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Search : part 2 roblox story kate and jayla

6238 results

Shakespeare, William (1564–1616)

  • Creator(s): McBride, Phyllis
Text:

to the idea of the pride and dignity of the common people, the lifeblood of democracy" (Prose Works 2:

they "exhale that principle of caste which we Americans have come on earth to destroy" (Prose Works 2:

colossal grandeur and beauty of form and spirit, I could not have written 'Leaves of Grass'" (Prose Works 2:

Vol. 2. New York: Rowman and Littlefield, 1961. Whitman, Walt. Prose Works 1892. Ed.

Floyd Stovall. 2 vols. New York: New York UP, 1963–1964. Shakespeare, William (1564–1616)

May F. Johnston to Walt Whitman, 29 October 1891

  • Date: October 29, 1891
  • Creator(s): May F. Johnston
Text:

in which this letter arrived and used the blank inside of it to write drafts of lines that became part

Annotations Text:

journalist best known for his long narrative poem, The Light of Asia (1879), which tells the life story

Maurice Minton to Walt Whitman, 2 April 1890

  • Date: April 2, 1890
  • Creator(s): Maurice Minton
Text:

New York, April 2 18 90. Walt Whitman, Esq.

Maurice Minton to Walt Whitman, 2 April 1890

Annotations Text:

It is postmarked: New York | Apr 2 | 630PM | D | 90; Camden, N.J. | Apr | | 6 | 9 | .

Mattie Maxim to Walt Whitman, 3 June 1884

  • Date: June 3, 1884
  • Creator(s): Mattie Maxim
Annotations Text:

Gilder (1888), and in Critic Pamphlet No. 2 (1898).

Matthew H. Carpenter to Walt Whitman, 31 January 1872

  • Date: January 31, 1872
  • Creator(s): Matthew H. Carpenter
Text:

see notes Feb 9 1889 Confidential United States Senate Chamber, Washington, Jan. 31, 187 2. Mr.

followed by conception; maintaining that the fact of conception was conclusive evidence of consent on the part

Clarke, McDonald (1798–1842)

  • Creator(s): Matteson, John T.
Text:

his lifetime, concludes: "Darkly and sadly his spirit has fled, / But his name will long linger in story

Liebig, Justus (1803–1873)

  • Creator(s): Matteson, John T.
Text:

Reynolds also suggests that Liebig's broad definition of "leaves" as comprising the "green parts of all

Time

  • Creator(s): Matteson, John T.
Text:

now "half an hour high" (section 1) will appear in the same position "[f]ifty years hence" (section 2)

Harned, Thomas Biggs (1851–1921)

  • Creator(s): Mattausch, Dena
Text:

Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

Transgenic Deformation: Literary Translation and the Digital Archive

  • Date: 2006
  • Creator(s): Matt Cohen
Text:

Deforming translational deformances would seem to be an important part of studying Whitman's work as

largely on foregoing Italian and French translations, while occasionally making reference to the 1891–2

Introduction to Whitman's Annotations and Marginalia

  • Creator(s): Matt Cohen
Text:

Indeed, Whitman's very compositional technique derived in part from his annotational habits.

French writer that shed light on Whitman's relation to continental literature and philosophy (fig. 2)

Figure 2. Whitman's notes on Jean-Jacques Rousseau. Trent Collection of Whitmaniana, David M.

Vol 12, parts 1-6. Dimock, Wai Chee.

The Walt Whitman Archive. 2 vols. New York: Garland, 1993. Price, Kenneth M.

Canada, Whitman's Visit to

  • Creator(s): Mason-Browne, N.J.
Text:

For the most part, Whitman stayed with the Buckes in London, Ontario, but he went on a number of excursions

He read the newspapers every day, but the rest of his reading was for the most part erratic.

García Lorca, Federico (1898–1936)

  • Creator(s): Mason-Browne, N.J.
Text:

Residing for the most part in New York, he met Hart Crane and read Whitman in Spanish translation.

Federico García Lorca: 2. De Nueva York a Fuente Grande (1929–1936). Barcelona: Grijalbo, 1987.

