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Search : PETER MAILLAND PLAY

1584 results

[Yesterday was dull]

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Yesterday

  • Date: 28 April 1842
  • Creator(s): Walt Whitman
Text:

deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

Annotations Text:

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

Years of the Unperform'd

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

races; I see that force advancing with irresistible power on the world's stage; (Have the old forces played

Years of the Modern.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage; (Have the old forces, the old wars, played

Years of the Modern.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

Years of the Modern.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

The World Below the Brine.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

The World Below the Brine.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

A Word Out of the Sea

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

wandered alone, bare- headed bareheaded , barefoot, Down from the showered halo, Up from the mystic play

A Word Out of the Sea

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

wander'd alone, bare- headed bare-headed , barefoot, Down from the shower'd halo, Up from the mystic play

women

  • Date: Between about 1854 and 1860
  • Creator(s): Walt Whitman
Text:

the poem later titled "I Sing the Body Electric": "The march of firemen in their own costumes—the play

—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

edition of The bugle calls in the ballroom—the dancers gentlemen lead out go for their partners—the playing

The fingers of the pianist playing lightly and rapidly over the keys. illustration a man placing his

Woman's Rights Movement and Whitman, The

  • Creator(s): Ceniza, Sherry
Text:

When one notes the importance that oratory played in Whitman's mind and writing, the presence of such

Woman’s Wrongs

  • Date: 3 July 1858
  • Creator(s): Walt Whitman
Text:

Branch prefers a wider field for the play of woman’s affections.

With Walt Whitman in Camden (vol. 9)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Much else went on—word after word—and theme playing with theme.

"It makes a good play. Did you know that, Horace? A capital play—with fire and feeling—oh!

It is a sad game to play." Then asked, "You know what hetchel is?

Bannan in Warrie's room playing cribbage.

The spirit has played me against it." Yet asked, "What news with you?

With Walt Whitman in Camden (vol. 8)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Judith Grace Bassat, Peter Bishop, Cynthia Hill, Kevin Kelleher, Leigh Morfit, Peter and Paula Ingle,

"He did not play Macbeth much.

He rather affected the plays which involved intellect—the more subtle by-playings—Iago-ish characters

And again, "We are players in a play: this is all part of the play, to be welcomed along with the rest

Peter relentless, "We cannot help that."

With Walt Whitman in Camden (vol. 7)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

and Paula Ingle, and Peter Bishop.

It was a brilliant play of wit and eloquence.

It is a great thing to let life play to such measure—spontaneity."

Lusty fire in stove; the flickering flame playing on objects all over the room.

and then, "I have seen the play often; have even seen Booth in it.

With Walt Whitman in Camden (vol. 6)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Siddons' book about actors, plays?

Hackett did not play it often.

I have seen him many times—liked him best in the plays he plays least, or now not at all—did play in

Scovel once told me of an old play she had heard of or seen—a play in which much hangs upon the saying

It has its part to play in the drama.

With Walt Whitman in Camden (vol. 5)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

They had played Raff's "Lenore" Symphony among other things.Evening, 8:00.

The whole subject, Beethoven, and the playing absolutely without note.

But the average pianist plays by sight only, and has no ears.

He listened intently while Anna played a fine air (and played it finely) on the piano.

and played around the chair.

With Walt Whitman in Camden (vol. 4)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

He spoke of the Richard as "a favorite play" of his.

Were the Shakespeare plays the best acting plays? W. said: "That's a superstition—an exaggeration."

They played the devil with it over there.

O'Connor takes the view that there is something behind the Shakespeare plays—that the play's not the

while play has in it the vehemence of faith.

With Walt Whitman in Camden (vol. 3)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Ed has a violin which he plays round the house.

W. told Ed: "Play your violin: play it as much as you choose: I like it: when I am tired I will tell

Ed at first played in the next room. I advised him to play down stairs.

O'Connor, is veritably a Peter the Hermit, a Luther."

—the play of his imagination quite fine.

With Walt Whitman in Camden (vol. 2)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

But I, for my part—we—must not play the game with that end in view.

He often plays with his penknife, opening and shutting as he talks.

Lust, whiskey, such things, played heavy cards in his game of life.

I doubt whether I would ever care for the play." Better today.

Tom, don't play with fire."

With Walt Whitman in Camden (vol. 1)

  • Creator(s): Horace Traubel | Traubel, Horace
Text:

Peter's. It is grand, grand—O how grand!

They were reviving a whole series of old English plays: very good, staple plays: I saw a good many of

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions.I

There is much in the plays that is offensive to me, anyhow: yes, in all the plays of that period: a grandiose

Kennedy came along and put in a demurrer, W. resuming: "The Shakespeare plays are essentially the plays

Williamsburgh Word Portraits, No. 9

  • Date: 27 June 1859
  • Creator(s): Walt Whitman
Text:

In this sphere his long practical acquaintance with the laws of mechanics has been brought into play;

Williamsburgh Word Portraits, No. 7

  • Date: 10 June 1859
  • Creator(s): Walt Whitman
Text:

the shadow of the mantle of his late distinguished progenitor and namesake falling upon him, have played

and as he has in all probability a long career yet to run, I look forward with confidence to his playing

Williamsburgh Word Portraits, No. 5

  • Date: 2 June 1859
  • Creator(s): Walt Whitman
Text:

Yet he found time in early youth to mingle in the toilsome “play” of the firemen.

where his natural abilities, sharpened as they have been by the struggles of partisanship, have full play

Williamsburgh Word Portraits, No. 3

  • Date: 26 May 1859
  • Creator(s): Walt Whitman
Text:

description—yet as my series of sketches would be incomplete if it did not include a man who has played

Williamsburgh Word Portraits, No. 2

  • Date: 21 May 1859
  • Creator(s): Walt Whitman
Text:

the bench, has been rather more obscure in his history than accords with the prominent part he once played

William Sloane Kennedy to Walt Whitman, February 1891

  • Date: February, 1891
  • Creator(s): William Sloane Kennedy
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

William Sloane Kennedy to Walt Whitman, [After 25 November 1890]

  • Date: [After November 25, 1890]
  • Creator(s): William Sloane Kennedy
Annotations Text:

Peter Pangloss was a character in the play The Heir at Law (1797) by George Colman (the Younger), and

Both roles were played by the nineteenth-century actor Joseph Jefferson.

