Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1600-#-# to 2100-#-#
Month 1600-#-1 to 2100-#-31
Day 1600-01-# to 2100-12-#

Work title

See more

Year

Search : William White

3753 results

9th av.

  • Date: between 1854 and 1860
Text:

William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press

noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's

Autobiographical Data

  • Date: Between 1848 and 1856
Text:

.00048Autobiographical DataBetween 1848 and 1856prosepoetry10 leaveshandwritten; Photostats, made for William

Imagination and Fact

  • Date: 1852 or later; January 1852; Unknown
  • Creator(s): Walt Whitman | ["W.D."] | Anonymous
Text:

from the empty bosom of the grove I hear a sob, as one forlorn might pine— The white-limbed beauty of

Where round their fingers winding the white slips That crown his forehead, on the grandsire's knees,

[med Cophósis]

  • Date: Between 1852 and 1854
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems Who Learns My Lesson Complete?

"Summer Duck"

  • Date: Between 1852 and 1855
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

A Sermon Preached in the Central Reformed Protestant Dutch Church

  • Date: After July 27, 1851; 1851
  • Creator(s): Walt Whitman | Jacob Brodhead
Text:

hundred in all) came over to Massachusetts, in the Mayflower, under the spiritual guidance of Elder William

Walt Whitman to William M. Muchmore, 21 October 1851

  • Date: October 21, 1851
  • Creator(s): Walt Whitman
Text:

Muchmore, Member Board of Supervisors for Kings County Walt Whitman to William M.

Greenport, L. I. June 28th

  • Date: 28 June 1851
  • Creator(s): Walt Whitman
Text:

Lord, formerly member of Congress, Frederick William Lord (1800–1860) lived in Greenport and was a member

came a couple of little black fish; after which a real big one, twenty inches long, opening his great white

Whitman refers to Augusta Jane Chapin (1836–1905), Thomas Baldwin Thayer (1812–1886), and William Stevens

Robert Chambers

  • Date: Between 1850 and 1860; 1850
  • Creator(s): Walt Whitman | Ludwig Herrig | Robert Chambers
Text:

islands, contains about four hundred thousand inhabitants, of whom only about thirty-seven thousand are white

less populous, the full amount being in each case divided in the same proportions between blacks and whites

[My two theses]

  • Date: about 1856
Text:

theses]about 1856poetryhandwritten1 leaf4 x 16 cm pasted to 10.5 x 16 cm; On a small composite leaf of white

[How can there be immortality]

  • Date: about 1855
Text:

]about 1855poetryhandwritten1 leaf4.5 x 14.5 cm; These lines, appearing on a very small section of white

Priests!

  • Date: Between 1850 and 1855
Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Sweet flag

  • Date: Between 1850 and 1855
Text:

of delight" and "tooth prong") probably contributed to the following passage in the same poem: "The white

Of a summer evening a

  • Date: Before 1850
  • Creator(s): Walt Whitman
Text:

—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed

Letter IX

  • Date: 16 December 1849
  • Creator(s): Walt Whitman
Text:

It was a small, white shell. —by modern folks Turtle-hill.

colors, and stones of every conceivable shape, hue, and density, with shells, large boulders or a pure white

reception of Le Dieu et la Bayadere and other European ballet/pantomime performances circa 1840–1860, see William

We hove in sight of the steeples and white-paint of home, and soon after, the spirits we had served deserted

Annotations Text:

It was a small, white shell.; Montauk Point Light, finished in in 1797 and not 1795, as Whitman writes

Number VII

  • Date: 25 November 1849
  • Creator(s): Walt Whitman
Text:

The Croton Reservoir was demolished in 1899 and replaced by the New York Public Library in 1911 (William

The tall white spire, the prolific tracery and ornament, and fret-work, make one wonder and ask how much

Number VI

  • Date: 18 November 1849
  • Creator(s): Walt Whitman
Text:

Frederick Beltz, Memorials of the Order of the Garter, from Its Foundation to the Present Time [London: William

Number IV

  • Date: 4 November 1849
  • Creator(s): Walt Whitman
Text:

East New York, spread out as flat as a pancake—Cypress Hills Cemetery, with its white-painted tower,

Number III

  • Date: 28 October 1849
  • Creator(s): Walt Whitman
Text:

are tenacious of the place, and the places, from the brown sand of Napeague Beach, far east, to the white

Letters from a Travelling Bachelor–No. II

  • Date: 21 October 1849
  • Creator(s): Walt Whitman
Text:

See Peter Ross and William Smith Pelletreau, A History of Long Island: From Its Earliest Settlement to

As you travel along the roads you see the white tomb-stones, group after group, some far, and some near

Actor and manager William ("Billy") Mitchell (1798-1856) popularized the burlesque theater (also known

Number I

  • Date: 14 October 1849
  • Creator(s): Walt Whitman
Text:

The firm fine-grained meat, white as snow, and of indescribable sweetness, of a good-sized blue-fish,

Calomel, or mercurial chloride, an odorless, tasteless, yellowish-white mineral paste, was used extensively

Compositor; a typesetter. the flashing of the white bones in the sunlight, and the ornamental flourishes

very voracious creature; so voracious that, instead of a bait, we fasten a piece of bone, or even a white

Annotations Text:

Calomel, or mercurial chloride, an odorless, tasteless, yellowish-white mineral paste, was used extensively

Walt Whitman to the Editors of The Daily Crescent, 7 January 1849

  • Date: January 7, 1849
  • Creator(s): Walt Whitman
Text:

With their superb white horses—the rims of the dash-boards arching over like the necks of serpents—and

A Week on the Concord and Merrimack Rivers

  • Date: After 1849; 1849
  • Creator(s): Walt Whitman | Henry David Thoreau | Unknown
Text:

According to Sir William Jones, "Vyasa, the son of Parasara, has decided 4 that the Veda, with its Angas

Walt Whitman to the Editors of The The Daily Crescent, 29 December 1848

  • Date: December 29, 1848
  • Creator(s): Walt Whitman
Text:

While I write, the snow is falling; so softly, so softly, come its pure white flakes!

Walt Whitman to the Editors of The Daily Crescent, 9 October 1848

  • Date: October 9, 1848
  • Creator(s): Walt Whitman
Text:

Joseph White was nabbed yesterday for attacking a German, at 1 o'clock in the morning, and robbing him

Edwin Williams, of much fame in "Registers" and statistics, for the office of Register of the county.

Walt Whitman to the Editors of The Daily Crescent, 4 October 1848

  • Date: October 4, 1848
  • Creator(s): Walt Whitman
Text:

White, T.

Annotations Text:

White, who were members of the Irish Directory in New York.

Walt Whitman to the Editors of The Daily Crescent, 30 September 1848

  • Date: September 30, 1848
  • Creator(s): Walt Whitman
Text:

Just beyond, glimpses of it appearing through the trees, shows the dirty white of the City Hall; Justice

Walt Whitman to the Editors of The Daily Crescent, 28 September 1848

  • Date: September 28, 1848
  • Creator(s): Walt Whitman
Text:

come before these potent, grave and reverend signors, is that of the admission, on equal terms with whites

Walt Whitman to the Editors of The Daily Crescent, 26 September 1848

  • Date: September 26, 1848
  • Creator(s): Walt Whitman
Text:

and earth (particular earth) for a revocation of the sentence on the amorous Bishop, and a general white-washing

Walt Whitman to the Editors of The Daily Crescent, 22 September 1848

  • Date: September 22, 1848
  • Creator(s): Walt Whitman
Text:

At the clothing stores along Maiden Lane, Park Row, and William and Fulton streets, (nor forgetting our

William street it building up from Chatham street where it now opens, inward; the rubbish is not yet

The widening and repaving of William street, has led, (how, I do not know,) to raising the grade of Frankfort

Walt Whitman to the Editors of The Daily Crescent, 15 August 1848

  • Date: August 15, 1848
  • Creator(s): Walt Whitman
Text:

Ex-Commissioner overleaps the mark in his fury, and charges too much on his extensively abused Excellency of the White

Walt Whitman to the Editors of The Daily Crescent, 2 August 1848

  • Date: August 2, 1848
  • Creator(s): Walt Whitman
Annotations Text:

was among those who helped save the Gilbert Stuart portrait of George Washington from the burning White

Walt Whitman to the Editors of The Daily Crescent, 19 July 1848

  • Date: July 19, 1848
  • Creator(s): Walt Whitman
Text:

Among the late improvements of New York, may be particularly mentioned the long-talked-of widening of William

valuable structures, Clinton Hall among the rest; so they thought to draw off some of the travel into William

the houses (in the verg middle of the Jew clothing quarter) in Chatham street, to make the exit of William

Thomas Jefferson Whitman to Walter Whitman, Sr., Louisa Van Velsor Whitman, George Washington Whitman, Andrew Jackson Whitman, Hannah Louisa Whitman, and Edward Whitman, 14 March 1848

  • Date: March 14, 1848
  • Creator(s): Thomas Jefferson Whitman
Text:

I have written one to Mr Brown and William Devoe and (as Walter said in his last letter) I shall write

Flowers of every description were on some of the tombs, large white roses and red ones too were all along

Walt Whitman by John Plumbe Jr.?, ca. 1848–1854

  • Date: ca. 1848–1854
  • Creator(s): Plumbe, John, Jr.
Text:

William Cauldwell, who worked as a printer on the Aurora in the early 1840s and who knew Whitman well

Local Intelligence: &c.

