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Search : PETER MAILLAND PLAY

1584 results

James W. Wallace to Walt Whitman, 20 September 1891

  • Date: September 20, 1891
  • Creator(s): James W. Wallace
Text:

Outside, the sky perfectly clear & cloudless, the fountain playing, the trees across the open space,

—Evening spent in the house—chiefly in learning & playing "Pedro" with Willie & his friends.

James W. Wallace to Walt Whitman, 21 September 1891

  • Date: September 21, 1891
  • Creator(s): James W. Wallace
Annotations Text:

Helena Modjeska (1840–1909) was a well-known Polish actress, particularly famous for playing Shakespearean

Hannah Whitman Heyde to Walt Whitman, 22 September [1891]

  • Date: September 22, [1891]
  • Creator(s): Hannah Whitman Heyde
Annotations Text:

Walt's favorite brother, Jeff played the piano and had a lively sense of humor.

James W. Wallace to Walt Whitman, 4 October 1891

  • Date: October 4, 1891
  • Creator(s): James W. Wallace
Text:

—I liked too to get out into the "bush"—chipmunks calling & playing about me—one little fellow descending

a tree in front of me & playing about for fully 5 minutes before running off amid the rustling leaves

Richard Maurice Bucke to Walt Whitman, 17 October 1891

  • Date: October 17, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

He was the author of numerous plays, sonnets, and narrative poems.

Henry VIII is one of Shakespeare's history plays, based on the life of Henry VIII, who was the King of

Shakepeare's play was published in the First Folio of 1623.

Dr. John Johnston to Walt Whitman, 24 October 1891

  • Date: October 24, 1891
  • Creator(s): Dr. John Johnston
Text:

The wooden pillow had "the feathers the wrong way up": the tapping & pounding was "playing the piano

Walt Whitman to Hannah Whitman Heyde, 26 October 1891

  • Date: October 26, 1891
  • Creator(s): Walt Whitman
Text:

see me, bro't brought a big bunch of fall wild flowers—the big stout Dutch woman is out in front playing

Richard Maurice Bucke to Walt Whitman, 27 October 1891

  • Date: October 27, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Richard Maurice Bucke to Walt Whitman, 29 October 1891

  • Date: October 29, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

He was the author of numerous plays (including Richard III and Henry VIII), sonnets, and narrative poems

Personal Memories of Walt Whitman

  • Date: November 1891
  • Creator(s): Alma Calder Johnston
Text:

glad I could manage to brew some tea, and equally delighted to make the old, slow, quizzical smile play

Walt Whitman to Richard Maurice Bucke, 7–8 November 1891

  • Date: November 7–8, 1891; November 6, 1891
  • Creator(s): Walt Whitman | Unknown
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

Richard Maurice Bucke to Walt Whitman, 10 November 1891

  • Date: November 10, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

Walt Whitman to Richard Maurice Bucke, 12–14 November 1891

  • Date: November 12–14, 1891; November 13, 1891
  • Creator(s): Walt Whitman | Unknown
Text:

Ignatius Donnelly will lecture on "The Authorship of Shakespeare's Plays" at the Academy of Music, on

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Richard Maurice Bucke to Walt Whitman, 14 November 1891

  • Date: November 14, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

Shakespeare and Francis Bacon here, he is referencing the Baconian theory—the idea that Shakespeare's plays

Baconian theorist, who authored Hamlet's Note-book, in which he argued that Bacon had authored the play

Walt Whitman to Richard Maurice Bucke, 18 November 1891

  • Date: November 18, 1891
  • Creator(s): Walt Whitman
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

Note-book (Boston: Houghton & Mifflin, 1886), which argued that Sir Francis Bacon had written the plays

writer, pseudo-scientist and Shakespeare critic, who argued that Francis Bacon wrote Shakespeare's plays

A favorite theory was that Francis Bacon, the English philosopher, actually wrote the plays and left

Richard Maurice Bucke to Walt Whitman, 21 November 1891

  • Date: November 21, 1891
  • Creator(s): Richard Maurice Bucke
Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

John H. Johnston to Walt Whitman, 30 November 1891

  • Date: November 30, 1891
  • Creator(s): John H. Johnston
Text:

Giacosa —the Shakspear of Italy—whose Play on Wed. night at the Standard Theater Sarah Bernhard Bernhardt

Annotations Text:

The French actress Sarah Bernhardt (1844–1923) starred in stage productions of popular French plays in

