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When he republished the story in The Brooklyn Daily Eagle on January 22, 1846, while he was editing that

paper, Whitman included a poem just before the story titled "Thoughts of Heaven."

This sentence was cut from the story in the Eagle .

intended revisions for Specimen Days & Collect (1882), although he ultimately decided not to include this story

The lips that had been still, parted a passage for the misty breath,—and the leaden fingers glowed with

When he republished the story in The Brooklyn Daily Eagle on January 22, 1846, while he was editing that

paper, Whitman included a poem just before the story titled "Thoughts of Heaven."

'"; This sentence was cut from the story in the Eagle.

intended revisions for Specimen Days & Collect (1882), although he ultimately decided not to include this story

PatrickMcGuire"Shirval: A Tale of Jerusalem" (1845)"Shirval: A Tale of Jerusalem" (1845)This short story

Whitman revised the story for Specimen Days & Collect (1882), though he did not use it.

In "Shirval" Whitman retells a story from the New Testament, Luke 7: 11–18.

Whitman addresses that very issue in the story when he defines a function of literature: "It is the pen's

MattCohenShort Fiction [1841–1848]Short Fiction [1841–1848]Whitman's roughly two dozen short stories

Many of the stories were republished, with slight alterations, during the years Whitman spent working

The sensationalism of "Death in the School Room (a Fact)" and the pathos of "Dumb Kate.

Some of the stories, such as "The Little Sleighers.

Some of the stories contain autobiographical elements.

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

come off in the Grand Opera House two weeks from Monday next—"A Day's life in a Sculptor's Studio." 3 parts—or

I give half the proceeds to the Y.M.C.A. a part of which the Senate is to have for a library.

During the noon interruption between 1st 2nd parts, they will (draped in white with powdered faces &

And much more, but all finally so arranged & compacted that it will run smooth & occupy 2½ hours.

Chicago, 21 Soflas St Sept. 2 Dear W— I was pleased to get your brief word about yourself, even though

The chair part is as the critics say, "a bold conception," but whether tis not an infraction of the old

Morse to Walt Whitman, 2 September 1888

I have painted 2 heads of yourself, & will bring them over.

I've worked on my story some of late, & have all done but the last 3 chapters.

Mr. ston's brother has enquired and can arrange that part. In case anyone should like a copy.

One such wrote a 2 column article for the Evening Journal of May 31.

"He stayed some time & almost came to be a nuisance, but made up for it in part at least, by the bright

things he would say, & then told "old varmint" story.

&c, but told the little story accidentally one day. But—its all in a life time.

For the story of Swinburne's veneration of Whitman and his later recantation, see two essays by Terry

Meeting with Victor Hugo in 1878" (Time: A Monthly Miscellany of Interesting and Amusing Literature, 2

which Morse refers has not been located, but the passages alluded to, including the "old varmint" story

I'm staying in one part of my studio for a few weeks. So direct all your letters here. 12 Coast St.

night of glory and delight upon it How it happened that I had never read this book before . . is a story

His letter of December 2, 1866, was even more unreserved in its praise.

. | FEB | 2 | .

and Dim" was first published in Drum-Taps (1865) and incorporated into the body of Leaves in 1871 as part

Emory Holloway. 2 vols. Garden City, N.Y.: Doubleday, Page, 1921.

to be turned from his object, and he moreover finds a powerful support in public opinion, and in a part

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

.— Parts of this section may be related to the poem that would later be titled "Great Are the Myths":

Finally, in the 1881–82 edition it became part of the Autumn Rivulets cluster.

and the armed guards, who ceas'd their pacing, Making the hearer's pulses stop for ecstasy and awe. 2

and the armed guards, who ceas'd their pacing, Making the hearer's pulses stop for ecstasy and awe. 2

. | SEP 12 | 430 PM | 89; RECEIVED 2 | SEP | 12 | 12PM | 1889 | PHILA.; Camden.

significance of love in the context of the unknown" (Loving 119), expressing the loneliness found in parts

Referring to slang as a "lawless germinal element" (Prose Works 2:572), he believed that slang terms

Slang would be part of the raw materials he would use as the poet of the working class.

