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Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

without one single exception, in any part of any of These States!

resemblance to a passage in the poem "Proto-Leaf," published in the 1860–1861 edition of which reads, in part

Draper's Physiology (Harper last 2 no's Harper) Brownlow's Map of the Stars 184 Cherry st. A.

It is of course possible, however, that parts of the notebook were inscribed before and/or after the

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Autobiographical Data From the middle to the latter part of Oct. 1844 I was in New Mirror — We lived

titled "Song of Myself": "I hear the sound of the human voice . . . . a sound I love," (1855, p. 31). 2

In Jamaica first time in the latter part of the summer of 1839.

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

from Emory Holloway, Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, 1921), 2:

the Composition of Leaves of Grass: The 'Talbot Wilson' Notebook," Walt Whitman Quarterly Review 20:2

from Emory Holloway, Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, 1921), 2:

To reinforce the truthfulness of Pierson's stories about the "koboo," Whitman mentions the fact that

—the whole or any part of it?

great as the feet and fingers of the soul, goads and witnesses and alarm clocks of the soul prokers 2

delights, enjoyments touches gives it some f or aint sign of its own the harmony and measure that are part

of its essence; as a good part of the soul is its craving for that which we incompletely describe by

.; 1; 2; 3; Transcribed from digital images of the original.

connoisseurs of his time, may obey the laws of his time, and achieve the intense and elaborated beauty of parts

The perfect poet cannot afford any special beauty of parts, or to limit himself by any laws less than

Meanwhile a strange voice parts others aside and demands for its owner that position that is only allowed

listener or beholder, to re-appear through him or her; and it offers the best way of making them a part

qualities, tumble pell-mell exhaustless and copious, with what appear to be the same disregard of parts

This manuscript leaf originally formed part of a larger notebook.

another scrap, the reverse of which (duk.00878) features prose notes that relate to what became section 2

On the back of this manuscript is a prose fragment containing phrases that later became part of the poem

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

and published as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part

The poem was later published in as part of the "Autumn Rivulets" cluster (1881, p. 310).

Whitman's reference to the sinking of the San Francisco indicates that this notebook, "or at least part

relate to the second poem in the 1855 edition of Leaves, ultimately titled A Song for Occupations, and part

to the second poem in the 1855 edition of Leaves, ultimately titled "A Song for Occupations," and part

The last part of the manuscript recalls what ultimately became section 32, in which Whitman describes

prayBefore or early in 1855poetryprose1 leafhandwritten; An early scrap of prose material similar to parts

Then returning to the fore-part of the book, we found proof slips of certain review articles about the

A very large part of his poetry is taken up with assertions that he is everything else, and everything

remark that all these things are equally godlike, or are equally dear to the poet, or are equally part

of him, or have an equal claim on him as a part of themselves.

rarely the case) to be neither befouled with filth nor defaced by vulgarity, they are, for the most part

Since all things are divine, Walt Whitman's body, with each several part and function of it, is divine

sending itself ahead of any sane comprehension this side of Jordan. 2.

sun swings itself and its system of planets around us, Its sun, and its again, all swing around us. 2.

Have I forgotten any part? Come to me, whoever and whatever, till I give you recognition. 4.

Has Mine forgotten to grab any part?

These changes are for the most part, as it appears to us, decided improvements, and the whole work posses

But there is another poem almost equally beautiful, which forms part of "President Lincoln's Burial Hymn

Do not these fragments, picked from different parts of the country, at random, give an idea of what the

The foregoing lines are but a part of the bird song.

Stedman had failed to grasp the wholeness of the work, though no finer characterization of the parts

Transcribed in part from an electronic copy, The Walt Whitman Archive Transcribed in part by Todd Stabley

Here we have in epitome the true story of The Creation of Man.

octillions of cubic leagues, do not hazard the space or make it im- patient impatient They are but parts

, anything is but a part.

As for its sensuality—and it may be less so than it seems—I do not so much wish those parts unwritten

The poet's allusions to death are among the finest passages in his works, and his songs of parting are

In reference to the position which a part of the public has taken towards the book we are reminded of

Many persons have written down the story of their lives, so far as, in their old age, they could recollect

For his part, nothing being improper, nothing shall be suppressed. Mr.

Since then several editions have appeared with varying but for the most part small fortune.