She had roles in plays by Victor Hugo and Alexandre Dumas and played males roles, including Shakespeare's

James W. Wallace to Walt Whitman, 5 December 1891

  • Date: December 5, 1891
  • Creator(s): James W. Wallace
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

Review of Leaves of Grass (1891–92)

  • Date: 1892
  • Creator(s): Anonymous
Text:

Nature plays "for Seasons, not Eternities," as must "All those whose stake is nothing more than dust;

Frank Cowan to Walt Whitman, 17 February 1892

  • Date: February 17, 1892
  • Creator(s): Frank Cowan
Annotations Text:

Cowan is quoting lines spoken by the character of Bottom from William Shakespeare's play A Midsummer

Walt Whitman in Boston

  • Date: August 1892
  • Creator(s): Sylvester Baxter
Text:

having one of the young men of the Herald counting-room, who lived in the house, come to his room and play

The piece was "Romeo and Juliet," and Rossi played his part with much ardor, as well as delicacy.

I believe Joaquin Miller's play, "The Danites," was having a run in Boston at the time, and that was

Boyle O'Reilly spoke of the play which he had in mind, part of whose scenes were to be in Australia.

Complete Prose Works

  • Date: 1892
  • Creator(s): Walt Whitman
Text:

What Lurks Behind Shakspere's Historical Plays?

Austin as Ariel, and Peter Richings as Caliban.

The vocal play and significance moves one more than books.

All work seem'd play to him.

Not for nothing does evil play its part among us.

In RE Walt Whitman: Walt Whitman at Date

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

expansive life—a life which, while careless of sub- tleties, has turned unfailing reverence upon the play

In RE Walt Whitman: Round Table with Walt Whitman

  • Date: 1893
  • Creator(s): Horace L. Traubel
Text:

rivulets and bigger streams of literature—there is a splendid lesson that such notes as there is in the play

At the end of that interesting play, which I have seen, a great fellow who is in pursuit of it comes

Who will play his part for him? And Hawthorne—wasn't he expected?

How strange that Shelley and "Leaves of Grass" should play upon him together!

Whitman .—[ To Traubel ].— Did he suppose we intended that he should be left out of the play?

Walt Whitman: A Study

  • Date: 1893
  • Creator(s): John Addington Symonds
Text:

it in the edition of 1856. publishing enlarged It must be inserted here,for the part this letter played

This played propagation spirit was somewhat grotesquely exhibited in his table-talk at a banquet held

His lofty and vigorous nature lent itself to the of this which would have playing part, been unbearable

During my darkest hours, itcomforted me with inthe the conviction that I too played my part illimitable

take that he the section. it recognised right and the of " native moments " in that necessity free play

A Day with the Good Gray Poet

  • Date: 1895
  • Creator(s): Theodore F. Wolfe
Text:

to receive merely a friendly nod, for he stops to speak with none save the children who leave their play

Conversations with Walt Whitman: My First Visit

  • Date: 1895
  • Creator(s): Sadakichi Hartmann
Text:

contemplated a special study of Shakespeare's fools (though I was rather too tall for them, they should be played

He spoke of a German street band that now and then played in the neighborhood, "very well."

Later during the afternoon his little son asked me to play with him: we rambled over the ground, climbed

Reminiscences of Walt Whitman: Memories, Letters, Etc.

  • Date: 1896
  • Creator(s): William Sloane Kennedy
Text:

A canary sang with all his might, and a kitten played to and fro.

young friend Horace Traubel and another, we all fell to discussing the authorship of the Shakspere plays

them the force of a projectile), had not only shaken his belief in the Shaksperean authorship of the plays

When the committee handed him the bag, he said: "Why, this is like a play.

facing the golden sunset, with the cool evening breeze blowing around us, and the summer lightning playing

Reminiscences of Walt Whitman

  • Date: 1896
  • Creator(s): William Sloane Kennedy
Text:

A canary sang with all his might, and a kitten played toand fro.

When the committee handed him the he said: thisislike bag, "Why, a play.

How " " is it with you now, Robert Browning, maker of plays ?

The dialogues of the play are mostly in and the and inheroics.

In our modern-life plays the stifantiqueness of heroic verse is unendurable.

