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  • Published Writings 473

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Search : PETER MAILLAND PLAY
Section : Published Writings

473 results

[Yesterday was dull]

  • Date: 19 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Yesterday

  • Date: 28 April 1842
  • Creator(s): Walt Whitman
Text:

deficient in loveableness lovableness , as to not be pleased with the spectacle of little children at play

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

Annotations Text:

Celebration of children at play was a relatively new concept used by upper-middle class families who

Whitman references children at play to point to a particular type of family one would see at a park,

Years of the Unperform'd

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

races; I see that force advancing with irresistible power on the world's stage; (Have the old forces played

Years of the Modern.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage; (Have the old forces, the old wars, played

Years of the Modern.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

Years of the Modern.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

The World Below the Brine.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

The World Below the Brine.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

A Word Out of the Sea

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

wandered alone, bare- headed bareheaded , barefoot, Down from the showered halo, Up from the mystic play

A Word Out of the Sea

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

wander'd alone, bare- headed bare-headed , barefoot, Down from the shower'd halo, Up from the mystic play

Woman’s Wrongs

  • Date: 3 July 1858
  • Creator(s): Walt Whitman
Text:

Branch prefers a wider field for the play of woman’s affections.

Williamsburgh Word Portraits, No. 9

  • Date: 27 June 1859
  • Creator(s): Walt Whitman
Text:

In this sphere his long practical acquaintance with the laws of mechanics has been brought into play;

Williamsburgh Word Portraits, No. 7

  • Date: 10 June 1859
  • Creator(s): Walt Whitman
Text:

the shadow of the mantle of his late distinguished progenitor and namesake falling upon him, have played

and as he has in all probability a long career yet to run, I look forward with confidence to his playing

Williamsburgh Word Portraits, No. 5

  • Date: 2 June 1859
  • Creator(s): Walt Whitman
Text:

Yet he found time in early youth to mingle in the toilsome “play” of the firemen.

where his natural abilities, sharpened as they have been by the struggles of partisanship, have full play

Williamsburgh Word Portraits, No. 3

  • Date: 26 May 1859
  • Creator(s): Walt Whitman
Text:

description—yet as my series of sketches would be incomplete if it did not include a man who has played

Williamsburgh Word Portraits, No. 2

  • Date: 21 May 1859
  • Creator(s): Walt Whitman
Text:

the bench, has been rather more obscure in his history than accords with the prominent part he once played

Whitman in the German-Speaking Countries

  • Creator(s): Walter Grünzweig
Text:

The poem by Wellbrock (born in 1949), a Berlin-based writer of poems, short stories, and radio plays,

its part and passing on, Another generation playing its part and passing on in its turn, With faces

There played the famous Booth, whom the 15-year-old Whitman had a first chance to see as Richard III.

Gedichte der Nachgeborenen (Wuppertal: Peter Hammer, 1971), 154–155.

Hermann Peter Piwit and Peter Rühmkorf, eds., Literaturmagazin 5. Das Vergehen von Hören und Sehen.

Whitman in the British Isles

  • Creator(s): M. Wynn Thomas
Text:

Peters, "Edmund Gosse's Two Whitmans," 11 (1965): 19–21.

the first time, since it was not only England but each of the countries in the British Isles that played

deepest influence on Irish literature was, however, transmitted by different means, through figures who played

Whitman finds himself, and other men and women, to be a compound of soul and body; he finds that body plays

3 To play more steadily than a pendulum; neither hurrying nor delaying, but marking the right moment

Whitman in Russia

  • Creator(s): Stephen Stepanchev
Text:

developed an idiom and a voice of his own, but most Russian critics are quick to agree that Whitman played

poetry mostly through the eyes of Mayakovsky," and he goes on to suggest that Mayakovsky's poems "play

on Whitman in the 1930s and 1940s one can also find a note of genuine affection for a poet who had played

"I believe it is inevitable that the American bard will play an important role in our poetry, too.

Marx was a man who for forty years had played "an inscrutable but puissant part in the revolutionary

Whitman in France and Belgium

  • Creator(s): Asselineau, Roger
Text:

Bazalgette translated The Wound-Dresser ( Le Panseur de Plaies ) (1917).

In eight hundred finely written pages, she methodically and exhaustively followed the role played by

We shall see later the part played by this same spectacle in the growth of the poem.

We think every great artist is a conscious one and that in every great work of art the part played by

not marches for accepted victors only, I play marches for conquer'd and slain persons.

Whitman futur, ou l'avenir à venir: "Poets to Come" in French Translation

  • Creator(s): Éric Athenot | Blake Bronson-Bartlett
Text:

complete French edition of the 1891–92 Leaves of Grass under the title Feuilles d'herbe in 1909, played

intimacy and imaginative coupling between reader and poet usually found in Whitman's poems—and at play

acts unto themselves, which bring new life to the original by transforming and enriching its lexical play

Whipping

  • Date: 1 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

What's the Row?

  • Date: 28 March 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

What Williamsburg Wants

  • Date: 15 January 1858
  • Creator(s): Walt Whitman
Text:

The truth is, we have plenty of rich men here, but we have no philanthropists of the Peter Cooper stamp—none

What Lurks Behind Shakspere's Historical Plays?

