Search Results

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

.— As small pipes from the aqueduct main The rest are par beautiful parts that flow out of it.

I want that tenor large and fresh as the creation parting of whose dark orbed mouth shall for me lift

Paradise the delight in the universe . that is I want that tenor, large and fresh as the creation, the parting

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story

and libretto as now are generally of no account.— In the American Opera the story and libretto must

I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from

At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented

.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented

Yet consider the forces that make the flower, the elements that are parts of it, the intricacy of its

eras, a few octillions of cubic leagues, do not hazard the span, or make it impatient, They are but parts

, anything is but a part.

If I worship one thing more than another it shall be the spread of my own body or any part of it."

Parting track'd by arriving—perpetual payment of perpetual loan, Rich, showering rain, and recompense

Here is part of a birds-eye view with which he favours us of sailors and their doings throughout the

more truly human not to speak of, than to speak of (such speech producing self-consciousness, whereas part

Had Whitman ventured upon the hundredth part of his grossness in the camp of the Greeks, he would have

Not a move can a man or woman make that affects him or her in a day or a month, or any part of the direct

mouth, or by the shaping of his great hands …and all that is well thought or done this day on any part

To think that you and I did not see, feel, think, nor bear our part!

To think that we are now here, and bear our part!

free-mouthed free-mouth'd quick-tem- pered quick-tempered , not bad-looking, able to take his own part

thank you for liking me as I am, and liking the touch of me—I know that it is good for you to do so. 2

A note on leaf 27 recto includes the date April 19, 1847, and the year 1847 is listed again as part of

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–

and the Composition of Leaves of Grass: The Talbot Wilson Notebook, Walt Whitman Quarterly Review 20:2

Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n

since you were born, and did not know, / Perhaps it is everywhere on water and on land." (1855, pp. 51-2)

w ill you sting me most even at parting?

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

2 Souls of men and women!

2 Souls of men and women!

Sculpture —then sculpture was necessary—it was an eminent part of religion it gave grand and beautiful

—It and was the true needed expression of the people, the times, and their aspirations.— It was a part

in The American in October 1880 as My Picture-Gallery, a poem later included in Leaves of Grass as part

and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part

At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented

what text was added when, we have not included images or transcriptions of the clipped-out page as part

.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as

that relate to the first poem in the 1855 edition of Leaves, ultimately titled "Song of Myself," and part

Let us then come to that; for, after all, that is the most wonderful as it is the most important part

His fundamental notions of poetry are, we must confess, for the most part correct.

I become a part of that, whatever it is!

A story is told of a countryman of Mr. Walt Whitman, who, after reading Mr.

how superb and how divine is your body, or any part of it!" With him this is a rooted conviction.

a TG 2 get— P description of Chr Poem—a perfect school, gymnastic, moral, mental and sentimental,—in

column of wants in the one-cent paper, the news by telegraph, amusements, operas, shows, The business parts

At some point, this manuscript formed part of Whitman's cultural geography scrapbook (owu.00090).

At some point, this manuscript formed part of Whitman's cultural geography scrapbook.

PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY

2 Souls of men and women!

THE CENTENARIAN'S STORY.

2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting

, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without

image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story

2 Souls of men and women!

THE CENTENARIAN'S STORY.

2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting

, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story

List to the story as my grandmother's father, the sailor, told it to me.

is but a part.

THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.

It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west

List to the story as my grandmother's father, the sailor, told it to me.

is but a part.

2. TEARS! tears! tears!

2.

THE CENTENARIAN'S STORY.

updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"

2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!

is but a part.

vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would

I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.

Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.

holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2

and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*

at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2

thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story

I take part . . . .

 . . . . any thing is but a part.

does not counteract another part . . . .

all became part of him.

Sure as life holds all parts together, death holds all parts together; Sure as the stars return again

Many persons have written down the story of their lives, so far as, in their old age, they could recollect

For his part, nothing being improper, nothing shall be suppressed. Mr.

Since then several editions have appeared with varying but for the most part small fortune.

Humane persons in different parts of the country sent him money and stores to carry on his work, and

Goethe, Gespräche mit Goethe , Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics, Part

.; Goethe, Gespräche mit Goethe, Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics,

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

relate to the second poem in the 1855 edition of Leaves, ultimately titled A Song for Occupations, and part

to the second poem in the 1855 edition of Leaves, ultimately titled "A Song for Occupations," and part

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

and published as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part

The poem was later published in as part of the "Autumn Rivulets" cluster (1881, p. 310).

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

At one point, however, the manuscript was almost certainly part of "The Great Laws do not" (duk.00264

At one point, however, the manuscript was almost certainly part of "The Great Laws do not," which includes

great as the feet and fingers of the soul, goads and witnesses and alarm clocks of the soul prokers 2

delights, enjoyments touches gives it some f or aint sign of its own the harmony and measure that are part

of its essence; as a good part of the soul is its craving for that which we incompletely describe by

.; 1; 2; 3; Transcribed from digital images of the original.

—the whole or any part of it?

I am your poet, because I am part of you; O days by-gone! Enthusiasts! Antecedents!

I swear I dare not shirk any part of myself, Not any part of America, good or bad, Not my body—not friendship

is for my sake, I take you to be mine, you beautiful, terrible, rude forms. 11* CHANTS DEMOCRATIC. 2.

Recall ages—One age is but a part—ages are but a part; Recall the angers, bickerings, delusions, superstitions

Have I forgotten any part? Come to me, whoever and whatever, till I give you recognition.

column of wants in the one-cent paper, the news by telegraph, amusements, operas, shows, The business parts

thank you for liking me as I am, and liking the touch of me—I know that it is good for you to do so. 2

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Another series of draft lines on the back of this leaf were published as part of "Poem of Many in One