Walt Whitman: The Man

  • Date: 1896
  • Creator(s): Thomas Donaldson
Text:

his &Yest; but as to Bacon head, ; and Shaks- peare, admitting Shakspeare wrote the there is else plays

WHITMAN, LXIX. ofthe he Impotent Pieces Game Plays Upon the Chequer-board ofNights and Days : Hither

D. and Peters, Firestone, O. G.

Peters, all of Columbus, O. for their kindness in thematter of the buggy. 328MICKLE STREET, CAMDEN, N.J

When Peter asks thee of thy crimes, You answer not with clearness, Shrieking fiends with shame willyell

Some Personal Recollections and Impressions of Walt Whitman

  • Date: February 1898
  • Creator(s): Thomas Proctor
Text:

A company of strolling musicians stopped and played some pieces for us.

Chats with Walt Whitman

  • Date: February 1898
  • Creator(s): Grace Gilchrist
Text:

enjoyment in the free exercise of his lungs than from mere intellectual appreciation of the poem or play

chaffing, or nay form of "smart" talk—remaining always perfectly grave and silent amid that kind of by-play

I always compare Shakespeare's plays to large, rich, splendid tapestry—like Raphael's historical cartoons

Reminiscences of Walt Whitman

  • Date: February 1902
  • Creator(s): John Townsend Trowbridge
Text:

was a sort of triangular combat,—O'Connor maintaining the Baconian theory of the authorship of the plays

O'Connor in his estimate of Lear and Hamlet and Othello, which Walt belittled, preferring the historical plays

, and placing Richard II. foremost; although he thought all the plays preposterously overrated.

letters, they would have afforded a better argument than any we now have against his authorship of the plays

Art, as exemplified by such poets as Longfellow and Tennyson, he has little or none; but in the free play

Whitman: A Study

  • Date: 1902
  • Creator(s): John Burroughs
Text:

his rank aftera time familiar, contemporaneity; you willsurely see the lambent spiritualflames that play

"Oncere I to charge you give play your self.

He presents you the elements of good and evil in himself in vitalfusion and play; your part to how the

Sin, repentance, fear,Satan, hell, Creation had resulted play important parts. in a tragedy in which

Death is the right hand of God, and evil a also. plays necessary part Nothing is discriminated against

Days with Walt Whitman: Walt Whitman in 1884

  • Date: 1906
  • Creator(s): Edward Carpenter
Text:

Walt talked about Shakespeare, the Bacon theory, the greatness of the historical plays, the "dragon-rancours

"I will not be positive about Bacon's connection with the plays, but I am satisfied that behind the historical

and far, far reaching, giving weight and permanent value to what would otherwise have been only two plays

Days with Walt Whitman: A Visit to Walt Whitman In 1877

  • Date: 1906
  • Creator(s): Edward Carpenter
Text:

would quite enjoy, on a rainy afternoon, having a game of twenty questions such as he had "often played

Days with Walt Whitman

  • Date: 1906
  • Creator(s): Edward Carpenter
Text:

would quite enjoy, on a rainy after- noon, having a game of twenty questions such as he had "often played

far, far reaching, giving weight and permanent value to what would other- wise have been only two plays

The truth is, Peter, here at the present time mainly that I am in the midst of female women, some of

Isay the matter isnot very important because itis obvious that whatever part Emerson's teaching played

In his heart of hearts— though doubtless he thought Whitman had played him unfair, and 173 Days with

Personal Recollections of Walt Whitman

  • Date: June 1907
  • Creator(s): Ellen M. Calder
Text:

Among the plays of Shakespeare, King Richard the Second was a great favorite of Whitman's, and he had

A half-dozen of us, playing the game frequently together, became able to easily to discover the thing

Canal, and he told us that he watched for hours a negro at work, who was naked to the waist, and the play

A Visit to Walt Whitman

  • Date: November 1909
  • Creator(s): William Hawley Smith
Text:

He made no grand-stand play, nor did we. We just "visited", like "lovers and friends".

Visits to Walt Whitman in 1890–1891: General Impressions of Whitman's Personality

  • Date: 1917
  • Creator(s): John Johnston | James William Wallace
Text:

satisfied to deal with him on the ordinary surface level of everyday affairs, and to leave him to the free play

Visits to Walt Whitman in 1890–1891: In Camden

  • Date: 1917
  • Creator(s): John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

than all, the sweetness of his voice, the loving sympathy, the touches of humour, the smile that played

I told him I had got an autograph copy of "Peter Peppercorn's" poems, and he said he was glad I had,

because he knew "Peter" very well, and liked him for his genuine goodness of heart and his sharpness

Visits to Walt Whitman in 1890–1891: In Camden, October 15th to 24th

  • Date: 1917
  • Creator(s): John Johnston | J. W. Wallace
Text:

The great poems—Homer's 'Illiad,' Shakespeare's plays, etc.

