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Search : part 2 roblox story kate and jayla
Format : manuscript

98 results

your needed blending discord‑parts

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

As ne your needed blending discord‑parts join'd in offsetting 15 But for your time, — your needed your

part —duly the hinge a‑turning, Really Duly ?

through duly all thy your glamour's Many Through the discord parts that round Time's diapason.) from

joined in The A rhythmus of life eternal.) as needed blended discord parts Many the parts discord parts

Transcribed from digital images of the original. your needed blending discord‑parts

You villain, Touch

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

most even you with the worst spasms worst most fierce most tightly closely bite with your teeth at parting

you know how

  • Date: 1855 or before
  • Creator(s): Walt Whitman
Text:

.— As small pipes from the aqueduct main The rest are par beautiful parts that flow out of it.

I want that tenor large and fresh as the creation parting of whose dark orbed mouth shall for me lift

Paradise the delight in the universe . that is I want that tenor, large and fresh as the creation, the parting

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Annotations Text:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

Uncollected Poetry and Prose of Walt Whitman (Garden City, New York: Doubleday, Page & Co., 1921), 2:

you cannot define too clearly

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

A work of a great poet is not remembered for its parts—but remembered as you remember the complete person

wooding at night

  • Date: Between 1848 and 1887
  • Creator(s): Walt Whitman
Text:

with us, until the wood was transferred— Spectacle of the men lying around in groups in the forward part

the females—Painful effect of the excessive flatness of the country.— 10 This manuscript chronicles part

women

  • Date: Between about 1854 and 1860
  • Creator(s): Walt Whitman
Text:

—the vocal performer to make far more of his song, or solo part, by by-play, attitudes, expressions,

It may also relate to the following segment in the preface: "when those in all parts of these states

let them accompany (at times exclusively,) the songs of the baritone or tenor— Let a considerable part

and libretto as now are generally of no account.— In the American Opera the story and libretto must

I am an old artillerist I tell of some On South Fifth st (Monroe place) 2 doors above the river from

Annotations Text:

.; At some point Whitman clipped out portions of two pages in this notebook (leaves 2 and 3 as represented

Will you have the walls

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

The first part of this manuscript resembles a line in the fifth poem of that edition, eventually titled

The wild gander leads his

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

number at the top of the manuscript is not inconsistent with the possible positioning of these lines as part

Wants

  • Date: Between 1841 and 1862
  • Creator(s): Walt Whitman
Text:

majority of the merchants and prosperous mechanics do not appear in their columns— indeed rarely in their 2

run around and look to all intermediate agencies for a situation.— As to And among the commercial part

—Not a few of them are really good looking; although, as a general thin k g , the best part of their

Walter Whitman, of Suffolk co.

  • Date: September 3, 1841
  • Creator(s): Walt Whitman
Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

Annotations Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

wainscot, hut

  • Date: Before or early in 1856
  • Creator(s): Walt Whitman
Text:

groin l tendon, a bundle of fibres by which a muscle is joined to a bone f fibre, a thread, a fine part

A Voice from Death

  • Date: June 1889
  • Creator(s): Walt Whitman
Text:

and fire, and wholesale elemental crash, (this voice so solemn, strange,) I too a minister of Deity. 2

vain the mastadon retreats beneath

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

B 2 They do not sweat and whine about their condition They do not lie awake in the dark and weep for

This singular young man was

  • Date: 1840s or early 1850s
  • Creator(s): Walt Whitman
Text:

—He never drank rum, never went after women, and took no part in the county frolics.— He certainly had

with them, returning home and retiring where he was retired withdrew for a long time to a solitary part

there are leading moral truths

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

It was also part of a series of reviews printed separately and included in some copies of the 1855 edition

that it fibre and strengthen

  • Date: About 1854
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

Watch Quartier Au Loete Swisse No. 51,575 1 3 0 00 50 A Ap 14 " 17 19 2 5 37 80 75 25 M Ju " s to 2n

is to be poor, rather than rich—but to prefer death sooner than any mean dependence.— Prudence is part

of the new born child is greater than the woman's part— or where father than is more needful than a

And the world is no joke, Nor any part of it a sham, This passage contains a line directly related to

w ill you sting me most even at parting?

