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Search : PETER MAILLAND PLAY

1584 results

Mathews, Cornelius (ca. 1817–1889)

  • Creator(s): Yannella, Donald
Text:

periodical editor throughout his long career and wrote across the genres: fiction, sketches, poetry, and plays

Pseudoscience

  • Creator(s): Wrobel, Arthur
Text:

contemporary sources, including animal magnetism, phreno-magnetism, and phrenology.Though the various roles played

Influences on Whitman, Principal

  • Creator(s): Worley, Sam
Text:

Awakening, Protestant pulpit style, particularly that of evangelicals, became freer and more varied and played

Prosody

  • Creator(s): Winslow, Rosemary Gates
Text:

Whitman's musical working of regularized accentual contours drawn from speech is able to contain the play

Whitman Noir: Black America & the Good Gray Poet

  • Date: 2014
  • Creator(s): Wilson, Ivy G.
Text:

Sundquist’s To Wake the Nations (1993) and Toni Morri- son’s Playing in the Dark (1992), among others

Vodou ritu- als played an integral role in fomenting the Haitian revolution. C. L. R.

Peter Coviello discusses racial solidarity in Whitman’s antebellum poetry.

Peter Coviello, introduction to Walt Whitman, Memoranda during theWar, ed.

Peter Coviello (New York: Oxford University Press, 2006), xlvi. 14.

Reminiscences of Walt Whitman

  • Date: 1896
  • Creator(s): William Sloane Kennedy
Text:

A canary sang with all his might, and a kitten played toand fro.

When the committee handed him the he said: thisislike bag, "Why, a play.

How " " is it with you now, Robert Browning, maker of plays ?

The dialogues of the play are mostly in and the and inheroics.

In our modern-life plays the stifantiqueness of heroic verse is unendurable.

The Fight of a Book for the World

  • Date: 1926
  • Creator(s): William Sloane Kennedy
Text:

s letterto his mother and to Peter Doyle.

J., I give to my friend,Peter Doyle, my silverwatch. I give to H.

Bayne, Peter, 28, 29. Answerer, the. See Song.

Doyle, Peter, 261. Finta, Alexander, 118, 119.

Herald, 260; Letters to Peter sirs ^ , a.

Reminiscences of Walt Whitman: Memories, Letters, Etc.

  • Date: 1896
  • Creator(s): William Sloane Kennedy
Text:

A canary sang with all his might, and a kitten played to and fro.

young friend Horace Traubel and another, we all fell to discussing the authorship of the Shakspere plays

them the force of a projectile), had not only shaken his belief in the Shaksperean authorship of the plays

When the committee handed him the bag, he said: "Why, this is like a play.

facing the golden sunset, with the cool evening breeze blowing around us, and the summer lightning playing

William Sloane Kennedy to Walt Whitman, 22 April 1888

  • Date: April 22, 1888
  • Creator(s): William Sloane Kennedy
Text:

Last night I saw Bronson Howard's play—Henrietta—Robson & Crane chief actors.

A very useful play—satire on Wall Street.

William Sloane Kennedy to Walt Whitman, 28 August 1888

  • Date: August 28, 1888
  • Creator(s): William Sloane Kennedy
Annotations Text:

A Reminiscence of New York Plays and Acting Fifty Years Ago," appeared in November Boughs (1888), along

William Sloane Kennedy to Walt Whitman, 11–12 May 1889

  • Date: May 11–12, 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

William Sloane Kennedy to Walt Whitman, [3] June 1889

  • Date: June [3], 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William Sloane Kennedy to Walt Whitman, February 1891

  • Date: February, 1891
  • Creator(s): William Sloane Kennedy
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

William Sloane Kennedy to Walt Whitman, 19 January 1891

  • Date: January 19, 1891
  • Creator(s): William Sloane Kennedy
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

William Sloane Kennedy to Walt Whitman, [After 25 November 1890]

  • Date: [After November 25, 1890]
  • Creator(s): William Sloane Kennedy
Annotations Text:

Peter Pangloss was a character in the play The Heir at Law (1797) by George Colman (the Younger), and

Both roles were played by the nineteenth-century actor Joseph Jefferson.

William Sloane Kennedy to Walt Whitman, 19 June 1890

  • Date: June 19, 1890
  • Creator(s): William Sloane Kennedy
Text:

We are going tonight to a children's play (dramatic opera) down at town hall—tickets given me by our

dramatic critic on Transcript=Jenks —I'll say a word abt the play.

