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Search : PETER MAILLAND PLAY

1584 results

Review of Leaves of Grass (1855)

  • Date: November 1856
  • Creator(s): D. W.
Text:

What play of Shakespeare represented in America, is not an insult to America, to the marrow in its bones

Review of Specimen Days and Collect

  • Date: 27 November 1882
  • Creator(s): Anonymous
Text:

dry and flat Sahara appears, these cities, crowded with petty grotesques, malformations, phantoms, playing

Walt Whitman

  • Date: 28 June 1885
  • Creator(s): William H. Ballou
Text:

day I went into the country and naked, bathed in sunshine, lived with the birds and squirrels and played

Thursday, April 4, 1889

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

W. said: "I guess the economics play a part: that's rather your cue than mine: I have heard about Glasgow

Sunday, December 2, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

chief figure in a box with Childs, Dayton and self on the eve of the 24th inst at the opening of my play

Monday, September 24th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

I doubt whether I would ever care for the play." Better today.

Friday, September 28th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Tom, don't play with fire."

Wednesday, October 10th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

In Strasbourg a Prussian band plays magnificently every day at a certain hour but as yet no one has been

Saturday, October 13th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

He played a bit with his big penknife. Finally he broke out: "God bless you all, whoever you are!

Slavery and Abolitionism

  • Creator(s): Klammer, Martin
Text:

A brief review of how Whitman's attitudes evolved makes clear the significant role slavery plays in his

Journalism, Whitman's

  • Creator(s): Killingsworth, M. Jimmie
Text:

punishment, temperance, slavery, and health issues; and literature and the arts, including reviews of plays

Opera and Opera Singers

  • Creator(s): Stauffer, Donald Barlow
Text:

The moods awakened in him by music played and sung in the streets, in the theater and in private shaped

Tuesday, August 14, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

There's the story of Lige: it plays the dickens with the character of Stonewall Jackson—taking him down

Thursday, August 23, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

—referring to Amelie Rives' play there printed in full. "Oh no—I am not prepared to tackle that.

Monday, May 7, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

here he had the fife on the little stand by his cot,—he once told me that if he got well he would play

Wednesday, May 16, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The first thing necessary is the thought—the rest may follow if it chooses—may play its part—but must

Wednesday, July 11, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

issued in a different shape—quite square I should like to have it—so as to give your long lines full play

About "Wild Frank's Return"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

Carol of Occupations.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

A Song for Occupations.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

A Song for Occupations.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

To Workingmen

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

Cluster: Chants Democratic and Native American. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

the praise of things, In the dispute on God and eternity he is silent, He sees eternity less like a play

These are not to be cherished for themselves, They fill their hour, the dancers dance, the musicians play

13* The most renowned poems would be ashes, orations and plays would be vacuums.

Let priests still play at immortality! Let Death be inaugurated!

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

Whitman Reads New York

  • Creator(s): Kevin McMullen
Text:

calls out to "you precedents," and vows to connect with them, and he describes "[o]ne generation playing

its part and passing on, / And another generation playing its part and passing on in its turn."

[New York Atlas, 10 October 1858]

  • Date: 10 October 1858
  • Creator(s): Walt Whitman
Text:

Gluttony, sloth or inebriety must not even once be allowed to dull the perceptions, reverse the play

The full condition of power is attained by him—and the marvellous marvelous effects play invisibly out

Leaves of Grass (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

some playing, some slumbering? Who are the girls? who are the married women?

play the part that looks back on the actor or actress!

The most renown'd poems would be ashes, orations and plays would be vacuums.

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

Let the priest still play at immortality! Let death be inaugurated!

Walt Whitman's “Song Of Myself”

  • Date: 1989
  • Creator(s): Miller, Edwin Haviland
Text:

I play not a march for victors only .... I play great marches for conquered and slain persons.

Miller (1968, 21): The scene is played out in regressive sexual imagery.

What part do I have to play?

What will he, she, or they do in this or that event, what role am I to play?

Press, 1981. 168 BIBLIOGRAPHY Peters, Robert L.

