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William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press
noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's
disposition of the notebook and that both of these also differ from the ordering in the transcription of William
White, Daybooks and Notebooks (New York: New York University Press, 1978), 3:777–803.
the notebook and that both of these also differ from the ordering in the transcription of William White
you white or black owners of slaves! You owned persons dropping sweat-drops or blood-drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
Let the white person tread the black person under his heel! (Say!
William Good, Antwerp. ☞ Any communication by mail, for the author of Leaves of Grass, can be directed
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white
cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white
some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
at sunset, the river between, Shadows, aureola and mist, the light falling on roofs and gables of white
grave an ancient sorrowful mother, Once a queen, now lean and tatter'd seated on the ground, Her old white
cold ground with fore- head forehead between your knees, O you need not sit there veil'd in your old white
some are such beautiful animals, so lofty looking; Some are buff-color'd, some mottled, one has a white
Let the white person tread the black person under his heel! (Say!
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
you white or black owners of slaves! You owned persons, dropping sweat-drops or blood- drops!
pass up or down, white-sailed schooners, sloops, lighters! Flaunt away, flags of all nations!
pass up or down, white-sail'd schooners, sloops, lighters! Flaunt away, flags of all nations!
What is that little black thing I see there in the white? Loud! loud! loud!
The early lilacs became part of this child, And grass and white and red morning-glories, and white and
Sister of loftiest gods, Alboni's self I hear.) 4 I hear those odes, symphonies, operas, I hear in the William
In calculating that decision, William O'Connor and Dr. Bucke are far more peremptory than I am.
We, loose winrows, little corpses, Froth, snowy white, and bubbles, (See!
The early lilacs became part of this child, And grass, and white and red morning-glories, and white and
afar at sunset— the river between, Shadows, aureola and mist, light falling on roofs and gables of white
the thick tangle, the openings, and the pink turf, Different colors, pale gray and green, purple, white
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
gave him not one inch, but held on and night near the helpless fogged wreck, over leaf How the lank white
Sigourney, the chief poetess of the United States, of the classical William Cullen Bryant, the Catholic
The monk endeavours to console him with the prospect of eternal rest, the white robe and the golden crown
White the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping
William Michael Rossetti was principally concerned in introducing his works into the English market;