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In his philosophy justice attains its proper dimensions: "I play not a march for victors only: I play

ready, The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon, The clear light plays

for his picture would answer equally well for a "Bowery boy," one of the "killers," "Mose" in the play

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play

Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play

I hope the fifes will play Yankee Doodle.

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

Grundy is a character from Thomas Morton's play Speed the Plough (1798); by the nineteenth century her

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

The term is taken from the play A Bold Stroke for a Wife (1718) by Susanna Centlivre, English dramatist

may be gathered from one or two passage selected as illustrative of different phases of mind:— "I play

not here marches for victors only; I play great marches for conquered and slain persons.

muscular build, his antecedents here being a race of farmers and mechanics, silent, good-natured, playing

a passage remarkable for its nobility: "With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play Marches for conquer'd and slain persons.

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

This quotation is from a collection of conversations between Goethe and Johann Peter Eckermann.

Grundy, a term for an extremely conventional or priggish person, refers to a character in the play Speed

Jourdain, in the play of Racine, was surprised to learn from his erudite master in philosophy that for

The character Monsieur Jourdain appears in a play by Molière (1622 - 1673) Le Bourgeois Gentilhomme .

.; The character Monsieur Jourdain appears in a play by Molière (1622 - 1673) Le Bourgeois Gentilhomme

arising out of a life of depression and enervation as their result; or else that class of poetry, plays

Buchanan, who have praised his performances, appear to me to be playing off on the public a well-intentioned

, arising out of a life of depression and enervation as their result—or else that class of poetry, plays

All, he says, is sweet—smell, taste, thought, the play of his limbs, the fantasies of his mind; every

What play of Shakespeare represented in America, is not an insult to America, to the marrow in its bones

He sees eternity less like a play with a prologue and denouement…he sees eternity in men and women…he

The most renowned poems would be ashes…orations and plays would be vacuums.

To play at pastoral may be for a while the fashion, if the shepherds and shepherdesses are permitted

stand open and ready; The dried grass of the harvest-time loads the slow-drawn wagon; The clear light plays

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

fight between Deity on one side and somebody else on the other—not Milton, not even Shakespeare's plays

Love's like a red, red rose, That's newly sprung in June: O my Love's like a melodie That's sweetly played

cuts, First-rate to ride, to fight, to hit the bull's-eye, to sail a skiff, to sing a song, or to play

animal—and left people to infer that he was some such inspired brute as Jove infurried (sic) , when he played

Bucke, his intimate friend and truly able biographer, who plays Boswell to Whitman's Johnson, reports

Peter Bayne. Among Whitman's personal friends were Bryant and Longfellow.

Of course we do not select those which are the most transcendental or the most bold:— "I play not a march

for victors only…I play great marches for conquered and slain persons.

—Work of some sort Play?

weapons or helmets—all emblematic of peace—shadowy—rapidly approaches and pauses sweeping by— if in a play—let

Great latitude must be allowed to others Bring Play your muscle, and it will be lithe as willow and gutta

Whitman and His Poems," first published in the United States Review : "Every move of him has the free play

isolated, perfect and sound, is isolated all all things and all other beings as an audience at the play-house

fire. / From the cinder-strew'd threshold I follow their movements, / The lithe sheer of their waists plays

. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and

the poem later titled "I Sing the Body Electric": "The march of firemen in their own costumes—the play

—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

edition of The bugle calls in the ballroom—the dancers gentlemen lead out go for their partners—the playing

The fingers of the pianist playing lightly and rapidly over the keys. illustration a man placing his

Play up there! the fit is whirling me fast" (p. 71).

.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional

I believe in those winged purposes, / And acknowledge the red yellow and white playing within me, / And

some playing, some slumbering? Who are the girls? who are the married women?

play the part that looks back on the actor or actress!

The most renown'd poems would be ashes, orations and plays would be vacuums.

to hear the bugles play, and the drums beat! To hear the crash of artillery!

Let the priest still play at immortality! Let death be inaugurated!

He sees eternity less like a play with a prologue and denouement . . . . he sees eternity in men and

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

The most renowned poems would be ashes . . . . orations and plays would be vacuums.

Play up there! the fit is whirling me fast.

I hope the fifes will play Yankee Doodle.

eddies of the wind, A few light kisses . . . . a few embraces . . . . a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only . . . . I play great marches for conquered and slain persons.

lights, The steam-whistle . . . . the solid roll of the train of approaching cars; The slow-march played

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

the common air that bathes the globe. 18 With music strong I come—with my cornets and my drums, I play

not marches for accepted victors only—I play great marches for conquer'd and slain persons.

some playing, some slumbering? Who are the girls? who are the married women?

play the part that looks back on the actor or actress!

The most renown'd poems would be ashes, orations and plays would be vacuums.

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

Let the priest still play at immortality! Let death be inaugurated!

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

not marches for accepted victors only—I play great marches for conquered and slain persons.

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

I play not here marches for victors only—I play great marches for conquered and slain persons.

Let priests still play at immortality! Let Death be inaugurated!

to hear the bugles play, and the drums beat! To hear the artillery!

play the part that looks back on the actor or actress!

I am a dance—Play up, there! the fit is whirling me fast!

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those winged purposes, And acknowledge red, yellow, white, playing within me, And consider

I play not here marches for victors only—I play great marches for conquered and slain persons.

colored lights, The steam-whistle—the solid roll of the train of approaching cars, The slow-march played

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

I play not a march for victors only, I play great marches for conquered and slain persons.

play the part that looks back on the actor or actress!

Play the old role, the role that is great or small, according as one makes it!

I am a dance—Play up, there! the fit is whirling me fast!

Let priests still play at immortality! Let death be inaugurated!

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

stand open and ready, The dried grass of the harvest-time loads the slow-drawn wagon, The clear light plays

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I play not a march for victors only, I play great marches for conquered and slain persons.

colored lights, The steam-whistle, the solid roll of the train of approaching cars, The slow-march played

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

wound cuts, First rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song, or play