Introduction

  • Creator(s): Dennis Berthold | Kenneth M. Price
Text:

Jeff played the guitar and sang pleasantly, and Walt encouraged such musical inclinations by purchasing

poet developed during his work in the hospitals (and indeed for his relationships after the war with Peter

As an independent consultant he played a major role in planning the Milwaukee sewer system, incorporating

Whitman Noir: Black America & the Good Gray Poet

  • Date: 2014
  • Creator(s): Wilson, Ivy G.
Text:

Sundquist’s To Wake the Nations (1993) and Toni Morri- son’s Playing in the Dark (1992), among others

Vodou ritu- als played an integral role in fomenting the Haitian revolution. C. L. R.

Peter Coviello discusses racial solidarity in Whitman’s antebellum poetry.

Peter Coviello, introduction to Walt Whitman, Memoranda during theWar, ed.

Peter Coviello (New York: Oxford University Press, 2006), xlvi. 14.

Collage of Myself: Walt Whitman and the Making of Leaves of Grass

  • Date: 2010
  • Creator(s): Miller, Matt
Text:

—Workofsomesort Play?

Play? “Novel?

, but if a play it must straddle the line with poetry, with even the stage directions in some kind of

Oxford: Peter Lang, 2005. ———.

Gloucester ma: Peter Smith, 1972. ———. “Walt Whitman and His Poems.”

Leaves of Grass (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

some playing, some slumbering? Who are the girls? who are the married women?

play the part that looks back on the actor or actress!

The most renown'd poems would be ashes, orations and plays would be vacuums.

to hear the bugles play, and the drums beat! To hear the crash of artillery!

Let the priest still play at immortality! Let death be inaugurated!

Introduction to the 1855 Leaves of Grass Variorum

  • Creator(s): Nicole Gray
Text:

Terry (1847–1928) was a member of Henry Irving's company, famous for her appearances in Shakespeare plays

and destruction, the roles Whitman's writing and the books he helped to produce have continued to play

Oxford: Peter Lang, 2005. - - -.

Riley, Peter J. L. " and Real Estate." 28 (Spring 2011): 163–87.

Stallybrass, Peter.

Walt Whitman: The Centennial Essays

  • Date: 1994
  • Creator(s): Folsom, Ed
Text:

The night before, in Washington, Peter Doyle, who liked the theater and was attracted by celebrities,

had gone to see the play, the President, and his wife.

The vexed question ofreference comes into play here.

Jiirgen Wellbrock, "Dein Selbst kann ich nicht singen," in Hermann Peter Piwit and Peter Riihmkorf, eds

in Peter C.

Leaves of Grass (1881–1882)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

An English and an American Poet

  • Date: October 1855
  • Creator(s): Whitman, Walt
Text:

What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

Review of Leaves of Grass (1855)

  • Date: 18 February 1856
  • Creator(s): Anonymous
Text:

for his picture would answer equally well for a "Bowery boy," one of the "killers," "Mose" in the play

Poems of Walt Whitman

  • Date: 4 July 1868
  • Creator(s): Anonymous
Text:

"That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute

Visits to Walt Whitman in 1890–1891: General Impressions of Whitman's Personality

  • Date: 1917
  • Creator(s): John Johnston | James William Wallace
Text:

satisfied to deal with him on the ordinary surface level of everyday affairs, and to leave him to the free play

Wednesday, July 18, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

were offensive to him: there was something crude, powerful, drastic, in the Shakes-speareShakespeare plays

Sunday, December 23, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

The tangerines and a book beside him: he played with them. I was happy. He seemed so well.

Tuesday, September 25th, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

or afterward to some supper party or carousal made by the young fellows for me, but what amid the play

Pseudoscience

  • Creator(s): Wrobel, Arthur
Text:

contemporary sources, including animal magnetism, phreno-magnetism, and phrenology.Though the various roles played

Thursday, May 10, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

nature in her large meanings, growths, evolutions: who enters most naturally, sympathetically, into the play

Sunday, May 27, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

W. played with some sheets of paper on his table and recurred to the subject today, finally handing me

Wednesday, June 13, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

You know, I did not get as far as Donnelly's cipher: yet the plays are I am sure full of mysteries in

Sunday, June 17, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Smith has his parts, no doubt, but he ought to play his piece in some village backyard: he don't seem

Thursday, November 1, 1888.

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

attitude, his official mock heroic indignation, is not creditable to him—rather a blot on his record: a play

About "Death in the School-Room. A Fact."

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

Cluster: Bathed in War's Perfume. (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

up here, soul, soul; Come up here, dear little child, To fly in the clouds and winds with me, and play

The Sleepers.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

I am a dance—play up there! the fit is whirling me fast!

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