Floyd Stovall. 2 vols. New York: New York UP, 1963–1964. Slang

Vol. 2. New York: New York UP, 1964. 572–577. "Slang in America" (1885)

He was discovered in 1860 under the name Garcia on board another slaver, the Kate , and was identified

He was discovered in 1860 under the name Garcia on board another slaver, the Kate, and was identified

1850 and 1860prosehandwritten20 leaves; References to the Fugitive Slave Law of 1850 indicate that parts

especially in the early pages, on the Constitution as a contract reflects his reading of at least parts

distinction whatever, is neither more or less than another, and the debatable points to be settled 2

countrymen ours in several sections of the Republic who profess their readiness to pick out certain parts

of that half part of the compact as either not necessary or not right just.— .

—For myself however I am free to say with a candid heart I know not of any such parts.

— 20 References to the Fugitive Slave Law of 1850 indicate that parts of this manuscript were likely

.; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 15; 16; 17; 18; 19; 20; Transcribed from digital images

Cleveland Rodgers and John Black. 2 vols. New York: Putnam's, 1920. ____.

By the Author of "Revelations of Russia," &c. 2 Vols. London, 1846. 2.

G ARDNER W ILKINSON , F.R.S. 2 vols. London, 1848 4. Panslavism and Germanism .

been small; 2.

Part I. London, 1848. Pp. 224. 7. Report of the Commisioners of Railways , 1848. Part II.

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

money-maker that plotted all day sleeps, And the enraged and treacherous dispositions—all, all sleep. 2

that loves unrequited, the money- maker money-maker , The actor and actress, those through with their parts

that loves unrequited, the money- maker moneymaker , The actor and actress, those through with their parts

money-maker that plotted all day sleeps, And the enraged and treacherous dispositions—all, all sleep. 2

that loves unrequited, the money- maker money-maker , The actor and actress, those through with their parts

thought my lover had gone, else darkness and he are one, I hear the heart-beat, I follow, I fade away. 2

the female that loves unrequited, the money-maker, The actor and actress, those through with their parts

thought my lover had gone, else darkness and he are one, I hear the heart-beat, I follow, I fade away. 2

the female that loves unrequited, the money-maker, The actor and actress, those through with their parts

of the "gigantic swimmer" and the story of the shipwreck serve to dramatize the speaker's encounter

with death, while the Washington episodes and the story of the Native American woman offer examples of

In parts 3 and 4, the sea, still feminine, is still destructive.

Martin suggests, not too plausibly, that the story of the Native American woman and the poet's mother

This "I" is "both overspecified and secondary, both at the center of the story and inconsequential to

However, this editorial is part of a series of texts that deal with a coherent theme that has been identified

the treasurer of New York's Olympic Theater (see "Spring Drives," New York Herald , April 3, 1842: [2]

the treasurer of New York's Olympic Theater (see "Spring Drives," New York Herald, April 3, 1842: [2]

deliver your Lecture entitled "Personal Recollections of Abraham Lincoln" in Salem some time the latter part

For the most part, Whitman learned from Smith and other nineteenth-century poets how not to write.

Remarkable Relations: The Story of the Pearsall Smith Family. London: Victor Gollancz, 1980.

Rpt. as Remarkable Relations: The Story of the Pearsall Smith Women.

Remarkable Relations: The Story of the Pearsall Smith Family. London: Victor Gollancz, 1980.

Rpt. as Remarkable Relations: The Story of the Pearsall Smith Women.

Vol. 2. New York: New York UP, 1978. Smith, Robert Pearsall (1827–1898)

Snorer No. 2—Tenor; voice decidedly melodious— "Huff whoo—huff whoo—huff whoo." Snorer No. 3.

cut twenty-one lines and transferred it to the end of the last Leaves of Grass supplement Songs of Parting

In 1872, with the transformation of this supplement into the cluster Songs Before Parting, it was permanently

inland and seaboard, When through These States walk a hundred millions of superb persons, When the rest part

And take the young woman's hand, and the young man's hand, for the last time. 2 I announce natural persons

inland and seaboard, When through These States walk a hundred millions of superb persons, When the rest part

And take the young woman's hand, and the young man's hand, for the last time. 2 I announce natural persons

When America does what was promised, When each part is peopled with free people, When there is no city

inland and seaboard, When through These States walk a hundred millions of superb persons, When the rest part

what was promis'd, When through these States walk a hundred millions of superb persons, When the rest part

what was promis'd, When through these States walk a hundred millions of superb persons, When the rest part

"Whitman's Sign of Parting: 'So long!' as l'envoi." Walt Whitman Quarterly Review 9 (1991): 65–76.

On verso detached from Leaves of Grass, part of Poem of Joys, first published in the 1860 edition of