Fuller, Margaret (1810–1850)

  • Creator(s): Mason, Julian
Text:

From time to time in both print and conversation he mentioned, quoted, or paraphrased parts of the essay

Vol. 2. New York: Wiley and Putnam, 1846. Myerson, Joel.

Catalogues

  • Creator(s): Mason, John B.
Text:

More recently, many of Whitman's readers have explained the catalogues as an integral part of both his

picture camera, presenting items which, like the frames of celluloid film, are individual but also part

"Passage to India" (1871)

  • Creator(s): Mason, John B.
Text:

Part of that integration must entail an account of the past, a time in which previous explorers, like

Mary Whitall Smith Costelloe to Walt Whitman, 1 October 1888

  • Date: October 1, 1888
  • Creator(s): Mary Whitall Smith Costelloe
Annotations Text:

Whitman had written to Costello on September 2, 1888.

Mary Whitall Smith Costelloe to Walt Whitman, 14 March 1890

  • Date: March 14, 1890
  • Creator(s): Mary Whitall Smith Costelloe
Annotations Text:

Costelloe is referring to Whitman's postal card of March 2, 1890.

Mary I. P. Cummings to Walt Whitman, [12] August 1890

  • Date: August [12], 1890
  • Creator(s): Mary I. P. Cummings
Text:

rock-waste and the river— Beyond the ever and the never— Beyond the joys of earth so fleeting, Beyond the parting

Mary B. H. Williams to Walt Whitman, 3 September 1888

  • Date: September 3, 1888
  • Creator(s): Mary B. H. Williams
Annotations Text:

was the son of Francis and Mary Williams and (as "Churchill Williams") published a number of short stories

Mary Ashley to Walt Whitman, 17 December 1891

  • Date: December 17, 1891
  • Creator(s): Mary Ashley
Text:

Ashley I have November Boughs Address Miss Ashley sent poem Jan 9 1892 see note Feb 3 1892 wrote her 2/

2/92 Mary Ashley to Walt Whitman, 17 December 1891

Mary A. Fisher to Walt Whitman, 21 September 1889

  • Date: September 21, 1889
  • Creator(s): Mary A. Fisher
Text:

Walt Whitman Esq Dear Sir Allow me to ask, could we secure your sevices to give a Reading part of an

"Dalliance of the Eagles, The" (1880)

  • Creator(s): Martin, Robert K.
Text:

The poem is in part responsible for Whitman's shift to publisher David McKay after his publisher James

8.In such active movement, the two birds are glimpsed only momentarily and registered only as body parts—claws

Santayana, George (1863–1952)

  • Creator(s): Martin, Robert K.
Text:

Whitman's poetic barbarism is not inferior, but corresponds to part of our natures, offering "frankness

The Continuing Presence of Walt Whitman: The Life after the Life

  • Date: 1992
  • Creator(s): Martin, Robert K.
Text:

, while another part of herself (her body?)

But then everything is also part of everything else, in a sort of mystic relation of parts to wholes.

I am thinking of book 1,part 3 ("Statement"), and the more obviously parodic section of book 2 called

Only in "Live Oak" do we get a clear story of a love affair with a man, along with a story of a coming

Poem 2 gives the sequence part of its title: "I saw in Louisiana a live-oak growing."

Leviathan, Yggdrasil, Earth Titan, Eagle: Balʹmont's Reimagining of Walt Whitman

  • Creator(s): Martin Bidney
Text:

Konstantin Dmitrievič Balʹmont, "father of Russian Symbolism" (Mandelʹštam, 2:342), was one of the great

arise, and the streets of these mighty cities will be labyrinths, and from the height of measureless stories

It is possible that these figures reflect a fear of controversy on the Russian translator's part.

Whitman's verse (see Čukovskil 89-210) nicely complement Balʹmont's; the two men have for the most part

Volʹf 1910 Shelli i Bajron Russkie Vedomosti 2 August 1894 Bidney, Martin Shelley in the Mind of the

Martha Whitman to Walt Whitman, 21–23 December 1863

  • Date: December 21–23, 1863
  • Creator(s): Martha Whitman
Annotations Text:

and day out" (see the letter from Louisa Van Velsor Whitman to Walt Whitman of August 31 or September 2,

Emory Holloway (New York: Peter Smith, 1932), 2:10–12. Mrs.