Personal Recollections of Walt Whitman

  • Date: June 1919
  • Creator(s): William Roscoe Thayer
Text:

One day, for instance, he talked about Shakespeare's historical plays, which, he said, showed that Shakespeare

was at heart a democrat, and that he had written the plays in order to discredit monarchy and kings

individual, not that he might enjoy himself for himself, but that he might be the better fitted to play

obligations to Emerson; but I did recognize in him a poseur of truly colossal proportions, one to whom playing

acclaim; he could not have doubted seriously, for habit, if nothing else, would have enabled him to play

William Roscoe Thayer to Walt Whitman, 12 October 1885

  • Date: October 12, 1885
  • Creator(s): William Roscoe Thayer
Text:

in Philadelphia for the beneficient effects wrought by crisp air, blue skies, endlessly fascinating play

The Walt Whitman Archive: The Body of Work Electric

  • Creator(s): William Pannapacker
Text:

by New York University Press from 1961 to 1984 and later supplemented by two additional volumes by Peter

, organized into thirty–seven topics, chronologically arranged (e.g., "Opera Lover," "The 1856 ," "Peter

Peter Lang, 1998–2003; 1 vol. U of Iowa P, 2004. ———. The Walt Whitman Archive . Ed.

Anna Gilchrist: Her Life and Writings

  • Date: 1887
  • Creator(s): Herbert Harlakendend Gilchrist | Anna Gilchrist | William Michael Rossetti
Text:

Age 48— 51. new country — Description of Philadelphia— Edward The Carpenter — Walt Whitman at the play

Round the Priory we findart and nature playing into each other's hands.

A fondness for music was soon to show itself;an announcement ,that her mistress would play asonata of

Tennyson is all that he said. having men- tioned that they had just come over from Peters- field, and

His play ought to be worth reading and seeing.

William Michael Rossetti to Walt Whitman, 12 April 1868

  • Date: April 12, 1868
  • Creator(s): William Michael Rossetti
Text:

Perhaps I ought to apologize for saying so much to you about a matter I know plays but the smallest part

William M. Evarts to Orville Hickman Browning, 26 February 1869

  • Date: February 26, 1869
  • Creator(s): William M. Evarts | Walt Whitman
Text:

matter of the suspended entries of certain lands at East Laginaw, Mich., by Charles Rodd and Henry Peter

A Visit to Walt Whitman

  • Date: November 1909
  • Creator(s): William Hawley Smith
Text:

He made no grand-stand play, nor did we. We just "visited", like "lovers and friends".

William H. McFarland to Walt Whitman, 11 November 1863

  • Date: November 11, 1863
  • Creator(s): William H. McFarland
Text:

it is estimated 15,000 Majority for the Union that is the home vote the copperheads are completely played

Walt Whitman

  • Date: 28 June 1885
  • Creator(s): William H. Ballou
Text:

day I went into the country and naked, bathed in sunshine, lived with the birds and squirrels and played

Walt Whitman and the Tennyson Visit

  • Date: 3 July 1885
  • Creator(s): William H. Ballou
Text:

A canary sang with all his might, and a kitten played to and fro.

country, found a secluded Creek, and naked bathed in sunshine, lived with the birds and squirrels and played

Walt Whitman: Is He Persecuted?

  • Creator(s): William Douglass O'Connor
Text:

periodical pretends to cater to; but only, instead, put in to do the poet harm, the dull insults of Peter

Bayne—Peter Bayne, the purblind devotee of weak superstition, whose essays in criticism, marked by such

in his age, his poverty, his infirmity, no friend of his could desire a worthier tribute than fair play

Suppressing Walt Whitman.

  • Date: April 22, 1876
  • Creator(s): William Douglass O'Connor
Text:

blackened corpse of Glanas swung beside the carcass of the regicide for having translated Plato, and where Peter

The Good Gray Poet

  • Date: 1866 (republished 1883)
  • Creator(s): William Douglas O'Connor
Text:

I play Alphonso neither to genius nor to God.

Here in my knowledge is an estimable family which, when the baby playing on the floor kicked up its skirts

This is one of the central ideas which rule the myriad teeming play of his volume, and interpret it as

a law of Nature interprets the complex play of facts which proceeds from it.

The Carpenter

  • Date: 1868
  • Creator(s): William Douglas O'Connor
Text:

"When the children come, you'll have a good time playing with them.

"Old uncle Peter always said he was alive, and going round doing good.

