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Search : PETER MAILLAND PLAY

1584 results

Tuesday, October 16, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I looked into half a dozen pages of the preface and the beginning of each of the three plays, in no case

Tuesday, October 21, 1890

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The little speech he had printed—the eight short lines—were played with, stumbled over—not lamentably

It was a brilliant play of wit and eloquence.

Tuesday, October 23, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

W. said again: "Hugo's immortal works were the dramas, the plays, the poems: least accessible, yet greatest

Tuesday, September 1, 1891

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Peter pitying but helpless—the claimant meanwhile arguing it unfair to bar him out.

Peter relentless, "We cannot help that."

Peter himself not thinking this a bad idea, retiring and closing door—but after a long time returning

Tuesday, September 25th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

or afterward to some supper party or carousal made by the young fellows for me, but what amid the play

Tuesday, September 3, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

cane—slowly going to the door—stood in the doorway, his back to us—his face turned—the light of the gas playing

Tuesday, September 4th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Yet the instant the old man sat down and commenced to play everybody would listen—I, too, and Jeff—all

Twentieth-Century Mass Media Appearances

  • Date: 2006
  • Creator(s): Jewell, Andrew | Price, Kenneth M.
Text:

The poem, combined with pictures of Buckingham learning to play the guitar, works to connect the musician's

of the cradle endlessly rocking," is flanked by two large photographs: on the left is a young boy playing

a guitar and singing, on the right is the adult Buckingham playing a guitar and singing.

entertainment—listening to a string quartet, going to the Met (Joey mistakenly thinks she means seeing the Mets play

Two or three memories

  • Date: December 13, 1883
Text:

Whitman referred to Mario in Specimen Days & Collect, published in 1882-1883, in the passages entitled Plays

The Unexpress'd

  • Date: About 1889 or 1890
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere Shakespeare — all

The Unexpress'd.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere—the long, long times

Unidentified Correspondent to Walt Whitman, June 1888

  • Date: June 1888
  • Creator(s): Unidentified Correspondent
Text:

Peter and Paul (Catholic) You might also read the Catholic life of Jesus Christ Pray Sts.

Peter and Paul to cure you and have Votive Masses (P & P) prayers and Communions made on 29.

Untitled

  • Date: 19 June 1885
  • Creator(s): Anonymous
Text:

"Be seated, I will sit here where I can see the children at play beneath the green leaves," and the poet

The Vanity and the Glory of Literature

  • Date: After April 1, 1849; April 1849; Date unknown
  • Creator(s): Walt Whitman | Henry Rogers
Text:

his discourses and in those of much better theologians, if we should ultimately allow the text to play

which in fact they derive, in nine instances out of ten, from the light of genius which he brought to play

in all liberal education, as the masters of language and models of taste, these venerable authors play

Vaughan, Frederick B. [ca. 1837-1893]

  • Creator(s): Shively, Charley
Text:

Bemoaning lover problems, Whitman in 1870 compared Vaughan with Peter Doyle, admonishing himself: "Remember

Views on Education

  • Creator(s): Hirschhorn, Bernard
Text:

And it in turn solidified his conviction that the teacher played a pivotal role in their education.

Visit to Plumbe's Gallery

  • Date: 2 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

A Visit to Walt Whitman

  • Date: November 1909
  • Creator(s): William Hawley Smith
Text:

He made no grand-stand play, nor did we. We just "visited", like "lovers and friends".

Visits to Walt Whitman in 1890–1891: General Impressions of Whitman's Personality

  • Date: 1917
  • Creator(s): John Johnston | James William Wallace
Text:

satisfied to deal with him on the ordinary surface level of everyday affairs, and to leave him to the free play

Visits to Walt Whitman in 1890–1891: In Camden

  • Date: 1917
  • Creator(s): John Johnston
Text:

for a full hour, facing the golden sunset, in the cool evening breeze, with the summer lightning playing

than all, the sweetness of his voice, the loving sympathy, the touches of humour, the smile that played

I told him I had got an autograph copy of "Peter Peppercorn's" poems, and he said he was glad I had,

because he knew "Peter" very well, and liked him for his genuine goodness of heart and his sharpness

Visits to Walt Whitman in 1890–1891: In Camden, October 15th to 24th

  • Date: 1917
  • Creator(s): John Johnston | J. W. Wallace
Text:

The great poems—Homer's 'Illiad,' Shakespeare's plays, etc.

Not, as in Homer's 'Iliad,' to depict great personalities, or, as in Shakespeare's plays, to describe

I think Bulwer Lytton has made his title clear in three plays: 'Richelieu,' 'The Lady of Lyons,' and

After tea we went into the front room where Warry played his violin for a little time, after which I

His assistants had told me that Peter Peppercorn had been in the day before. "Do you know Peter?"