Martha B. H. Williams to Walt Whitman, 21 December 1884

  • Date: December 21, 1884
  • Creator(s): Martha B. H. Williams
Text:

Instead of waiting until the afternoon can you not come to dinner 2 o'clock Wednesday .

Polish Translations of "Poets to Come"

  • Creator(s): Marta Skwara
Text:

But the second part of the line—"indicative words for the future"—has led to multiple variations, demonstrating

Bieszczadowski's rendition of the second part of the line, "to answer what I am for," as abyście powiedzieli

Leaves of Grass, 1855 edition

  • Creator(s): Marki, Ivan
Text:

later in "A Backward Glance," "to put a Person . . . freely, fully and truly on record" (Prose Works 2:

Floyd Stovall. 2 vols. New York: New York UP, 1963–1964.

"Starting from Paumanok" (1860)

  • Creator(s): Marki, Ivan
Text:

indissoluble compacts, riches, mystery, / Eternal progress, the kosmos, and the modern reports" (section 2)

Glancing through "vast trackless spaces" and "projected through time" (section 2), this generic Self

As if falling in step with the "[e]ternal progress" (section 2) of the "marches humanitarian" (section

it is not a description but a tonal entry into Whitman's world, not the program of the concert but part

Marion Harry Spielmann to Walt Whitman, 16 March 1891

  • Date: March 16, 1891
  • Creator(s): Marion Harry Spielmann
Annotations Text:

It is postmarked: London | MR.17.91 | E; Boston | Mar 28 91 | 2PM | D; Boston | Mass | Apr 11 91 | 2

Italian Translations of "Poets to Come"

  • Creator(s): Marina Camboni
Text:

When it became part of the opening "Inscriptions" cluster of the 1881–82 (and 1891–92) Leaves , the poem

translations of "Poets to Come," those by Luigi Gamberale, Enzo Giachino, and Ariodante Marianni are part

See Gamberale, "Walt Whitman," in , translated by Luigi Gamberale (Milano: Sonzogno, 1887), 1:2–14.

Sandron, 1907); Walt Whitman, , 2 volumes, seconda edizione riveduta, versione di Luigi Gamberale (Milano

Giachino was a translator and academic who, having spent a great part of his life teaching in American

Marie Blood to Walt Whitman, July [1867–1871]

  • Date: July [1867–1871]
  • Creator(s): Marie Blood
Annotations Text:

Grier [New York: New York University Press, 1984], 2:844).

Expansión, elasticidad y reelaboración de un archivo como base de datos: Entrevista a Kenneth Price del Archivo Walt Whitman

  • Creator(s): Mariana Garzón Rogé
Text:

In addition we have established a $2 million permanent endowment to support our ongoing work, with most

training only literary scholars but instead individuals capable of contributing to a variety of fields. 2.

Some parts of the Whitman Archive could, logically speaking, reach a state of conclusion.

But other parts of the site do not have a logical end point.

Maria Smith to Walt Whitman, 14 March 1875

  • Date: March 14, 1875
  • Creator(s): Maria Smith
Text:

boy and agood a good child ilove I love him you mail your letters right we live in the south west part

of the town if you should mail your letter Queensbury it would go to the north part avillage a village

Whitman in Brazil

  • Creator(s): Maria Clara Bonetti Paro
Text:

In spite of various readings or misreadings of , what is certain is that Whitman was part of the general

by Lincoln not to believe that there are moments in which the opposite is true: humanity—or a great part

The Orient will, in all certainty, eventually absorb a large part of that Americanism; and at the same

Margaretta L. and William A. Avery to Walt Whitman, 1 March 1892

  • Date: March 1, 1892
  • Creator(s): Margaretta L. and William A. Avery
Annotations Text:

. | MAR 2 | 6AM | 92 | Rec'd.

Margaret Stillwell to Walt Whitman, 28 December 1863

  • Date: December 28, 1863
  • Creator(s): Margaret Stillwell
Annotations Text:

See also Stilwell's letters to Whitman from July 5, 1864, and September 2, 1864.

