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However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

denounced—by living in damp and ill-ventilated apartments, and the want of proper sanitary provisions on the part

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

indissoluble compacts, riches, mystery, / Eternal progress, the kosmos, and the modern reports" (section 2)

Glancing through "vast trackless spaces" and "projected through time" (section 2), this generic Self

As if falling in step with the "[e]ternal progress" (section 2) of the "marches humanitarian" (section

it is not a description but a tonal entry into Whitman's world, not the program of the concert but part

the hermit thrush from the swamp-cedars, Solitary, singing in the West, I strike up for a New World. 2

wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing its part

, and passing on; Another generation playing its part, and passing on in its turn, With faces turn'd

let others ignore what they may; I make the poem of evil also—I commemorate that part also; I am myself

how superb and how divine is your body, or any part of it. 15 Whoever you are!

the hermit thrush from the swamp-cedars, Solitary, singing in the West, I strike up for a New World. 2

wend—they never stop, Successions of men, Americanos, a hundred millions; One generation playing its part

, and passing on, Another generation playing its part, and passing on in its turn, With faces turn'd

let others ignore what they may; I make the poem of evil also—I commemorate that part also; I am myself

how superb and how divine is your body, or any part of it. 15 Whoever you are!

the hermit thrush from the swamp-cedars, Solitary, singing in the West, I strike up for a New World. 2

wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing its part

and passing on, Another generation playing its part and passing on in its turn, With faces turn'd sideways

let others ignore what they may, I make the poem of evil also, I commemorate that part also, I am myself

I will not make poems with reference to parts, But I will make poems, songs, thoughts, with reference

the hermit thrush from the swamp-cedars, Solitary, singing in the West, I strike up for a New World. 2

wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing its part

and passing on, Another generation playing its part and passing on in its turn, With faces turn'd sideways

let others ignore what they may, I make the poem of evil also, I commemorate that part also, I am myself

I will not make poems with reference to parts, But I will make poems, songs, thoughts, with reference

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

I procured mine from Trubner paying £2-10 whereas I understand they may be had from you for £2-0-0 &

My other works are History of Ireland Heroic Period Vols 1 & 2, an epical representation chiefly of Cuculain's

In the revolt of Islam he has a fine Panegyric on the future of America Fr For my own part I put him

as that I do not meet in you the expression of every changing ideal punctuating even the remotest parts

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

Louis for another one-day visit as part of a group traveling to Kansas to celebrate the Old Settlers'

poem begins with an image of two lovers sleeping peacefully together (perhaps the "friend" of line 2,

The poem ends with a salutation to procreation, and a parting gesture in which this "bunch" (of semen

Tracery refers to the intersecting system of decoration in the upper part of a window, screen or panel

same architectural features as Grace Church, although the overall effect is more subdued, owing in part

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

.— At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

Vol. 2. New York: New York UP, 1961. Speed, Attorney General James (1812–1887)

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

The volume was provoked in part by a trip to Whitman's childhood haunts and the family graveyards on

The decade 1865-1875 was very lonely and depressing for the poet, not easy to integrate into the story

Such meditations are, in part, a means of bolstering the faith of the "good gray poet" in the integrity

Specimen Days is, then, a new form of autobiography shaped in part by new challenges to the aging self

"Withdrawal and Resumption: Whitman and Society in the Last Two Parts of Specimen Days."

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

However, Canto General parts ways with Leaves of Grass as an ideological tract in which "comrade" denotes

Lorca wrote "Oda a Walt Whitman" as part of his lyrical collection of angst in America, El poeta en Nueva

President Lincoln is the "western fallen star" (section 2)—signifier of the Union he helped to retain

The final cluster of Leaves, "Songs of Parting," reasserts the relationship between geographical space

Ed Floyd Stovall. 2 vols. New York: New York UP, 1963–1964.Zanger, Jules.

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

The Evolution of Walt Whitman. 2 vols. Cambridge, Mass.: Harvard UP. 1960–1962.Binns, Henry Bryan.

and history, human existence and the purpose of the material world.Whitman conceived of "soul" as part

One was the idea that every part of nature "without exception has an eternal soul!

In addition to being part of the divine immanence and the essence and motive force of the human personality

Vol. 2. New York: New York UP, 1964.Wrobel, Arthur.

Second Cello Concerto and the Fourth Symphony of Brahms (see the Philadelphia Times [February 16, 1888], 2)

There is no need to revive here, even in slightest measure, any part of the old quarrel as to the ex-act

with the change of positions, etc., came the muffled sound of a pistol shot which not one hundredth part

SusanRieke"Songs of Parting" (1871)"Songs of Parting" (1871) "Songs of Parting" stands prominently as

," a poem that comes into "Songs of Parting" in 1871 and remains through the 1881 edition.

