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They say there is a time to be silent, and though no part or function of man if properly treated is disgraceful
It consists for the most part of hack writers to the press who think it no portion of their duty to know
Veiled obscenity in the shape of a joke, a spicy story, or the reports of criminal cases in the Pall
above all else zealous for the virtue of their womankind, just as if they had never laughed over the story
Gespräche mit Goethe , Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743.
Gespräche mit Goethe, Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743.; Ernest Rhys, "Introduction"
A note on leaf 27 recto includes the date April 19, 1847, and the year 1847 is listed again as part of
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
and the Composition of Leaves of Grass: The Talbot Wilson Notebook, Walt Whitman Quarterly Review 20:2
The old woman's tale of there being but eight wonders in the world has long been an idle story; a brick
It would be impossible to transcribe from any part of the book without offending common sense, and it
Some time ago, so the story goes, he made the unpoetic acquaintance of a New York omnibus driver.
Henry Wadsworth Longfellow's Song of Hiawatha (1855) told the story of the legendary chief credited as
.; Henry Wadsworth Longfellow's Song of Hiawatha (1855) told the story of the legendary chief credited
E VERY ONE RECOLLECTS THE STORY of the Scotch dramatic author who, when Garrick assured him his genius
Walt Whitman is to give his readers from time to time inventories of the various component parts of some
Thus (in pages 300-2) we might for a brief moment fancy ourselves poring over a manual of surgery.
Sense, grammar, and metre are but very minor parts in the composition of poetry; but nevertheless, pace
.— As small pipes from the aqueduct main The rest are par beautiful parts that flow out of it.
I want that tenor large and fresh as the creation parting of whose dark orbed mouth shall for me lift
Paradise the delight in the universe . that is I want that tenor, large and fresh as the creation, the parting
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
I wish I had room to quote all of Chainey's lecture, but a part must suffice.
Whoever you are, how superb and how divine is your body or any part of it!
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle.
"In his sight, no part or passion of the body is to be slighted or regarded as vulgar.
respect for women, and hold in low esteem their own manhood through learning to take delight in vulgar stories
great as the feet and fingers of the soul, goads and witnesses and alarm clocks of the soul prokers 2
delights, enjoyments touches gives it some f or aint sign of its own the harmony and measure that are part
of its essence; as a good part of the soul is its craving for that which we incompletely describe by
.; 1; 2; 3; Transcribed from digital images of the original.
Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n
since you were born, and did not know, / Perhaps it is everywhere on water and on land." (1855, pp. 51-2)
w ill you sting me most even at parting?
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest
For more about the revisions of this passage, see Ed Folsom, "Walt Whitman's 'The Sleepers,'" part of
....any thing is but a part." (1855, p. 51).
starve his body.— What minutes of damnation What heightless dread, falls in the click of a moment story
can never tell , for there is something that underlies and overtops me, of whom I am an effusion a part
Autobiographical Data From the middle to the latter part of Oct. 1844 I was in New Mirror — We lived
titled "Song of Myself": "I hear the sound of the human voice . . . . a sound I love," (1855, p. 31). 2
In Jamaica first time in the latter part of the summer of 1839.
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
from Emory Holloway, Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, 1921), 2:
the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2
from Emory Holloway, Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, 1921), 2:
Since all things are divine, Walt Whitman's body, with each several part and function of it, is divine
sending itself ahead of any sane comprehension this side of Jordan. 2.
sun swings itself and its system of planets around us, Its sun, and its again, all swing around us. 2.
Have I forgotten any part? Come to me, whoever and whatever, till I give you recognition. 4.
Has Mine forgotten to grab any part?
—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,
simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story
and libretto as now are generally of no account.— In the American Opera the story and libretto must
I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from
At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part
At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented
what text was added when, we have not included images or transcriptions of the clipped-out page as part
.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as
, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part
and received with wonder or pity or love or dread, that object he became, / And that object became part
of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years
The "voices" described in the last part of this section may relate to the following lines: "Through me
come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2
To reinforce the truthfulness of Pierson's stories about the "koboo," Whitman mentions the fact that
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
Buchanan Reade ∗ —a gracefully rhymed, imaginative story; or of another American production which, according
send it forth to the world with a complacent smirk required great courage—or brazen effrontery—on the part
Holmes sings, he yet may have succeeded in uttering but a small part of the music that is in him.
things, One swallow does not make a summer, nor do a few happy turns of phrase make a poet—for our part
is a common saying among publishers that next to very warm praise of a book downright abuse on the part
Osgood & Co. 1881. $2. Simon-pure, short for "the real Simon Pure," means real or genuine.
Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:
34 2 Man, before the rage of whose passions the storms of Heaven are but a breath; Before whose caprices
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
a TG 2 get— P description of Chr Poem—a perfect school, gymnastic, moral, mental and sentimental,—in
See'st thou Knows thou The Three of the t T hree There is on the one part Between this beautiful but
dumb Earth, with all its manifold eloquent but inarticulate shows & objects And on the other part , the
It probably relates to the seventh poem in that edition, part of which eventually became "Song of the
book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
B 2 They do not sweat and whine about their condition They do not lie awake in the dark and weep for
book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)
book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)
Many persons have written down the story of their lives, so far as, in their old age, they could recollect
For his part, nothing being improper, nothing shall be suppressed. Mr.
Since then several editions have appeared with varying but for the most part small fortune.
Humane persons in different parts of the country sent him money and stores to carry on his work, and
Goethe, Gespräche mit Goethe , Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics, Part
.; Goethe, Gespräche mit Goethe, Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics,
Let us then come to that; for, after all, that is the most wonderful as it is the most important part
His fundamental notions of poetry are, we must confess, for the most part correct.
I become a part of that, whatever it is!
A story is told of a countryman of Mr. Walt Whitman, who, after reading Mr.
how superb and how divine is your body, or any part of it!" With him this is a rooted conviction.
another scrap, the reverse of which (duk.00878) features prose notes that relate to what became section 2
Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport
Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part
and published as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part
Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,
Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,
Here we have in epitome the true story of The Creation of Man.
octillions of cubic leagues, do not hazard the space or make it im- patient impatient They are but parts
, anything is but a part.
As for its sensuality—and it may be less so than it seems—I do not so much wish those parts unwritten
It was to be the second part of an ultimately never completed three-part poem entitled The Recluse .
Samuel Butler (1612-1680) published a three-part satirical poem on Puritanism entitled Hudibras (1663
It probably relates to the seventh poem in that edition, originally untitled, part of which eventually
On the reverse (nyp.00733) are lines used in a different part of the same poem.; nyp.00733 Night of south
On the reverse are lines that were possibly also written as part of the process for the creation of that
At some point, this manuscript formed part of Whitman's cultural geography scrapbook (owu.00090).
Other lines and words became part of the opening lines of Broad-Axe Poem and Bunch Poem in the 1856 edition
eaves of a deserted house or barn—pleasing note— "Redstart"—beautiful small bird arrives here latter part
we ha'n't got time Ens l —a being, existence, essence, that recondite part of a substance from which
—wild mirthful processions in honor of the god Dionysus (Bacchus) —in Athens, and other parts of Greece—unbounded
Does any one tell me that it is the part of a man to obey such enactments as these?
page: "I believe in the flesh, and the appetites, Seeing, hearing, feeling, are miracles, and each part
As an instance, we quote a part of a death-bed scene, which is as beautifully drawn as it is truthful
The publishers have done their part well.
page: "I believe in the flesh, and the appetites, Seeing, hearing, feeling, are miracles, and each part
As an instance, we quote a part of a death-bed scene, which is as beautifully drawn as it is truthful
The publishers have done their part well.
prayBefore or early in 1855poetryprose1 leafhandwritten; An early scrap of prose material similar to parts
This manuscript leaf originally formed part of a larger notebook.
The first part of this manuscript resembles a line in the fifth poem of that edition, eventually titled
relate to the second poem in the 1855 edition of Leaves, ultimately titled A Song for Occupations, and part
The first part of this manuscript resembles a line in the fifth poem of that edition, eventually titled
The last part of the manuscript recalls what ultimately became section 32, in which Whitman describes