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Playing in the Park P LAYING IN THE P ARK .— It is customary for numbers of boys, of pleasant days, to
congregate in the Park, and amuse themselves by running races, trundling hoops, playing marbles, and
other public grounds, any quantity of the offspring of the rich and fashionable may be daily seen playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
"To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."
The play is about the fall of Caesar and the war that ensues after Caesar's assassination.
Hughes and the New Era Bishop John Hughes (1797–1864), who played an important role in New York City
Volume I: 1834–1846 (New York: Peter Lang, 1998).
.; "To love Rome more than Caesar" refers to Shakespeare's play, "Julius Caesar."
The play is about the fall of Caesar and the war that ensues after Caesar's assassination.
Adams, distinguishing all three from the current Democrats.; Bishop John Hughes (1797–1864), who played
The chief traps for these good folks are the mock auction shops, or "Peter Funk" establishments.
"Peter Funk" was a popular term for a decoy purchaser who falsely bid up prices on a product in partnership
See Louise Pound, "'Peter Funk': The Pedigree of a Westernism," American Speech 4.3 (February 1929),
the client's clothes while he slept" (Shane White, Stephen Garton, Stephen Robertson, Graham White, Playing
the client's clothes while he slept" (Shane White, Stephen Garton, Stephen Robertson, Graham White, Playing
Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Bolton Comfort is a character from the play The Irish Heiress: A Five Act Comedy by Dion Boucicault,
presentment of "The Troublesome Raigne of John, King of England," (which is probably more Marlowe's play
From first to last it was a continuous stretch of unsurpassed by–play and fine elocution.
Only the morbid appetite for unnatural strained effect can complain of want of interest in such a play
Arthur took the sympathies of the whole house; she played with quiet, grace, and modesty.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
of penalties for crime—the oftener the farce of the people "in legislative assembly convened" is played—just
Volume I: 1834–1846 (New York: Peter Lang, 1998).
In New York City the party often played a minority role to the dominance of the Democratic Party in the
Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter
Volume I: 1834–1846 (New York: Peter Lang, 1998).
In New York City the party often played a minority role to the dominance of the Democratic Party in the
Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
.; Whitman here quotes from the play Tragedy of Brutus written by John Howard Payne in 1818.; Bishop
Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter
The time is rapidly approaching when a new and balancing force will come into play—a force composed of
Volume I: 1834–1846 (New York: Peter Lang, 1998).
deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
Celebration of children at play was a relatively new concept used by upper-middle class families who
Whitman references children at play to point to a particular type of family one would see at a park,
(an instrument, by the by, which discourses very eloquent music, well–played, and is cheap to buy, and
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Suppose, in case of a war, we should play our game after the same fashion.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a
Volume I: 1834–1846 (New York: Peter Lang, 1998).
He became so familiar that his name frequently appeared in books, plays, periodical titles, and as a
The Play-Ground
The early poem "The Play-Ground" appeared in the Brooklyn Daily Eagle on June 1, 1846 (during Whitman's
[New York: Peter Lang Publishers, 1998], 1: 222).
The whole of this manœuvre is about as bungling and poorly worked a game as we ever saw played.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
—With the dead girl or boy, the transient play is finished: we know that the worst deeds they ever committed
Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Shakespeare’s plays were performed by and for all classes in the United States during the nineteenth
See Iona and Peter Opie, The Lore and Language of Schoolchildren (New York: New York Review of Books,
Whitman is playing here on Hamlet's line in Act 2, Scene 2 of Hamlet : "I am but mad north-north-west
Whitman is playing here on Hamlet's line in Act 2, Scene 2 of Hamlet: "I am but mad north-north-west:
Ingersoll played Richmond .
And how he used to play such parts as Pythias , to Forrest's Damon ?
For such were the plays, and finely sustained, that we used to go and see at the Old Bowery.)
Charley Thorne, who was then young and strong, and rosy and full of fire, played Tressel .
The Lady of Lyons was a play by Edward Bulwer-Lytton.
.; The Last Days of Pompeii was a play by Louisa Medina, who would later marry the actor Tom Hamblin.
It was the first play to achieve a "long run" in the United States, remaining on stage for twenty-nine
Like Booth, he also played Richard III in New York.; The "Kemble school" refers to a style and philosophy
It is clear that Whitman prefers Scott's style of acting.; The Sledge Driver was a play by Eliza Planche
, whose husband, James Robinson Planche, was also a playwright.; The Lady of Lyons was a play by Edward
Saturday contained a long notice, accompanied by extracts of a work which it denominates "Carlyle's Peter
some secret understanding with 'De Santy' has procured advance intelligence of the aforesaid "Life of Peter
Smith (New York: Oxford University Press, 2008), 445; John Marenbon, The Philosophy of Peter Abelard
The phrase "not wisely, but too well" is from the Shakespeare play Othello , Act Five, Scene Two.