Not, as in Homer's 'Iliad,' to depict great personalities, or, as in Shakespeare's plays, to describe

I think Bulwer Lytton has made his title clear in three plays: 'Richelieu,' 'The Lady of Lyons,' and

After tea we went into the front room where Warry played his violin for a little time, after which I

His assistants had told me that Peter Peppercorn had been in the day before. "Do you know Peter?"

Visits to Walt Whitman in 1890-1891

  • Date: 1917
  • Creator(s): J. Jonston, M.D. | J. W. Wallace
Text:

Then the band the National Anthem and we went played into the house.

The great poems Homer's Iliad,' Shakespeare's plays, etc. discuss great themes and are long poems.

His assistants had told me that Peter Peppercorn had been in the day before. "Do you know Peter?"

A Play in Five Acts By LEONIDAS ANDREIEV. Translated by C. J. HOGARTH. A remarkable Times.

Lar "Cn 8vo '25'M ' net" play.

Personal Recollections of Walt Whitman

  • Date: June 1919
  • Creator(s): William Roscoe Thayer
Text:

One day, for instance, he talked about Shakespeare's historical plays, which, he said, showed that Shakespeare

was at heart a democrat, and that he had written the plays in order to discredit monarchy and kings

individual, not that he might enjoy himself for himself, but that he might be the better fitted to play

obligations to Emerson; but I did recognize in him a poseur of truly colossal proportions, one to whom playing

acclaim; he could not have doubted seriously, for habit, if nothing else, would have enabled him to play

The Fight of a Book for the World

  • Date: 1926
  • Creator(s): William Sloane Kennedy
Text:

s letterto his mother and to Peter Doyle.

J., I give to my friend,Peter Doyle, my silverwatch. I give to H.

Bayne, Peter, 28, 29. Answerer, the. See Song.

Doyle, Peter, 261. Finta, Alexander, 118, 119.

Herald, 260; Letters to Peter sirs ^ , a.

Interpretation of the Poetry of Walt Whitman

  • Date: 1930
  • Creator(s): Pavese, Cesare
Text:

Croce saw all of history as a playing out of the human spirit into a multitude of individual acts.

It is an insistent, a loud work, like a long piece of music played continuously con brio.

Peter Bondanella and Julia Conaway Bondanella (Westport, CT: Greenwood Press, 1996)143; Antonio Gramsci

AAminta: a lyric, pastoral play first performed in 1573; considered Torquato Tasso’s most important and

That is, while he composed the national epic in which the figures and forces creating the nation play

Diary of Edmund Gosse: Sat. Jan. 3

  • Date: 1966
  • Creator(s): Edmund Gosse
Text:

Peters and David G. Halliburton (Lafayette: English Literature in Transition: 1880-1920, 1966), 8.

Walt Whitman's “Song Of Myself”

  • Date: 1989
  • Creator(s): Miller, Edwin Haviland
Text:

I play not a march for victors only .... I play great marches for conquered and slain persons.

Miller (1968, 21): The scene is played out in regressive sexual imagery.

What part do I have to play?

What will he, she, or they do in this or that event, what role am I to play?

Press, 1981. 168 BIBLIOGRAPHY Peters, Robert L.

Selected Letters of Whitman

  • Date: 1990
  • Creator(s): Miller, Edwin Haviland
Text:

Well, Tom, it looks as though secesh was nearly played o u t-if they lose Charleston, as I believe they

Late in 1865 Whitman met a veteran of the Confederate Army, Peter Doyle, now a streetcar conductor in

Instead ofthat, the Book is the product ofthe largest universal law & play of things, & of that sense

The truth is, Peter, that I am here at present times mainly in the midst of female women, some of them

I also read the Peter Bayne article. 30(It was copied in full here at once, & circulated quite largely

Whitman in His Own Time

  • Date: 1991
  • Creator(s): Myerson, Joel
Text:

We played ball, but I don't think Walt ever took part in it.

He asso ciated more with the younger scholars, frolicing rather than playing games.

Were the Shakespeare plays the best acting plays? W. said: "That's a superstition-an exaggeration."

In his later publications, I find many passages that were dis played to me in embryo.

Some where in your play or novel let the sunlight in."

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