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Search : PETER MAILLAND PLAY

1584 results

Walt Whitman to Louisa Van Velsor Whitman, 28 March [1873]

  • Date: March 28, [1873]
  • Creator(s): Walt Whitman
Text:

papers—he comes & sits a few minutes every morning before going to work—he has been very good indeed—he & Peter

Walt Whitman to Ernest Rhys, 22 January 1890

  • Date: January 22, 1890
  • Creator(s): Walt Whitman
Annotations Text:

theatre as an actor and director (she directed and acted in the production of one of Ernest Rhys's plays

Walt Whitman to Abby H. Price, 7 April 1869

  • Date: April 7, 1869
  • Creator(s): Walt Whitman
Text:

of my book the ensuing summer —stereotyped—( positively last appearance for the season &c) as the play

Walt Whitman to Louisa Van Velsor Whitman, 25 December [1871]

  • Date: December 25, 1871
  • Creator(s): Walt Whitman
Text:

bells are all ringing for 7 oclock church—there is a chime of bells in one of the churches—they are playing

Walt Whitman to Louisa Van Velsor Whitman, 1 January 1872

  • Date: January 1, 1872
  • Creator(s): Walt Whitman
Text:

three letters to you last week, & papers—I knew that policeman Doyle that was shot dead here—he was Peter

Walt Whitman to Richard Maurice Bucke, 27 December 1890

  • Date: December 27, 1890
  • Creator(s): Walt Whitman
Text:

heavy-headed, congested—good fire—no mail for me to-day—Warren has gone out sleighing—I hear the boys playing

Walt Whitman to Richard Maurice Bucke, 23 May 1891

  • Date: May 23, 1891
  • Creator(s): Walt Whitman
Annotations Text:

Whitman is referring to King Lear, the titular character of William Shakespeare's play King Lear (1606

In the play, Lear abdicates his throne and loses his former glory, becoming insane and impoverished.

Walt Whitman to the Editors of The Daily Crescent, 30 July 1848

  • Date: July 30, 1848
  • Creator(s): Walt Whitman
Annotations Text:

Claude Melnotte is a character in the play The Lady of Lyons; or, Love and Pride, which was written by

The play was first performed in London's Convent Garden Theatre in the late-1830s, and it became the

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Text:

To Richings's Caliban, how sweetly she could then play and sing the gentle Ariel.

Hers was playing.

She "did" Marianne, in The Wife; and many a man, who had visited the theatre for years, then saw playing

Annotations Text:

He started performing at the Park Theatre as a child, acted in numerous plays, and, later, leased and

She acted in many principal women's roles of the era, including playing Juliet in William Shakespeare's

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

I saw the procession return about 8 o'clock, music playing, and so forth; contrary to the usual practice

, they played the most plaintive marches and held a solemn demeanor.

Walt Whitman to the Editors of The Daily Crescent, 2 October 1848

  • Date: October 2, 1848
  • Creator(s): Walt Whitman
Text:

Collins continues at the Broadway; Esmeralda at the Park; Hamblin is playing a round of tragedy characters

Annotations Text:

William Macready (1793–1873) was a British stage actor, who played Shakespearean roles, including Richard

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

Forrest played all last week at the Broadway to crowded and applauding houses. Mr.

He is very popular, and really plays better than any Irish comedian at present among us.

Barrett, who will probably play together.

Whichever house they don't play in should forthwith checkmate them by engaging Charlotte Cushman, who

Annotations Text:

Chanfrau (1824–1884) was an actor and theatre manager who, in 1848, played the part of the Bowery b'hoy

Mose in Benjamin Baker's (1818–1890) hit play A Glance at New York in 1848.

an English actor who gained renown throughout New York for his portrayal of Jemmy Twitcher in the play

He played an "English pickpocket" and his performance was considered a "unique and laughable personation

By 1845, Sefton had played Jemmy Twitcher 360 times in New York City.

