknown

—The best and most important part of History cannot be written told.

dates and reliable information,— being It is surer and more reliable; because by far the It greatest part

The manuscript was therefore probably written between 1855 and 1860, and at one time likely formed part

The most immense part of

you cannot define too clearly

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

A work of a great poet is not remembered for its parts—but remembered as you remember the complete person

Of Ownership

  • Date: About 1860
  • Creator(s): Walt Whitman
Text:

6 2 3 — 25 00 cxnm 4 Thoughts Of o O wnership—As if one fit to own things could not at pleasure enter

in the West

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

West a hundred years from now— th two hundred years—five hundred years— (This ought to be a splendid part

for droppings

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

Transcribed from Joel Myerson's The Walt Whitman Archive: A Facsimile of the Poet's Manuscripts, vol. 1, part

2, Garland Publishing, 1993; Primary Source Media's Major American Authors on CD-Rom: Walt Whitman,

Annotations Text:

Transcribed from Joel Myerson's The Walt Whitman Archive: A Facsimile of the Poet's Manuscripts, vol. 1, part 2,

of these poems

  • Date: Between 1845 and 1860
  • Creator(s): Walt Whitman
Text:

Whitman transcribed part of William Collins's "Ode on the Passions" on the back of this leaf. of these

The most perfect wonders of

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

At some point, this manuscript formed part of Whitman's cultural geography scrapbook.

Advance shapes like his shape

  • Date: Between 1854 and 1860
  • Creator(s): Walt Whitman
Text:

wholesome, clear-eyed, Six feet ten inches high— tall— of noble head and bearded face, Every limb, every part

A City Walk

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

A City Walk: 2 V Just a list of all that is seen in a walk through the streets of Brooklyn & New York

Annotations Text:

.; 2; V; Transcribed from digital images of the original.

Merely What I tell is

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The lines eventually became part of the independent poem "Poets to Come."

Remember if you are dying

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)

Annotations Text:

book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)

As to you

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

2 (+) As to you, if you have never not yet learned to think, enter upon it now, Think at once with directness

Beneath them can be discerned the ink number 2.

Annotations Text:

Beneath them can be discerned the ink number 2.

Though the subject matter is similar, the manuscripts do not appear to be continuous.; 2; Transcribed

The Ruins

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

.— At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

hexameters

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

hexameters —verses whose lines are six poetic feet, either dactyls or spondees "Then when An 1 dromache 2

Hear my fife

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The poem was later published in Leaves of Grass as part of the "Autumn Rivulets" cluster.

In the gymnasium

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The poem was later published in Leaves of Grass as part of the "Autumn Rivulets" cluster.

Europe Cape Clear

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

A large, good-looking woman

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

Annotations Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

(Of the great poet)

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

Annotations Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

I do not compose

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

do not pretend to compose an a grand opera, with choice good instrumentation, and harmonious good parts

so something to give fits to the dilletanti, for its elegance and measure.— The To sing well your part

Asia

  • Date: About 1855 or 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Another series of draft lines on the back of this leaf were published as part of "Poem of Many in One

Europe Laplanders

  • Date: Between 1850 and 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscipt likely formed part of Whitman's cultural geography scrapbook.

wainscot, hut

  • Date: Before or early in 1856
  • Creator(s): Walt Whitman
Text:

groin l tendon, a bundle of fibres by which a muscle is joined to a bone f fibre, a thread, a fine part

Iron works

  • Date: About 1855 to 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

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