Annotations Text:

Myself: Walt Whitman and the Making of Leaves of Grass (Lincoln: University of Nebraska Press, 2010), 2

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

Song of the Universal

  • Date: June 1874
  • Creator(s): Walt Whitman
Text:

life a share, or more or less, None born but it is born—conceal'd or unconceal'd the seed is waiting. 2

The Sobbing of the Bells

  • Date: September 1881
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:520; Major American Authors on Cd-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:520; Major American Authors on Cd-Rom: Walt Whitman (Westport

Slavery

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

distinction whatever, is neither more or less than another, and the debatable points to be settled 2

countrymen ours in several sections of the Republic who profess their readiness to pick out certain parts

of that half part of the compact as either not necessary or not right just.— .

—For myself however I am free to say with a candid heart I know not of any such parts.

— 20 References to the Fugitive Slave Law of 1850 indicate that parts of this manuscript were likely

Annotations Text:

.; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 15; 16; 17; 18; 19; 20; Transcribed from digital images

Silence

  • Date: Between 1850 and 1865
  • Creator(s): Walt Whitman
Text:

.— Parts of this section may be related to the poem that would later be titled "Great Are the Myths":

September 11, 12, 13—1850

  • Date: Between 1850 and 1883
  • Creator(s): Walt Whitman
Text:

.— West Hills is a romantic and beautiful spot; it is the most hilly and elevated part of Long Island

place, it is indeed a fine situation, and it seemed familiar enough to me, for I remembered every part

that I remember, appear to have been cut down.— The Whitmans were among the earliest settlers of that part

by descendants in New England My father's grandfather was quite a large territorial owner in that part

the canvass covering of the stage was painted, would make me.— After my own grandmother died, in 18 2

See'st thou

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

See'st thou Knows thou The Three of the t T hree There is on the one part Between this beautiful but

dumb Earth, with all its manifold eloquent but inarticulate shows & objects And on the other part , the

It probably relates to the seventh poem in that edition, part of which eventually became "Song of the

Sculpture

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

Sculpture —then sculpture was necessary—it was an eminent part of religion it gave grand and beautiful

—It and was the true needed expression of the people, the times, and their aspirations.— It was a part

scene in the woods on

  • Date: 1863
  • Creator(s): Walt Whitman
Text:

Maine) after the battle of White Oaks church, on the retreat, the march at night—the scene between 12 & 2

microfilm images at the Library of Congress's website "Poet at Work: Walt Whitman Notebooks 1850s–1860s," part

The Ruins

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

.— At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Remember if you are dying

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)

Annotations Text:

book in a conversation with Horace Traubel on December 9, 1889 (With Walt Whitman in Camden, 6:180–2)

The regular old followers

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

and published in The American in October 1880 as "My Picture-Gallery," a poem later included in as part

At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as represented

what text was added when, we have not included images or transcriptions of the clipped-out page as part

Annotations Text:

.; At some point Whitman clipped out portions of several pages in this notebook, including leaf 2 as

Proudly the flood comes in

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

This manuscript is a draft of "Proudly the Flood Comes In," first published as part of "Fancies at Navesink

Proud music of the Storm

  • Date: Mid- to late 1860s
  • Creator(s): Walt Whitman
Text:

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Annotations Text:

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Proud Music of the Storm" in Passage to India (1871), Two Rivulets (1876), and in Leaves of Grass (1881–2)

Priests

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

that relate to the first poem in the 1855 edition of Leaves, ultimately titled "Song of Myself," and part

A Prairie Sunset

  • Date: Early 1888
  • Creator(s): Walt Whitman
Text:

sent to Herald March 2 A Prairie sunset.