See The Plays of William Shakspeare , ed. Samuel Maunder (London: J.W.
.; The phrase "not wisely, but too well" is from the Shakespeare play Othello, Act Five, Scene Two.
See The Plays of William Shakspeare, ed. Samuel Maunder (London: J.W.
For efforts to promote drawing in the schools see especially Peter C.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
twinkle through the mists of undeveloped intellect, and by day throw a veil of undefined beauty over the play
Volume I: 1834–1846 (New York: Peter Lang, 1998).
These jesuits understand how to play their cards as well as the other fellow.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
The game played yesterday afternoon between the Atlantic and Putnam Clubs, on the grounds of the latter
On the fourth innings the Putnams made several very loose plays, and allowed their opponents to score
9 runs, and those careless plays were sufficient to lose them the game.
On every other innings, they played carefully and well, as the score will show.
The Atlantics, as usual, played splendidly, and maintained their reputation as the Champion Club.
started forth to visit the other side, whereon the surf comes tumbling, like lots of little white pigs playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
marble time;" and in many a nook and many a sunny spot around, we observe groups of the little people playing
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Chromolithographs, art historian Peter Marzio writes, served the "democratization of culture" by making
possible the distribution of inexpensive fine-art imagery to the burgeoning middle class (Peter C.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Peter's Basilica in the Vatican, the largest and most distinguished Renaissance church in Italy.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
We remember well when "we boys" used to play it about Brooklyn regularly every Saturday afternoon; but
Down on Long Island it is played in a manner to make a fellow bounce!
" sends the ball whizzing past your side, as if from a big gun; indeed it is quite an art, as they play
But, however played, there are always health and sport in this game.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
The first match game of the season between first class clubs, was played yesterday after noon, by the
The play on both sides was excellent; that of the Masten, the catcher of the Putnam side, in particular
They play the Eagle Club, of Hoboken, on the 24th inst., at Carroll Park, and all who witness the game
The Putnams play a match game next week with the Atlantic Club, the champions of Long Island, and if
A challenge has been sent to the Clubs of New York and Hoboken to turn out six men to play a match against
Never was there a darker, more treacherous, despicable, and selfish game than that played, in this business
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Catlin as a "precious collection" Painter George Peter Alexander Healy (1813–1894) was one of more than
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
The "corps" has been playing for some time in that capital—but hitherto, from some underhand intrigue
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
She was known for playing "chambermaids, romps, and rural damsels with great archness and spirit."
"[H]e played in the principal theatres in the Union," such as the Chatham Garden and Park Theatres in
an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play
He played an "English pickpocket" and his performance was considered a "unique and laughable personation
By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.
A number of children were at play—some kind of a game which required that they should take each others
Volume I: 1834–1846 (New York: Peter Lang, 1998).
See Peter Adams, Bowery Boys: Street Corner Radicals and the Politics of Rebellion (Westport, CT: Praeger
See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to
Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio
.; Whitman quotes a conversation between Horatio and Hamlet in Shakespeare's play: "Thrift, thrift, Horatio
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Volume I: 1834–1846 (New York: Peter Lang, 1998).
We would not readily believe that Peter Cooper, "De Santy," C.W.
Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Such provocatives of patriotism as then existed cannot now come in play again.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
The Journal gives several anecdotes relative to the play of some first-rate performers.
accustomed to take one pocket to his opponent's five; and, to convey a notion of his experience, he has played
one individual alone fifty thousand games of this kind; that is to say, estimating four games to be played
For more information on Levi Slamm and the Locofocos, see: Peters Adams, The Bowery Boys: Street Corner
Volume I: 1834–1846 (New York: Peter Lang, 1998).
Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.
Volume I: 1834–1846 (New York: Peter Lang, 1998).
likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play
Volume I: 1834–1846 (New York: Peter Lang, 1998).
likely Charlotte Cushman (1816–1876), an American stage actress who also lived in Europe and could play
No. 1’s playing was nearly as good as was expected by her men—it being anticipated by them that about
passed the TIMES office, they halted and gave us some of the tallest kind of cheering, while the band played
See also Whitman's description of "youngsters playing 'base,' a certain game of ball," in an article
Recchia (New York: Peter Lang, 1998), 477. the same may be said of cricket—and, in short, of all games
Boys should be encouraged to play the game.
In country places it is often played with flat stones, or with horse-shoes.
Most of our American cities have grounds where it is regularly played.
See also Whitman's description of "youngsters playing 'base,' a certain game of ball," in an article
Peter’s River way to the Missouri, every “extra claim” is taken up.