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On the verso of the manuscript is a cancelled letter to Whitman from William S.
O'Connor, pub'd posthumously in 1891, which appeared in Good-Bye My Fancy (1891), and in William Douglas
the backing sheet's lower right corner is dated 1907 and indicates that he presented this item to William
The poem mourns the death of Emperor William I of Germany on 9 March 1888, and the Herald of 10 March
; Written in ink on the back of a discarded letter (cancelled by a diagonal strike) from Talcott Williams
Written on this small white sheet are the title of the poem (Sail out for good Eidólon yacht) and trial
In the lower right-hand corner is the notation: "For Francis Howard Williams, May 1896, Traubel."
On the reverse of the manuscript is a note by William Sloane Kennedy. Camden - Phila
It consists of draft versions of the heading for William Douglas O'Connor's The Good Gray Poet (1866)
copy.loc.00259xxx.00312Paumanokabout 1888poetryhandwritten1 leaf12 x 21 cm; Written in ink on a sheet of white
William White, in his edition of Whitman's Daybooks and Notebooks, noted a relationship between material
Williams" dated December 2, 1880. The poem was first published in 1881. A Clear Midnight
The essay was reprinted with revisions as Death of William Cullen Bryant in Specimen Days in 1882.
140ucb.00068xxx.00959Over the glistening bronze brook[White Butterflies]1878–1882prose3 leaveshandwritten
[White Butterflies]
154ucb.00055xxx.00811Cloudy and Coolish['76 White Horse]1876prose2 leaveshandwritten; A Draft fragment
–1883) as part of Autumn Side-Bits, which was later collected in Complete Prose Works (1892). ['76 White
Those who envy or calumniate great men, hate God William Blake[.]"
White" between 1871 and 1874. This journey
On the verso of one of the leaves is a letter from William Black seeking Whitman's autograph.
The poem is apparently based on a photograph of Whitman possibly taken by the photographer, William Kurtz
homemade notebook which contains, among other notes, an account of the retreat following the battle of White
of a poem inscribed on the first and third sides of two folded half-sheets (20 x 16 cm) of the same white
1857-1859poetryhandwritten3 leavesleaves 1 and 2 15 x 9.5 cm; leaf 3 6.5 x 9.5 cm; On three pieces of white
1859poetryhandwritten2 leavesleaf 1 9.5 x 9 cm; leaf 2 14.5 x 9 cm pasted to 5 x 9.5 cm; On two pieces of white
1859poetryhandwritten2 leavesleaf 1 8 x 9 cm; leaf 2 14.5 x 9.5 cm pasted to 5.5 x 9.5 cm; On two sections of white
.00080[When I heard at the close of]1857-1859poetryhandwritten2 leaves15 x 9.5 cm; On two leaves of white
paper, both measuring 15 x 9.5 cm; the lower half of the second page is pasted over with a section of white
admirer1857-1859poetryhandwritten2 leavesleaf 1 13 x 11.5 cm; leaf 2 20 x 16 cm; On two pieces of white
50-51uva.00310xxx.00066xxx.00083Calamus-Leaves1857-1859poetryhandwritten1 leaf15 x 9 cm; On white wove
1850spoetryhandwritten1 leaf8.5 x 10 cm pasted to 20 x 16 cm; On a composite leaf consisting of two pieces of white
1850spoetryhandwritten1 leaf8.5 x 10 cm pasted to 20 x 16 cm; A composite leaf consisting of two pieces of white
.00066xxx.00087[I saw in Louisiana a]1857-1859poetryhandwritten2 leaves15 x 9.5 cm; On two leaves of white
.00331xxx.00066xxx.00089[This moment as I sit alone]1857-1859poetryhandwritten1 leafcm; On one leaf of white
.00095xxx.00105[Here the frailest leaves of me]1857-1859poetryhandwritten1 leaf15 x 9.5 cm; On one leaf of white
.00066xxx.00098[A leaf for hand-in-hand]1857-1859poetryhandwritten1 leaf14.5 x 9 cm; On one leaf of white
-51uva.00312xxx.00066xxx.00099[Earth]1857-1859poetryhandwritten1 leaf14.5 x 9.5 cm; On one leaf of white
.00066xxx.00100[I dreamed in a dream of a]1857-1859poetryhandwritten1 leaf9.5 x 9 cm; On one leaf of white
you I have]1857-1859poetryhandwritten1 leaf8.5 x 9 cm pasted to 6.5 x 9 cm; On a composite leaf of white
51uva.00328xxx.00066xxx.00103[Sometimes]1857-1859poetryhandwritten1 leaf15 x 9.5 cm; On one leaf of white
.00337xxx.00066xxx.00104[To the young man]1857-1859poetryhandwritten1 leaf15 x 9 cm; On one leaf of white
often and silently come where you are]1857-1859poetryhandwritten1 leaf14.5 x 9 cm; On one leaf of white
On one section of the same leaf of white ruled laid paper used for To a Historian, and with another fragment
12tex.00011xxx.00705The Ballroom was swept and the floor white…[The ball-room was swept]about 1860poetry1
leafhandwritten; Three lines of a poem beginning "The ball-room was swept, and the floor white."
William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press
noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's
.00048Autobiographical DataBetween 1848 and 1856prosepoetry10 leaveshandwritten; Photostats, made for William
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems Who Learns My Lesson Complete?
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a possible relationship between the opening words and the first poem of the 1855 edition,
theses]about 1856poetryhandwritten1 leaf4 x 16 cm pasted to 10.5 x 16 cm; On a small composite leaf of white
]about 1855poetryhandwritten1 leaf4.5 x 14.5 cm; These lines, appearing on a very small section of white
shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white
of delight" and "tooth prong") probably contributed to the following passage in the same poem: "The white
On the verso Whitman has copied two stanzas of English poet William Collins' The Passions.