The 1867 edition uses the title Songs Before Parting for a separate book of poems bound with Leaves and

Drum-Taps, and in 1871 "Songs of Parting" appears as a cluster in Leaves.

"Songs of Parting" (1871)

Songs of Parting

29Songs of Parting.

leaves; Corrected pages, many originally appearing in the 1876 Leaves of Grass, of cluster Songs of Parting

Opposite a portrait of Whitman, the title page reads, "Songs of Parting, by Walt Whitman, The Poet's

Finalé to the Shore, As they Draw to a Close, The Untold Want, Portals, These Carols, To the Reader at Parting

Songs of Parting

leaf12 x 19.5 cm; This manuscript appears to have been a trial cover leaf for the cluster Songs of Parting

remote ideal "[i]n spiral routs by long detours" but always the "real to the ideal tends" (section 2)

life a share, or more or less, None born but it is born—conceal'd or unconceal'd the seed is waiting. 2

life a share or more or less, None born but it is born, conceal'd or unconceal'd the seed is waiting. 2

life a share or more or less, None born but it is born, conceal'd or unconceal'd the seed is waiting. 2

these lines, as well as the changes in the title of the poem, suggest some ambivalence on Whitman's part

The first part of this poem emphasizes primarily the superiority of "substantial words"—things themselves

This instability may in part explain the extraordinary proliferation of negative grammatical constructions

This image of the "divine ship sail[ing] the divine sea" (section 2) may seem unequivocally positive.

(section 2) Although Whitman here seems to be addressing us in Orphic tonalities, a world in which all

the best poems re-appears the body, man's or woman's, well- shaped well-shaped , natural, gay, Every part

losing, Of all able and ready at any time to give strict account, The divine ship sails the divine sea. 2

the best poems re-appears the body, man's or woman's, well- shaped well-shaped , natural, gay, Every part

losing, Of all able and ready at any time to give strict account, The divine ship sails the divine sea. 2

"Redwood-Tree" appeared in volume 2 of Half-Hours with the Best American Authors (4 vols., 1886–1887)

ecstatic rose the chant, As if the heirs, the deities of the West, Joining with master-tongue bore part

indications, the vistas of coming humanity, the settlements, features all, In the Mendocino woods I caught. 2

ecstatic rose the chant, As if the heirs, the deities of the West, Joining with master-tongue bore part

indications, the vistas of coming humanity, the settlements, features all, In the Mendocino woods I caught. 2

Vol. 2. New York: New York UP, 1964. 474–490.____.

it is impossible for me to get rid of them; I am fill'd with them, and I will fill them in return.) 2

From all that has been near you, I believe you have im- parted imparted to yourselves, and now would

evident and amicable with me. 4 The earth expanding right hand and left hand, The picture alive, every part

; The body does not travel as much as the soul; The body has just as great a work as the soul, and parts

All parts away for the progress of souls; All religion, all solid things, arts, governments,—all that

it is impossible for me to get rid of them; I am fill'd with them, and I will fill them in return. 2

From all that has been near you, I believe you have im- parted imparted to yourselves, and now would

evident and amicable with me. 4 The earth expanding right hand and left hand, The picture alive, every part

; The body does not travel as much as the soul; The body has just as great a work as the soul, and parts

All parts away for the progress of souls; All religion, all solid things, arts, governments,—all that

it is impossible for me to get rid of them, I am fill'd with them, and I will fill them in return.) 2

evident and amicable with me. 4 The earth expanding right hand and left hand, The picture alive, every part

remain behind you, What beckonings of love you receive you shall only answer with passionate kisses of parting

All parts away for the progress of souls, All religion, all solid things, arts, governments—all that

it is impossible for me to get rid of them, I am fill'd with them, and I will fill them in return.) 2

evident and amicable with me. 4 The earth expanding right hand and left hand, The picture alive, every part

remain behind you, What beckonings of love you receive you shall only answer with passionate kisses of parting

All parts away for the progress of souls, All religion, all solid things, arts, governments—all that

though in Democratic Vistas Whitman acknowledges the people's "crude defective streaks" (Prose Works 2:

Vol. 2. New York: New York UP, 1961. ____.

Floyd Stovall. 2 vols. New York: New York UP, 1963-1964.  'Song of the Exposition' [1871]

grass been growing, Long and long has the rain been falling, Long has the globe been rolling round. 2