Walt Whitman to Edwin Booth, 21 August 1884

  • Date: August 21, 1884
  • Creator(s): Walt Whitman
Text:

knowing I do)—I am writing for the magazine market—or rather have written—a reminiscence of the actors & plays

Walt Whitman to Louisa Van Velsor Whitman, 25 May 1865

  • Date: May 25, 1865
  • Creator(s): Walt Whitman
Text:

beautiful flag )—the great drum corps of sixty or eighty drummers massed at the heads of the brigades, playing

whistling fifes—but they sounded very lively—(perhaps a band of sixty drums & fifteen or twenty fifes playing

Walt Whitman to Jessie Louisa Whitman, 6 March [1887]

  • Date: March 6, 1887
  • Creator(s): Walt Whitman
Annotations Text:

He played the lead role in Clito, a new blank-verse drama set in ancient Greece, written by the English

Walt Whitman to William D. O'Connor, September (?) 1866

  • Date: September (?) 1866
  • Creator(s): Walt Whitman
Text:

enervation, and producing depression and enervation as their result;—or else that class of poetry, plays

Walt Whitman to Louisa Van Velsor Whitman, 29–[30] March [1873]

  • Date: March 29–30, 1873
  • Creator(s): Walt Whitman
Text:

been a beautiful day—I am now sitting in my room, by the stove, but there is hardly need of a fire—Peter

Walt Whitman to Louisa Van Velsor Whitman, 17 February [1873]

  • Date: February 17, 1873
  • Creator(s): Walt Whitman
Text:

now to improve in walking—& then I shall begin to feel all right—(but am still very feeble & slow)—Peter

Walt Whitman to Louisa Van Velsor Whitman, 31 January [1873]

  • Date: January 31, 1873
  • Creator(s): Walt Whitman
Text:

been—he says I am doing very well— John Burroughs is here temporarily—he comes in often—Eldridge and Peter

Walt Whitman to Louisa Van Velsor Whitman, 29 January [1873]

  • Date: January 29, 1873
  • Creator(s): Walt Whitman
Text:

whatever I wish—& two or three good friends here—So I want you to not feel at all uneasy—as I write, Peter

Whitman, Thomas Jefferson [1833–1890]

  • Creator(s): Waldron, Randall
Text:

In Jeff's youth, Walt helped him learn to read, played games with him, and stimulated his love of music

Talks with Noted Men

  • Date: 12 June 1886
  • Creator(s): W. H. B.
Text:

Back of that, in still earlier and lower forms of life, sensation or consciousness played its part in

Walt Whitman by W. Curtis Taylor of Broadbent and Taylor, ca. 1877

  • Date: ca. 1877
  • Creator(s): W. Curtis Taylor
Text:

taken in 1877, then Whitman may have been referring to this image when he wrote from Philadelphia to Peter

W. A. Jellison to Walt Whitman, 9 March 1864

  • Date: March 9, 1864
  • Creator(s): W. A. Jellison
Text:

would like to see you verry much for I like Uncle Walter verry much now dont think I am trying to play

Unidentified Correspondent to Walt Whitman, June 1888

  • Date: June 1888
  • Creator(s): Unidentified Correspondent
Text:

Peter and Paul (Catholic) You might also read the Catholic life of Jesus Christ Pray Sts.

Peter and Paul to cure you and have Votive Masses (P & P) prayers and Communions made on 29.

The Afterlives of Specimens: Science, Mourning, and Whitman’s Civil War

  • Date: 2017
  • Creator(s): Tuggle, Lindsay
Text:

In a letter to Peter Doyle, Whitman wrote that Dr.

Peter N.

Peter W.

Halligan, Peter W. “Phantom Limbs: The Body in Mind.”

Sacks, Peter M. The English Elegy: Studies in the Genre from Spenser to Yeats.

With Walt Whitman in Camden (vol. 2)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But I, for my part—we—must not play the game with that end in view.

He often plays with his penknife, opening and shutting as he talks.

Lust, whiskey, such things, played heavy cards in his game of life.