  • Date: 18 November 1847
  • Creator(s): Walt Whitman
Text:

William Stairko yesterday gave $100 sureties for his appearance at the next general sessions to answer

William Logue was committed for trial before the same tribunal, in default of $200 bail, on a charge

Local Intelligence: &c.

  • Date: 6 November 1847
  • Creator(s): Walt Whitman
Text:

Mason, passed assistant surgeon; John O’Means, acting purser; William F.

Sharp was called to the chair and William Gascoyne appointed secretary.

The following officers were then unanimously elected for the ensuing year: Captain —WILLIAM H.

William Gascoyne , secretary. Brooklyn, Nov. 4th, 1847. HATS.

Some Thoughts about This Matter of the Washington Monument

  • Date: 18 October 1847
  • Creator(s): Walt Whitman
Text:

commemorate such a character as WASHINGTON On Whitman's connections to and fondness for Washington, see William

["Pastourel," by Frederick Soulie]

  • Date: 28 September 1847
  • Creator(s): Walt Whitman
Text:

Soulie] "Pastourel," by Frederick Soulie, translated from the French by Samuel Spring, published by Williams

Robert Southey

  • Date: After 1847; February 1851; September 25, 1847
  • Creator(s): Walt Whitman | Anonymous
Text:

Robert Southey, working out his own original nature honestly, is entitled to as much respect as William

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 24, 1846
  • Creator(s): Walt Whitman
Text:

ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white

Annotations Text:

ambiguous meaning, used in the eighteenth- and nineteenth-century U.S. to refer to descendants of both white

About Pictures, &c.

  • Date: 21 Novermber 1846
  • Creator(s): Walt Whitman
Text:

satisfaction the 'Portrait of a Gentleman,' No. 19—'Portrait of a Child,' No. 31—the 'Kitchen Bail at White

Portrait of a Gentleman and Portrait of a Child have not been identified; Kitchen Ball at White Sulphur

Annotations Text:

.; Portrait of a Gentleman and Portrait of a Child have not been identified; Kitchen Ball at White Sulphur

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 19, 1846
  • Creator(s): Walt Whitman
Text:

After a time, some of the white-aproned subordinates of the place came to him, roughly broke his slumbers

Matters Which Were Seen and Done in an Afternoon Ramble

  • Date: 19 November 1846
  • Creator(s): Walt Whitman
Text:

1886) had recently returned from four years of study in Italy, encouraged by his friend, the poet William

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South

  • Date: November 16, 1846
  • Creator(s): Walt Whitman
Text:

connected with the early settlers, and with the several tribes of Indians who lived in it before the whites

The Literary World

  • Date: 12 October 1846
  • Creator(s): Walt Whitman
Text:

Many of the drawings for the Illustrated Family Bible were contributed by the British engraver William

One Wicked Impulse! A Tale of a Murderer Escaped

  • Date: September 8, 1846
  • Creator(s): Walt Whitman
Text:

The first, titled "The White Dove.—( A Hymn for Children )," is attributed to Fredrika Bremer.

Annotations Text:

The first, titled "The White Dove.—(A Hymn for Children)," is attributed to Fredrika Bremer.

The first, titled "The White Dove.—(A Hymn for Children)," is attributed to Fredrika Bremer.

One Wicked Impulse! A Tale of a Murderer Escaped

  • Date: September 7, 1846
  • Creator(s): Walt Whitman
Text:

Learning far out of an open window, appeared a white draperied shape, its face possessed of a wonderful

Literary Notices

  • Date: 26 August 1846
  • Creator(s): Walt Whitman
Text:

This book is to be finished in about twenty numbers, Illustrated London was written by William I.

Literary Notices

  • Date: 15 August 1846
  • Creator(s): Walt Whitman
Text:

cemeteries, attracted important civic backers, including Whitman's friend, the poet and newspaperman, William

Back to top