"Proud Music of the Storm" (1869)

  • Creator(s): Marcus, Mordecai
Text:

presented in its final version in 1881.Sidney Krause divides the poem's six numbered sections into three parts

: I, section 1; II, sections 2 through 5; III, section 6.

Otherwise, sleep is mentioned only once, toward the beginning of section 2.

In section 2 music from human activities, human music-making, and nature blend into one orchestra which

Section 3 divides into two parts.

Leaves of Grass, 1867 edition

  • Creator(s): Mancuso, Luke
Text:

later "One's-Self I Sing" and "Small the Theme of My Chant"], "The Runner," "Leaves of Grass" number 2

The images of a coherent Union proliferate throughout all parts of the 1867 edition, but the physical

Union, but they were also written "before" the 1861 "parting" of the South from the North.

In 1867, these songs can be re-heard in the context of the "parts" becoming united again.

Arthur Golden. 2 vols. New York: New York Public Library, 1968.

Leaves of Grass, 1871–72 edition

  • Creator(s): Mancuso, Luke
Text:

Thus, while Drum-Taps appeared as a part of Leaves for the first time in this fifth edition, the Civil

Reconstruction

  • Creator(s): Mancuso, Luke
Text:

Whitman supported himself (and to some extent his mother) first as a part-time clerk in the Army Paymaster's

major work into multiple annexes appended to Leaves along the way: Drum-Taps, Sequel, Songs Before Parting

Preface to As a Strong Bird on Pinions Free (1872)

  • Creator(s): Mancuso, Luke
Text:

fragment after the war, beginning with Drum-Taps (1865), Sequel to Drum-Taps (1866), Songs Before Parting

The Pragmatic Whitman

  • Date: 2002
  • Creator(s): Mack, Stephen John
Text:

"To Learn from the Crises of Anguish": Tragedy, History, and the Meaning of Democratic Mourning Part

Floyd Stovall. 2 vols. New York: New York University Press, 1963. QC The Quest for Certainty .

First, I attempt to explicate the many parts of Whitman's democratic vision and describe how those parts

In chapter 2, I take up the issue of Whitman's democratic conception of selfhood.

Just as significant is the pivotal part played by emotion in the transaction.

Walt Whitman

  • Date: December 1882
  • Creator(s): Macaulay, G. C.
Text:

As for the rest, some is quite formless; but for the most part there is a strongly marked and characteristic

A 'sane sensuality,' as it is called by one of his friends, is a necessary part of the ideal man.

On the whole no part of his work is more interesting than this; it is as if he were the born poet of

of heroes and martyrs, And when all life and all the souls of men and women are discharged from any part

of the earth, Then only shall liberty, or the idea of liberty, be discharged from that part of the earth

Whitman in the British Isles

  • Creator(s): M. Wynn Thomas
Text:

Lawrence [London: Heinemann, 1967], 2: 633).

Manuscript in British Museum. 2.

3    1    2     3  1   2   3   1  2       3 "or a hańd kerchief. . . . desígn edly drópped" —and there

Now you can of course say that he meant pure verse and the foot is a paeon  1   2    3    1     2     

The night, the tempest, the seashore are part of the solitude and the despair they cover, part of the

M. C.[?] Wheeler to Walt Whitman, 20 March 1880

  • Date: March 20, 1880
  • Creator(s): M. C.[?] Wheeler
Text:

Wheeler Whitman crossed this letter out, cut it into pieces, and pasted part of it back together with

On the back he drafted part of one of his lectures on the death of Abraham Lincoln. M. C.[?]

Luther Munday to Walt Whitman, 14 December 1891

  • Date: December 14, 1891
  • Creator(s): Luther Munday
Text:

worshipped in distance reverence, that I cannot doubt that you will do me this little act on your part

Annotations Text:

The numbers 2, 29 (or 27), and 40 have been written on the recto of the envelope; both the numbers 2

Luther Carlyle, Jr., to Walt Whitman, [3 November 1890]

  • Date: [November 3, 1890]
  • Creator(s): Luther Carlyle, Jr.
Text:

see notes July 2 1891 Walt Whitman, Be thou accursed,—who, calling thyself a poet, in the extremist tone

Annotations Text:

This letter is addressed: Walt Whitman | The Poet (2 u) | Camden, N—J.

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