I doubt whether I would ever care for the play." Better today.

Tom, don't play with fire."

Tuesday, July 17, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But I, for my part—we—must not play the game with that end in view.

Wednesday, July 18, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

were offensive to him: there was something crude, powerful, drastic, in the Shakes-speareShakespeare plays

Sunday, July 22, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

deserted, fall from his high place, sink into total obscurity: but on the stage, at the moment, while the play

Tuesday, July 24, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Whitman,These last days have been so crowded with work and play that there has been no fair chance to

Saturday, July 28, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

importance in a day—amputations, blood, death are nothing to him—you will see a group absorbed in playing

He often plays with his penknife, opening and shutting as he talks.

my first tries with the lute—in that book I am just like a man tuning up his instrument before the play

With Walt Whitman in Camden (vol. 5)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

They had played Raff's "Lenore" Symphony among other things.Evening, 8:00.

The whole subject, Beethoven, and the playing absolutely without note.

But the average pianist plays by sight only, and has no ears.

He listened intently while Anna played a fine air (and played it finely) on the piano.

and played around the chair.

With Walt Whitman in Camden (vol. 1)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Peter's. It is grand, grand—O how grand!

They were reviving a whole series of old English plays: very good, staple plays: I saw a good many of

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions.I

There is much in the plays that is offensive to me, anyhow: yes, in all the plays of that period: a grandiose

Kennedy came along and put in a demurrer, W. resuming: "The Shakespeare plays are essentially the plays

Monday, February 25, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

"That's a little of Maurice's stage-play," he said: "he will go: Bucke knows, as we all know, that the

said at once: "At least as potential: at least, at least: there may be more reasons some days for playing

He smiled sadly: "I'd give a lot to be able to play a game of foot and a half with you this minute."

Wednesday, February 27, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

me, I get nearer to them, than any others: they have no axe to grind, no wires to pull, no game to play

Saturday, March 2, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

William, who couldn't write his name, was the author of reams of plays of the most astonishing quality

Tuesday, March 5, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

couldn't be weak if he tried: he has no resources of the pettifying order—no idiocy—in him: even his play

while play has in it the vehemence of faith.

Tuesday, March 12, 1889.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

nothing of Tannhäuser: I only know some of its friends—like you, for example: I know some bits of it played

Friday, March 22, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

towards the floor—"was honest—that his integrity was beyond any corrupting influence: that he would play

Tom is not only straight but shrewd: he is a past master in the engineering of corporations: Doctor played

Tuesday, March 26, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Look at our stage: in fact we have no stage at all: a jumble of plays packed together without logic or

It occurs to me we have so far not had one American play—not one.

Wednesday, March 27, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

He said: "You are my right bower: I can't play the game without you." Wednesday, March 27, 1889

Thursday, March 28, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

It's a feeble copy of the British Micawberism: British humbug about British fair play, British liberty

Monday, April 1, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

were originally Democrats but when the time came we went over with a vengeance: it was no role, no play

Thursday, April 4, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

W. said: "I guess the economics play a part: that's rather your cue than mine: I have heard about Glasgow

Friday, April 5, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

reasons for it—some innate, some political: the anti habit is more or less active in all of it: it plays

Donnelly has made lately a remarkable discovery—that the two folio editions of the plays following the

I asked W.: "There was Nicholas Bacon: what part did he perform in the mystery of the plays?"

Have you the idea that Nicholas was somehow intimately, dynamically, a party to the production of the plays

Sunday, April 7, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Young Kersley and Danney came for me in a carriage at 1, and bro't me back at 5; enjoy'd the ride, the play

Tuesday, November 27, 1888

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

O'Connor, is veritably a Peter the Hermit, a Luther."

Friday, November 30, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

all then laughingly going their ways again: no scheme, no reward: just the finer human impulse at play

Sunday, December 2, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

chief figure in a box with Childs, Dayton and self on the eve of the 24th inst at the opening of my play

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