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.— As small pipes from the aqueduct main The rest are par beautiful parts that flow out of it.

I want that tenor large and fresh as the creation parting of whose dark orbed mouth shall for me lift

Paradise the delight in the universe . that is I want that tenor, large and fresh as the creation, the parting

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Annotations Text:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

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—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

It may also relate to the following segment in the preface: "when those in all parts of these states

let them accompany (at times exclusively,) the songs of the baritone or tenor— Let a considerable part

and libretto as now are generally of no account.— In the American Opera the story and libretto must

I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from

Annotations Text:

.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented

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Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n

is to be poor, rather than rich—but to prefer death sooner than any mean dependence.— Prudence is part

of the new born child is greater than the woman's part— or where father than is more needful than a

And the world is no joke, Nor any part of it a sham, This passage contains a line directly related to

w ill you sting me most even at parting?

Annotations Text:

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2–

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

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eaves of a deserted house or barn—pleasing note— "Redstart"—beautiful small bird arrives here latter part

we ha'n't got time Ens l —a being, existence, essence, that recondite part of a substance from which

—wild mirthful processions in honor of the god Dionysus (Bacchus) —in Athens, and other parts of Greece—unbounded

Does any one tell me that it is the part of a man to obey such enactments as these?

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.— ☞ At a late fire in Cambridge, Mass., while the flames were consuming the lower part of a dwelling

Fay, a merchant of Boston, and boarder at the Brattle House, observed in the upper story a female and

The entire upper part of the building was in a moment after enveloped in flames.

Tribune March 12 1852 Part of this notebook outlines a piece of early fiction.

The name of the character "Covert" also appears in Whitman's story "Revenge and Requital; A Tale of a

Annotations Text:

The name of the character "Covert" also appears in Whitman's story "Revenge and Requital; A Tale of a

first published in the United States Magazine and Democratic Review in 1845, although the plot of that story

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Maine) after the battle of White Oaks church, on the retreat, the march at night—the scene between 12 & 2

microfilm images at the Library of Congress's website "Poet at Work: Walt Whitman Notebooks 1850s–1860s," part

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and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part

At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented

what text was added when, we have not included images or transcriptions of the clipped-out page as part

Annotations Text:

.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as

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See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest

For more about the revisions of this passage, see Ed Folsom, "Walt Whitman's 'The Sleepers,'" part of

....any thing is but a part." (1855, p. 51).

starve his body.— What minutes of damnation What heightless dread, falls in the click of a moment story

can never tell , for there is something that underlies and overtops me, of whom I am an effusion a part

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, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part

and received with wonder or pity or love or dread, that object he became, / And that object became part

of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years

The "voices" described in the last part of this section may relate to the following lines: "Through me

come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2

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The poem was later published in as part of the "Autumn Rivulets" cluster (1881, p. 310).

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

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Sunday May 10th—'63 Sunday May 10th spen d t a good part of the day the day in Armory Sq.

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Autobiographical Data From the middle to the latter part of Oct. 1844 I was in New Mirror — We lived

About the latter part of February '46, commenced editing the Brooklyn Eagle —continued till last of January

titled "Song of Myself": "I hear the sound of the human voice . . . . a sound I love," (1855, p. 31). 2

stages, first one, and then th another, I come not here to flatter Why confine the matter to that part

In Jamaica first time in the latter part of the summer of 1839.

Annotations Text:

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

from Emory Holloway, Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, 1921), 2:

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without one single exception, in any part of any of These States!

resemblance to a passage in the poem "Proto-Leaf," published in the 1860–1861 edition of which reads, in part

Draper's Physiology (Harper last 2 no's Harper) Brownlow's Map of the Stars 184 Cherry st. A.

It is of course possible, however, that parts of the notebook were inscribed before and/or after the