"That's a sample lot of old Peter Dyzer," he resumed. "Lord, sir!

'That's him,—that's Christ,' says old Peter. 'But, Mr.

"I mentioned that old Peter Dyzer left me this place.

William Douglas O'Connor to Walt Whitman, 17 August 1886

  • Date: August 17, 1886
  • Creator(s): William Douglas O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 29 May 1882

  • Date: May 29, 1882
  • Creator(s): William D. O'Connor
Text:

I think John will be delighted with my sword-play.

William D. O'Connor to Walt Whitman, 28 August 1882

  • Date: August 28, 1882
  • Creator(s): William D. O'Connor
Text:

I have been much played out this summer, especially the last month.

William D. O'Connor to Walt Whitman, 19 August 1882

  • Date: August 19, 1882
  • Creator(s): William D. O'Connor
Text:

have not again written him, being quite satisfied with letting him know what I thought of his fair-play

William D. O'Connor to Walt Whitman, 31 August 1888

  • Date: August 31, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 12 July 1888

  • Date: July 12, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 25 July 1888

  • Date: July 25, 1888
  • Creator(s): William D. O'Connor
Text:

He is certainly the winter of my discontent mentioned by Lord Bacon in his play of Richard III.

Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 3 January 1888

  • Date: January 3, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 2 October 1884

  • Date: October 2, 1884
  • Creator(s): William D. O'Connor
Text:

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions

William D. O'Connor to Walt Whitman, 9 December 1888

  • Date: December 9, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

She was known for her remarkable ability to inhabit classical roles (in plays by Voltaire, Corneille,

William D. O'Connor to Walt Whitman, 25 May 1886

  • Date: May 25, 1886
  • Creator(s): William D. O'Connor
Annotations Text:

Elegancies, was the text that was often cited by Baconians as evidence that Bacon was the author of the plays

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 14 April 1888

  • Date: April 14, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Text:

Donnelly has made lately a remarkable discovery—that the two folio editions of the play following the

Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 16 May 1888

  • Date: May 16, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

Will W. Wallace to Walt Whitman, 31 October 1868

  • Date: October 31, 1868
  • Creator(s): Will W. Wallace
Annotations Text:

Thompson (1839 or 1840–1911), commonly known as "Snacks" after an amateur role he had once acted in a play

Whitman's New Book

  • Date: 15 October 1882
  • Creator(s): Whitman, Walt, and Sylvester Baxter
Text:

Printing Office—Old Brooklyn…Lafayette…Broadway Sights…My Passion for Ferries…Omnibus Jaunts and Drivers…Plays

The play of imagination, with the sensuous objects of nature for symbols, and faith—with love and pride

He says "there is another shape of personality dearer far to the artist sense (which likes the play of

Walt. Whitman's New Poem

  • Date: 28 December 1859
  • Creator(s): Whitman, Walt, and Henry Clapp
Text:

wandered alone, bare- headed, barefoot, Down from the showered halo and the moonbeams, Up from the mystic play

Picaninies, and the Grand Panjandrum himself, with a little round button at the top; and they all fell to playing

Walt Whitmans Werk [1922]

  • Creator(s): Whitman, Walt, 1819-1892 | Reisiger, Hans, 1884–1968
Text:

seines Lebens dauernde, innige, väterlich-zärtliche Kameradschaft mit dem jungen Irisch-Amerikaner Peter

Seitdem kam Peter täglich nach beendeter Fahrt vor das Schatzhaus, in dem Whitmans Büro lag, und holte

„Piet, mein liebster Sohn“, schreibt er an Peter Doyle, „ich denke immer noch, ich werde durchkommen,

Catalog of the Walt Whitman Literary Manuscripts in The Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library

  • Creator(s): Whitman, Walt, 1819-1892 | Bucke, R.M. | Burroughs, John
Text:

1921), nature writer, literary critic, and author of Notes on Walt Whitman as Poet and Person (1867); Peter

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays, John Hay Library, Brown University

  • Creator(s): Whitman, Walt, 1819-1892
Text:

The Harris Collection of American Poetry and Plays is composed of approximately 250,000 volumes of American

and Canadian poetry, plays, and vocal music dating from 1609 to the present day.

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays

Catalog of the Walt Whitman Literary Manuscripts in the Harris Collection of American Poetry and Plays

An English and an American Poet

  • Date: October 1855
  • Creator(s): Whitman, Walt
Text:

What play of Shakspeare, represented in America, is not an insult to America, to the marrow in its bones

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