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Then my lands engrossed me—Lands of the prairies, Ohio's land, the southern savannas, engrossed me—For

to enclose all, it came to me to strike up the songs of the New World—And then I be- lieved believed my

knowledge, and the grandeur of The States, and the example of heroes, no more, I am indifferent to my

heavy-hearted, Hours of the dusk, when I withdraw to a lonesome and unfrequented spot, seating myself, leaning my

face in my hands; Hours sleepless, deep in the night, when I go forth, speeding swiftly the country

(I am ashamed—but it is useless—I am what I am;) Hours of my torment—I wonder if other men ever have

when you refer to me, mind not so much my poems, Nor speak of me that I prophesied of The States, and

I will take you down underneath this impassive exterior—I will tell you what to say of me: Publish my

name and hang up my picture as that of the tenderest lover, The friend, the lover's portrait, of whom

WHEN I heard at the close of the day how my name had been received with plaudits in the capitol, still

it was not a happy night for me that fol- lowed followed ; And else, when I caroused, or when my plans

ing undressing , bathed, laughing with the cool waters, and saw the sun rise, And when I thought how my

all that day my food nourished me more—And the beautiful day passed well, And the next came with equal

joy—And with the next, at evening, came my friend; And that night, while all was still, I heard the

down-balls, nor perfumes, nor the high rain-emitting clouds, are borne through the open air, Any more than my

, from me falling—drip, bleeding drops, From wounds made to free you whence you were prisoned, From my

face—from my forehead and lips, From my breast—from within where I was con- cealed concealed —Press

May-be one is now reading this who knows some wrong-doing of my past life, Or may-be a stranger is reading

this who has secretly loved me, Or may-be one who meets all my grand assumptions and egotisms with derision

in the room where I eat or sleep, I should be satisfied, And if the corpse of any one I love, or if my

CITY of my walks and joys!

nor the bright win- dows windows , with goods in them, Nor to converse with learned persons, or bear my

your fre- quent frequent and swift flash of eyes offering me love, Offering me the response of my own—these

Behold this swarthy and unrefined face—these gray eyes, This beard—the white wool, unclipt upon my neck

, My brown hands, and the silent manner of me, with- out without charm; Yet comes one, a Manhattanese

leaves upon it, and twined around it a little moss, And brought it away—and I have placed it in sight in my

room, It is not needed to remind me as of my own dear friends, (For I believe lately I think of little

or a girl with me, I ate with you, and slept with you—your body has become not yours only, nor left my

body mine only, You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard,

it seems to me if I could know those men better, I should become attached to them, as I do to men in my

own lands, It seems to me they are as wise, beautiful, benevolent, as any in my own lands; O I know

WHAT think you I take my pen in hand to record?

my likeness!

PRIMEVAL my love for the woman I love, O bride ! O wife !

Then separate, as disembodied, the purest born, The ethereal, the last athletic reality, my consolation

, I ascend—I float in the regions of your love, O man, O sharer of my roving life.

is certain, one way or another, Doubtless I could not have perceived the universe, or written one of my

THAT shadow, my likeness, that goes to and fro, seek- ing seeking a livelihood, chattering, chaffering

it where it flits, How often I question and doubt whether that is really me; But in these, and among my

lovers, and carolling my songs, O I never doubt whether that is really me.

I meant that you should discover me so, by my faint indirections, And I, when I meet you, mean to discover

HERE my last words, and the most baffling, Here the frailest leaves of me, and yet my strongest- lasting

, Here I shade down and hide my thoughts—I do not expose them, And yet they expose me more than all my

you read these, I, that was visible, am become invisible; Now it is you, compact, visible, realizing my

you suppose, And you that shall cross from shore to shore years hence, are more to me, and more in my

walks home late at night, or as I lay in my bed, they came upon me.

, That I was, I knew was of my body—and what I should be, I knew I should be of my body.

Manhatta , My river and sun-set, and my scallop-edged waves of flood-tide, The sea-gulls oscillating

loudly and musically call me by my nighest name! Live, old life!

My South! O quick mettle, rich blood, impulse, and love! Good and evil! O all dear to me!