Visits to Walt Whitman in 1890-1891

  • Date: 1917
  • Creator(s): J. Jonston, M.D. | J. W. Wallace
Text:

Then the band the National Anthem and we went played into the house.

The great poems Homer's Iliad,' Shakespeare's plays, etc. discuss great themes and are long poems.

His assistants had told me that Peter Peppercorn had been in the day before. "Do you know Peter?"

A Play in Five Acts By LEONIDAS ANDREIEV. Translated by C. J. HOGARTH. A remarkable Times.

Lar "Cn 8vo '25'M ' net" play.

W. A. Field to J. A. Peters, 27 June 1870

  • Date: June 27, 1870
  • Creator(s): W. A. Field | Walt Whitman
Text:

Peters, House of Representatives.

Peters, 27 June 1870

W. A. Jellison to Walt Whitman, 9 March 1864

  • Date: March 9, 1864
  • Creator(s): W. A. Jellison
Text:

would like to see you verry much for I like Uncle Walter verry much now dont think I am trying to play

W. F. Peddrick to L. L. Lewis, 1 December 1868

  • Date: December 1, 1868
  • Creator(s): W. F. Peddrick | Walt Whitman
Text:

Peter Rodes, requesting the Attorney General to enter an appearance for Mr.

Walt Whitman

  • Date: 2 December 1866
  • Creator(s): O'Connor, William Douglas
Text:

more of soft astral, but dazzling and fierce, With war's flame flames , and the lambent lightnings playing

Walt Whitman

  • Date: November 1867
  • Creator(s): Buchanan, Robert
Text:

All, he says, is sweet—smell, taste, thought, the play of his limbs, the fantasies of his mind; every

Walt Whitman

  • Date: 4 July 1868
  • Creator(s): Anonymous
Text:

The most renowned poems would be ashes, orations and plays would be vacuums.

Walt Whitman

  • Date: 8 June 1867
  • Creator(s): Anonymous
Text:

muscular build, his antecedents here being a race of farmers and mechanics, silent, good-natured, playing

Walt Whitman

  • Date: September 1883
  • Creator(s): Metcalfe, William Musham
Text:

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

religion, and the democratic adjustments, all these swarms of poems, literary magazines, dramatic plays

He could no more have written the idylls of the King , or a play of Shakespeare than he could have written

Walt Whitman

  • Date: 1 June 1872
  • Creator(s): Anonymous
Text:

arising out of a life of depression and enervation, as their result; or else that class of poetry, plays

Have the old forces played their parts? Are the acts suitable to them closed?"

famously remaked, "In the four quarters of the globe, who reads an American book, or goes to an American play

Annotations Text:

famously remaked, "In the four quarters of the globe, who reads an American book, or goes to an American play

Walt Whitman

  • Date: June 1884
  • Creator(s): Kennedy, Walker
Text:

Suppose, however, he undertook to play the part in a cutaway coat, a plug hat, corduroy trowsers, and

Walt Whitman

  • Date: 1883
  • Creator(s): Richard Maurice Bucke
Text:

Yes, unhesitatingly; the plays of the great poet are not only the concentration of all that lambently

played in the best fanciesof those times — not only the gathering sunset ofthe stirringdays of feudalism

corner of the room where there was a group ofyoung children, with whom he talked and laughed and played

I play Alphonso neither togenius nor to God.

, and interpret itas a law of Nature interpretsthe complex play of factswhich proceeds Iroiuit.

Walt Whitman

  • Date: 28 June 1885
  • Creator(s): William H. Ballou
Text:

day I went into the country and naked, bathed in sunshine, lived with the birds and squirrels and played

Walt Whitman

  • Date: 15 October 1866
  • Creator(s): Moncure D. Conway
Text:

arising out of a life of depression and enervation, as their result; or else that class of poetry, plays

Walt Whitman

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

the common air that bathes the globe. 18 With music strong I come—with my cornets and my drums, I play

not marches for accepted victors only—I play great marches for conquer'd and slain persons.

Walt Whitman.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

not marches for accepted victors only—I play great marches for conquered and slain persons.

Walt Whitman

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those winged purposes, And acknowledge red, yellow, white, playing within me, And consider

I play not here marches for victors only—I play great marches for conquered and slain persons.

colored lights, The steam-whistle—the solid roll of the train of approaching cars, The slow-march played

Walt Whitman & the Class Struggle

  • Date: 2006
  • Creator(s): Lawson, Andrew
Text:

My thanks to Aidan Arrowsmith, Peter Heaney, Laura Peters, and Shaun Richards.