William Sloane Kennedy to Walt Whitman, [3] June 1889

  • Date: June [3], 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

O'Connor attempted to defend Ignatius Loyola Donnelly's Baconian argument—his theory that Shakespeare's plays

idea Donnelly wrote about in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William Sloane Kennedy to Walt Whitman, 28 August 1888

  • Date: August 28, 1888
  • Creator(s): William Sloane Kennedy
Annotations Text:

A Reminiscence of New York Plays and Acting Fifty Years Ago," appeared in November Boughs (1888), along

William Sloane Kennedy to Walt Whitman, 22 April 1888

  • Date: April 22, 1888
  • Creator(s): William Sloane Kennedy
Text:

Last night I saw Bronson Howard's play—Henrietta—Robson & Crane chief actors.

A very useful play—satire on Wall Street.

William Sloane Kennedy to Walt Whitman, 19 June 1890

  • Date: June 19, 1890
  • Creator(s): William Sloane Kennedy
Text:

We are going tonight to a children's play (dramatic opera) down at town hall—tickets given me by our

dramatic critic on Transcript=Jenks —I'll say a word abt the play.

William Sloane Kennedy to Walt Whitman, 19 January 1891

  • Date: January 19, 1891
  • Creator(s): William Sloane Kennedy
Annotations Text:

He was the author of numerous plays, sonnets, and narrative poems.

William Sloane Kennedy to Walt Whitman, 11–12 May 1889

  • Date: May 11–12, 1889
  • Creator(s): William Sloane Kennedy
Annotations Text:

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

William Roscoe Thayer to Walt Whitman, 12 October 1885

  • Date: October 12, 1885
  • Creator(s): William Roscoe Thayer
Text:

in Philadelphia for the beneficient effects wrought by crisp air, blue skies, endlessly fascinating play

William Michael Rossetti to Walt Whitman, 12 April 1868

  • Date: April 12, 1868
  • Creator(s): William Michael Rossetti
Text:

Perhaps I ought to apologize for saying so much to you about a matter I know plays but the smallest part

William M. Evarts to Orville Hickman Browning, 26 February 1869

  • Date: February 26, 1869
  • Creator(s): William M. Evarts | Walt Whitman
Text:

matter of the suspended entries of certain lands at East Laginaw, Mich., by Charles Rodd and Henry Peter

William H. McFarland to Walt Whitman, 11 November 1863

  • Date: November 11, 1863
  • Creator(s): William H. McFarland
Text:

it is estimated 15,000 Majority for the Union that is the home vote the copperheads are completely played

William Douglas O'Connor to Walt Whitman, 17 August 1886

  • Date: August 17, 1886
  • Creator(s): William Douglas O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 9 December 1888

  • Date: December 9, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

She was known for her remarkable ability to inhabit classical roles (in plays by Voltaire, Corneille,

William D. O'Connor to Walt Whitman, 31 August 1888

  • Date: August 31, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 3 January 1888

  • Date: January 3, 1888
  • Creator(s): William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 29 May 1882

  • Date: May 29, 1882
  • Creator(s): William D. O'Connor
Text:

I think John will be delighted with my sword-play.

William D. O'Connor to Walt Whitman, 28 August 1882

  • Date: August 28, 1882
  • Creator(s): William D. O'Connor
Text:

I have been much played out this summer, especially the last month.

William D. O'Connor to Walt Whitman, 25 May 1886

  • Date: May 25, 1886
  • Creator(s): William D. O'Connor
Annotations Text:

Elegancies, was the text that was often cited by Baconians as evidence that Bacon was the author of the plays

figures of speech in Bacon to Shakespeare, argued for Bacon as the author behind Shakespeare's famous plays

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

William D. O'Connor to Walt Whitman, 25 July 1888

  • Date: July 25, 1888
  • Creator(s): William D. O'Connor
Text:

He is certainly the winter of my discontent mentioned by Lord Bacon in his play of Richard III.

Annotations Text:

works came under scrutiny during the nineteenth-century because of suspicions that he had written plays

For more on the Baconian theory, see Henry William Smith, Was Lord Bacon The Author of Shakespeare's Plays

William D. O'Connor to Walt Whitman, 2 October 1884

  • Date: October 2, 1884
  • Creator(s): William D. O'Connor
Text:

In the plays—the historical plays especially—Bacon sees the basilisk in all his nature and proportions

William D. O'Connor to Walt Whitman, 19 August 1882

  • Date: August 19, 1882
  • Creator(s): William D. O'Connor
Text:

have not again written him, being quite satisfied with letting him know what I thought of his fair-play

William D. O'Connor to Walt Whitman, 16 May 1888

  • Date: May 16, 1888
  • Creator(s): Walt Whitman | William D. O'Connor
Annotations Text:

for his notions of Atlantis as an antediluvian civilization and for his belief that Shakespeare's plays

Bacon, an idea he argued in his book The Great Cryptogram: Francis Bacon's Cipher in Shakespeare's Plays

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