poet of Materialism

  • Date: 1855 or earlier
  • Creator(s): Walt Whitman
Text:

immortal —that the processes of the refinement and perfection of the earth are in steps, It the least part

Poem—a perfect school

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

a TG 2 get— P description of Chr Poem—a perfect school, gymnastic, moral, mental and sentimental,—in

Poem of Pictures

  • Date: Before 1856
  • Creator(s): Walt Whitman
Annotations Text:

That poem includes the following lines: "And here again, this picture tells a story of the Olympic games

The offices

  • Date: 1854
  • Creator(s): Walt Whitman
Text:

—They are part of the organic motion of the city, for the life and health of it from head to foot.— WW

of these poems

  • Date: Between 1845 and 1860
  • Creator(s): Walt Whitman
Text:

Whitman transcribed part of William Collins's "Ode on the Passions" on the back of this leaf. of these

Of Ownership

  • Date: About 1860
  • Creator(s): Walt Whitman
Text:

6 2 3 — 25 00 cxnm 4 Thoughts Of o O wnership—As if one fit to own things could not at pleasure enter

Of a summer evening a

  • Date: Before 1850
  • Creator(s): Walt Whitman
Text:

Some of the language at the beginning of this story also appears in the draft poem "I am that half-grown

—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed

Notes where wild bees flitting hum

  • Date: About 1880
  • Creator(s): Walt Whitman
Text:

The lines that appear in this manuscript were published posthumously as part of a poem titled "Supplement

poems entitled "Old Age Echoes" to a new printing of Leaves of Grass, and "Supplement Hours" was a part

Joel Myerson (New York: Garland, 1993), 2:624; and Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:624; and Major American Authors on CD-Rom: Walt Whitman (Westport

Not to dazzle with profuse

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

The sentence that begins "The soul has that measureless pride..." also later became part of the poem

Nor you alone

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

, Duly from you the inborne tide again —duly the hinge a‑ turning Duly the needed blending discord‑parts

Nerve.—A Frenchman

  • Date: 1849
  • Creator(s): Walt Whitman
Text:

Daily Eagle in the days leading up to the launch, and the launch itself was reported in an unsigned story

Annotations Text:

Daily Eagle in the days leading up to the launch, and the launch itself was reported in an unsigned story

Nehemiah Whitman

  • Date: Between 1845 and 1861
  • Creator(s): Walt Whitman
Text:

jr born June 25, 1776 Died at Dix Hills, Sept. 8, 1845 Sarah Whitman, born Jan. 1, 1778. died Feb. 2,

Army of 1776 under chief command of Washington, See 1st edition Reminiscences of Long Island, vol. 2,

Moved from Liberty st. to Front st, (eastern part, and lived there in spring and early summer of 1833

Sold the two 3 story houses in Cumberland st. March 1853.

Moved into the little 2 story house Cumberland st April 21st, '53 (lived there just one year exactly.

Annotations Text:

One of the names referenced on the verso, Covert, appears as a character in both Whitman's short story

" next to which Whitman writes "the villain," appears as a villainous character in Whitman's short story

My hand will not hurt

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

so long enough there, to show us what life we can be,— And that my senses and our flesh, and even a part

The most perfect wonders of

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

At some point, this manuscript formed part of Whitman's cultural geography scrapbook.

The most immense part of

  • Date: Between 1855 and 1860
  • Creator(s): Walt Whitman
Text:

It is doubtless the case The The most immense share part of a A ncient History is altogether unknown

—The best and most important part of History cannot be written told.

dates and reliable information,— being It is surer and more reliable; because by far the It greatest part

The manuscript was therefore probably written between 1855 and 1860, and at one time likely formed part

The most immense part of

the most definitely

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

It appears to be part of a draft of a review essay by Whitman titled "An English and an American Poet

Mocking all the textbooks and

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

As if it were anything to analyze fluids and call certain parts oxygen or hydrogen, or to map out stars

Merely What I tell is

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The lines eventually became part of the independent poem "Poets to Come."

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