(LG 85) Whitman, the reader of dictionaries, is playing a complicated game here.

Peter G. Buckley, “Culture, Class, and Place in Antebellum New York,” 34. 26.

For a more nuanced reading of Whitman’s class location, see Peter G.

Buckley, Peter G. “Culture, Class, and Place in Antebellum New York.”

Walt Whitman & the Irish

  • Date: 2000
  • Creator(s): Krieg, Joann P.
Text:

another occasion many years later, in 1888, Whitman was deep in memories of his dearest companion Peter

I can't think of the author's name—my memory plays me such shabby tricks these days—(though I should

We do not know if Whitman was aware that the author was born in Limerick, birthplace of his friend Peter

Peter Barr Sweeny, one of the original Ring organizers, was a Tammany sachem and city chamberlain, and

He wrote to Peter Doyle: The N.

Walt Whitman & the World

  • Date: 1995
  • Creator(s): Allen, Gay Wilson | Folsom, Ed
Text:

Dan Lewis played a major role in the complex job ofgathering and editing the materials for this volume

Hermann Peter Piwit and Peter Rtihmkorf, eds.Literaturmagazins.Das Vergehen von Horen und Sehen.

Bazalgette translated The Wound-Dresser (Le Panseur de Plaies) (1917).

We shall see later the part played by this same spectacle in the growth ofthe poem.

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Walt Whitman: A Dialogue

  • Date: 1890
  • Creator(s): Santayana, George
Text:

Ah, but Whitman is nothing if not a spectator, a cosmic poet to whom the whole world is a play.

Except play his harp and wear his crown.

We can't play at life without getting some knocks and bruises, and without running some chance of defeat

Walt Whitman: A Study

  • Date: 1893
  • Creator(s): John Addington Symonds
Text:

it in the edition of 1856. publishing enlarged It must be inserted here,for the part this letter played

This played propagation spirit was somewhat grotesquely exhibited in his table-talk at a banquet held

His lofty and vigorous nature lent itself to the of this which would have playing part, been unbearable

During my darkest hours, itcomforted me with inthe the conviction that I too played my part illimitable

take that he the section. it recognised right and the of " native moments " in that necessity free play

Walt Whitman: A Visit to the Good Gray Poet

  • Date: 19 April 1876
  • Creator(s): Frank Sanborn
Text:

It is by taking advantage of this blot that good Peter Bayne has been able to find so many readers for

Walt Whitman Again

  • Date: 25 October 1888
  • Creator(s): Rogers, George
Text:

and feelings and ideas that they have taken at second-hand from some one else; custom and convention play

Walt Whitman And His 'Drum Taps'

  • Date: 1 December 1866
  • Creator(s): Burroughs, John
Text:

muscular build—his antecedents here being a race of farmers and mechanics, silent, good-natured, playing

of trifles and dallyings, tires even of wit and smartness, dislikes garrulity and fiction and all play

Walt Whitman and His Poems

  • Date: September 1855
  • Creator(s): Whitman, Walt
Text:

Every move of him has the free play of the muscle of one who never knew what it was to feel that he stood

wound cuts, First rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song, or play

Walt Whitman and Peter Doyle by M.P. Rice, ca. 1869

  • Date: ca. 1869
  • Creator(s): Rice (Firm : Washington, D.C.)
Text:

Walt Whitman and Peter Doyle by M.P.

Rice, ca. 1869 A sitting with Peter Doyle from the same session as another photograph of the couple.For

Rice, see Ed Folsom, "1868 Photograph of Peter Doyle," Walt Whitman Quarterly Review, 4 (Spring 1987)

And, for an extended look at Whitman's relationship with Peter Doyle, see Martin G.

Murray, "Pete the Great: A Biography of Peter Doyle."

Walt Whitman and Peter Doyle by M.P. Rice, ca. 1869

  • Date: ca. 1869
  • Creator(s): Rice (Firm : Washington, D.C.)
Text:

Walt Whitman and Peter Doyle by M.P.

Rice, ca. 1869 This is the first extant photo of Whitman with anyone else, here Peter Doyle, Whitman's

Calamus: A Series of Letters Written During the Years 1868–1880 by Walt Whitman to a Young Friend (Peter

And, for an extended look at Whitman's relationship with Peter Doyle, see Martin G.

Murray, "Pete the Great: A Biography of Peter Doyle."

Walt Whitman and the Earth: A Study in Ecopoetics

  • Date: 2004
  • Creator(s): Killingsworth, M. Jimmie
Text:

The famous nature writer Peter Matthiessen invoked the war metaphor when he traveled to east Tennessee

What is fascinating about the poems considered in this chapter is the way Whitman plays with closeness

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