Text:

What Lurks Behind Shakspere's Historical Plays?

[We proceed this morning to]

  • Date: 5 April 1842
  • Creator(s): Walt Whitman
Text:

For more on financial bubbles, see: Peter M.

Volume I: 1834–1846 (New York: Peter Lang, 1998).

We

  • Date: 9 April 1842
  • Creator(s): Walt Whitman
Text:

Labor Reform and Persona in Whitman's Journalism and The First Leaves of Grass, 1840-1855 (New York: Peter

Volume I: 1834–1846 (New York: Peter Lang, 1998).

Waterworks editorials in the Brooklyn Daily Times

  • Date: 2024
  • Creator(s): Stephanie M. Blalock | Kevin McMullen | Stefan Schöberlein | Jason Stacy
Text:

constituted "an important chapter in the history of U.S. public works" and the role that local journalism played

Washington's Birthday

  • Date: 22 February 1858
  • Creator(s): Walt Whitman
Text:

of the “glorious Fourth” and the like occasions, which are not so fully celebrated, as mere child’s-play—as

Washington in the Hot Season

  • Date: 16 August 1863
  • Creator(s): Walt Whitman
Text:

extra-powerful here,) besides a large effect of green, varied with the white of the Capitol, fountains playing

The vital play and significance of their talk moves one more than books.

Washington

  • Date: 12 March 1865
  • Creator(s): Walt Whitman
Text:

and cold, or what underlies them all, are affected with what affects man in masses, and follow his play

floating along, rising, falling leisurely, with here and there a long-drawn note; the bugle, well played

Walt Whitmans Werk [1922]

  • Creator(s): Whitman, Walt, 1819-1892 | Reisiger, Hans, 1884–1968
Text:

seines Lebens dauernde, innige, väterlich-zärtliche Kameradschaft mit dem jungen Irisch-Amerikaner Peter

Seitdem kam Peter täglich nach beendeter Fahrt vor das Schatzhaus, in dem Whitmans Büro lag, und holte

„Piet, mein liebster Sohn“, schreibt er an Peter Doyle, „ich denke immer noch, ich werde durchkommen,

Walt Whitman: Preface to the Sixth Edition

  • Creator(s): Álvaro Armando Vasseur
Text:

phrase "finas hierbas" here can refer to grass, herbs, or poisonous or noxious weeds; the terms also play

emphasized with delight, to signal to me how much he knew and loved it: The hands I held and the cards I played

summer hub of artistic culture that was the great Casino, where the divas of music, song, dance, and play

To drag poetry back to its theogonic babblings—when in the faunal caverns the goats played at being oracles

How deep is its play in animal life .

Walt Whitman in Russian Translations: Whitman's "Footprint" in Russian Poetry

  • Creator(s): Elena Evich
Text:

there is a repetition of the morpheme bride; Chukovsky decides to preserve the effect, but in so doing plays

skreplyali vse, i budut vechno Indeed, in the history of Russian Symbolism the poetry of Walt Whitman has played

Walt Whitman

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

the common air that bathes the globe. 18 With music strong I come—with my cornets and my drums, I play

not marches for accepted victors only—I play great marches for conquer'd and slain persons.

Walt Whitman.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind; A few light kisses, a few embraces, a reaching around of arms; The play

ready; The dried grass of the harvest-time loads the slow- drawn slow-drawn wagon; The clear light plays

From the cinder-strew'd threshold I follow their movements; The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

not marches for accepted victors only—I play great marches for conquered and slain persons.

Walt Whitman

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

loosed to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strewed threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those winged purposes, And acknowledge red, yellow, white, playing within me, And consider

I play not here marches for victors only—I play great marches for conquered and slain persons.

colored lights, The steam-whistle—the solid roll of the train of approaching cars, The slow-march played

Visit to Plumbe's Gallery

  • Date: 2 July 1846
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

The Unexpress'd.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

After the cycles, poems, singers, plays, Vaunted Ionia's, India's—Homer, Shakspere—the long, long times

Translating "Poets to Come": An Introduction

  • Creator(s): Folsom, Ed
Text:

Because he goes on to suggest that Canada, too, will play a part in his realization, the future he addresses

That he addresses the future is clear, though, and we can feel Whitman playing with the etymology of

a "fear" that is "generally submerged or disguised, since Whitman attempts to deny it in order to play

Tomorrow

  • Date: 11 April 1842
  • Creator(s): Walt Whitman
Text:

Volume I: 1834–1846 (New York: Peter Lang, 1998).

To Workingmen

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

To Thee, Old Cause!

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the strange sad war revolv- ing revolving , With all its angry and vehement play

To Thee Old Cause.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

To Thee Old Cause.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

To the Garden, the World

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

To the Garden, the World.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature—all beautiful to me—all wondrous; My limbs, and the quivering fire that ever plays

To the Garden the World

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

To the Garden the World

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

To Get Betimes in Boston Town

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

I love to look on the stars and stripes—I hope the fifes will play Yankee Doodle.

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