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—from his 'Chants Democratic,' from his Drum Taps , from his Leaves of Grass , from his 'Songs of Parting
Mere parts have been nowhere selected.
to his productions, to those Poems of his which have been here selected for us from his 'Songs of Parting
Friends,"— "Two two simple men I saw to-day on the pier, in the midst of the crowd parting the parting
Keats's (1795-1821) poem "Isabella, or the Pot of Basil" (1817-18), which is an adaptation of the story
Keats's (1795-1821) poem "Isabella, or the Pot of Basil" (1817-18), which is an adaptation of the story
—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,
simple—Always one leading idea—as Friendship, Courage, Gratitude, Love,—always a distinct meaning— The story
and libretto as now are generally of no account.— In the American Opera the story and libretto must
I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from
At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.
It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west
List to the story as my grandmother's father, the sailor, told it to me.
is but a part.
2. TEARS! tears! tears!
2.
THE CENTENARIAN'S STORY.
image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY
2 Souls of men and women!
THE CENTENARIAN'S STORY.
2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting
, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without
Other lines and words became part of the opening lines of Broad-Axe Poem and Bunch Poem in the 1856 edition
At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.
Other lines and words became part of the opening lines of "Broad-Axe Poem" and "Bunch Poem" in the 1856
updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"
2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!
is but a part.
vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would
I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.
Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.
holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2
and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*
at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2
thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story
groin l tendon, a bundle of fibres by which a muscle is joined to a bone f fibre, a thread, a fine part
Not a move can a man or woman make that affects him or her in a day or a month, or any part of the direct
mouth, or by the shaping of his great hands …and all that is well thought or done this day on any part
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part!
free-mouthed free-mouth'd quick-tem- pered quick-tempered , not bad-looking, able to take his own part
emblem, dabs of music; Fingers of the organist skipping staccato over the keys of the great organ. 2
Riches, opinions, politics, institutions, to part obedi- ently obediently from the path of one man or
Chants Democratic CHANTS DEMOCRATIC. 2. BROAD-AXE, shapely, naked, wan!
Riches, opinions, politics, institutions, to part obe- diently obediently from the path of one man or
I am your poet, because I am part of you; O days by-gone! Enthusiasts! Antecedents!
I swear I dare not shirk any part of myself, Not any part of America, good or bad, Not my body—not friendship
is for my sake, I take you to be mine, you beautiful, terrible, rude forms. 11* CHANTS DEMOCRATIC. 2.
Recall ages—One age is but a part—ages are but a part; Recall the angers, bickerings, delusions, superstitions
Have I forgotten any part? Come to me, whoever and whatever, till I give you recognition.
works which aim at satirising the manners and customs of every-day life are necessarily the first parts
To deal with these seriatim , in the first Whitman takes part in a natural and easily comprehensible
poetry, no equal celebration of the human being in his completeness-in his organic character-every part
express the cosmical character of the individual-yourself; the absolute miracle you are in all your parts
The thorough Americanism of the poem, permeating every part of it, appears as well in its literary form
It must remain an enduring part of the glory of our poet, that, as in such superb and powerful lines
If I worship one thing more than another it shall be the spread of my own body or any part of it."
Parting track'd by arriving—perpetual payment of perpetual loan, Rich, showering rain, and recompense
Here is part of a birds-eye view with which he favours us of sailors and their doings throughout the
more truly human not to speak of, than to speak of (such speech producing self-consciousness, whereas part
Had Whitman ventured upon the hundredth part of his grossness in the camp of the Greeks, he would have
emblem, dabs of music, Fingers of the organist skipping staccato over the keys of the great organ. 2
emblem, dabs of music, Fingers of the organist skipping staccato over the keys of the great organ. 2
emblem, dabs of music; Fingers of the organist skipping staccato over the keys of the great organ. 2
Riches, opinions, politics, institutions, to part obe- diently obediently from the path of one man or