O dear to me my birth-things—All moving things, and the trees where I was born—the grains, plants, rivers

; Dear to me my own slow sluggish rivers where they flow, distant, over flats of silvery sands, or through

the Tombigbee, the Santee, the Coosa, and the Sabine; O pensive, far away wandering, I return with my

the graceful palmetto; I pass rude sea-headlands and enter Pamlico Sound through an inlet, and dart my

Whoever you are, now I place my hand upon you, that you be my poem, I whisper with my lips close to your

O I have been dilatory and dumb, I should have made my way straight to you long ago, I should have blabbed

paint myriads of heads, but paint no head with- out without its nimbus of gold-colored light, From my

As I sit writing here, sick and grown old, Not my least burden is that dulness of the years, querilities

, Ungracious glooms, aches, lethargy, constipation, whimpering ennui, May filter in my daily songs.

My Canary Bird. MY CANARY BIRD.

Queries to My Seventieth Year. QUERIES TO MY SEVENTIETH YEAR.

After the dazzle of day is gone, Only the dark, dark night shows to my eyes the stars; After the clangor

of organ majestic, or chorus, or perfect band, Silent, athwart my soul, moves the symphony true.

Would you the undulation of one wave, its trick to me transfer, Or breathe one breath of yours upon my

past war, the battles, hospital sights, the wounded and the dead, Myself through every by-gone phase—my

idle youth—old age at hand, My three-score years of life summ'd up, and more, and past, By any grand

Where day and night I wend thy surf-beat shore, Imaging to my sense thy varied strange suggestions, (

These snowy hairs, my feeble arm, my frozen feet, For them thy faith, thy rule I take, and grave it to

Far back, related on my mother's side, Old Salt Kossabone, I'll tell you how he died: (Had been a sailor

destination"—these the last words— when Jenny came, he sat there dead, Dutch Kossabone, Old Salt, related on my

, Manrico's passionate call, Ernani's, sweet Gennaro's, I fold thenceforth, or seek to fold, within my

My science-friend, my noblest woman-friend, (Now buried in an English grave—and this a memory-leaf for

Small the Theme of My Chant. From the 1867 edition L. of G. SMALL THE THEME OF MY CHANT.

Small the theme of my Chant, yet the greatest—namely, One's- Self One's-Self —a simple, separate person

My Days I sing, and the Lands—with interstice I knew of hap- less hapless War.

the midday sun, the impalpable air—for life, mere life, For precious ever-lingering memories, (of you my

mother dear —you, father—you, brothers, sisters, friends,) For all my days—not those of peace alone—the

war's chosen ones, The cannoneers of song and thought—the great artillerists—the foremost leaders, captains

them without me were seeds only, latent, unborn; And forever, by day and night, I give back life to my

current songs of beauty, peace, decorum, I cast a reminiscence—(likely 'twill offend you, I heard it in my

their sense, their ears, towards his murmuring, half- caught half-caught words: "Let me return again to my

Give me my old wild battle-life again!"

than old Voltaire's, yet greater, Proof of this present time, and thee, thy broad expanse, America, To my

and tide, Some three days since on their own soil live-sprouting, Now here their sweetness through my

August now;) You pallid banner-staves—you pennants valueless—you over- stay'd overstay'd of time, Yet my

Which vocalist never sung, nor orator nor actor ever utter'd, Invoking here and now I challenge for my

poverties, wincings, and sulky retreats, Ah you foes that in conflict have overcome me, (For what is my

You toil of painful and choked articulations, you meannesses, You shallow tongue-talks at tables, (my

Ah think not you finally triumph, my real self has yet to come forth, It shall yet march forth o'ermastering

Weave In, My Hardy Life. WEAVE IN, MY HARDY LIFE.

WEAVE in, weave in, my hardy life, Weave yet a soldier strong and full for great campaigns to come, Weave

have communed together, Mine too such wild arrays, for reasons of their own; Was't charged against my

Then my realities; What else is so real as mine?

States awhile, but I cannot tell whither or how long, Perhaps soon some day or night while I am singing my

soldiers South or North, As I muse retrospective murmuring a chant in thought, The war resumes, again to my

Now sound no note O trumpeters, Not at the head of my cavalry parading on spirited horses, With sabres

drawn and glistening, and carbines by their thighs, (ah my brave horsemen!

My handsome tan-faced horsemen! what life, what joy and pride, With all the perils were yours.)

Perfume therefore my chant, O love, immortal love, Give me to bathe the memories of all dead soldiers

, are, Of this Union welded in blood, of the solemn price paid, of the unnamed lost ever present in my

SPLENDOR of ended day floating and filling me, Hour prophetic, hour resuming the past, Inflating my throat

Open mouth of my soul uttering gladness, Eyes of my soul seeing perfection, Natural life of me faithfully

To prepare for sleep, for bed, to look on my rose-color'd flesh!

To be conscious of my body, so satisfied, so large! To be this incredible God I am!

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!