Humane persons in different parts of the country sent him money and stores to carry on his work, and

Goethe, Gespräche mit Goethe , Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics, Part

.; Goethe, Gespräche mit Goethe, Leipzig, Band 1 und 2: 1836, Band 3: 1848, S. 743; Spinoza, Ethics,

page: "I believe in the flesh, and the appetites, Seeing, hearing, feeling, are miracles, and each part

As an instance, we quote a part of a death-bed scene, which is as beautifully drawn as it is truthful

The publishers have done their part well.

I take part . . . .

 . . . . any thing is but a part.

does not counteract another part . . . .

all became part of him.

Sure as life holds all parts together, death holds all parts together; Sure as the stars return again

Poem of Walt Whitman, an American . . . . . . . . . . . . . . . . . . . . . 5 2.

holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2

and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*

at first, keep encouraged, Missing me one place, search another, I stop some where waiting for you. 2

thousand different newspapers, the nutriment of the imperfect ones coming in just as usefully as any—the story

updated work associations for "Chants Democratic-6" ("You just maturing youth")," "Leaves of Grass-2"

2* Lands where the northwest Columbia winds, and where the southwest Colorado winds!

is but a part.

vouchsafe to me what has yet been vouchsafed to none—Tell me the whole story, Tell me what you would

I SAY whatever tastes sweet to the most perfect per- son person , that is finally right. 2.

List to the story as my grandmother's father, the sailor, told it to me.

is but a part.

2. TEARS! tears! tears!

2.

THE CENTENARIAN'S STORY.

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269 The Centenarian's Story

List to the story as my grandmother's father, the sailor, told it to me.

is but a part.

THE CENTENARIAN'S STORY. VOLUNTEER OF 1861-2.

It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and west

image (203) but that page image is now there. fixed italics for section titles in "The Centenarian's Story

2 Souls of men and women!

THE CENTENARIAN'S STORY.

2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting

, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without

PAGE VIRGINIA—THE WEST . . . . . . . . 230 CITY OF SHIPS . . . . . . . . . . 230 THE CENTENARIAN'S STORY

2 Souls of men and women!

THE CENTENARIAN'S STORY.

2 Come forward O my soul, and let the rest retire, Listen, lose not, it is toward thee they tend, Parting

, To think that we are now here and bear our part. 2 Not a day passes, not a minute or second without

I believe in the flesh and the appetites, Seeing hearing and feeling are miracles, and each part and

The sentries desert every other part of me, They have left me helpless to a red marauder, They all come

Parting tracked by arriving . . . . perpetual payment of the perpetual loan, Rich showering rain, and

I take part . . . .

 . . . . any thing is but a part.

convening of Congress every December, the members duly coming up from all climates and the uttermost parts—the

Other lines and words became part of the opening lines of Broad-Axe Poem and Bunch Poem in the 1856 edition

Other lines and words became part of the opening lines of "Broad-Axe Poem" and "Bunch Poem" in the 1856

34 2 Man, before the rage of whose passions the storms of Heaven are but a breath; Before whose caprices

, the seat of sensation, doubtless the brain Liaison (lē-a-zohn), a binding or fastening together Part

and received with wonder or pity or love or dread, that object he became, / And that object became part

of him for the day or a certain part of the day . . . . or for many years or stretching cycles of years

The "voices" described in the last part of this section may relate to the following lines: "Through me

come to puzzle him—some come from curiosity—some from ironical contempt—his answers—his opinions ¶ 2

At some point, this manuscript formed part of Whitman's cultural geography scrapbook (owu.00090).

At some point, this manuscript formed part of Whitman's cultural geography scrapbook.

so long enough there, to show us what life we can be,— And that my senses and our flesh, and even a part

into account the imagination often informing some one of these rhapsodies as a whole, even when its parts

On the reverse (nyp.00733) are lines used in a different part of the same poem.; nyp.00733 Night of south

The first part of this prose fragment also may relate to the following line from the preface to the 1855

See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest

For more about the revisions of this passage, see Ed Folsom, "Walt Whitman's 'The Sleepers,'" part of

....any thing is but a part." (1855, p. 51).

starve his body.— What minutes of damnation What heightless dread, falls in the click of a moment story

can never tell , for there is something that underlies and overtops me, of whom I am an effusion a part

holds out the skein, the elder sister winds it off in a ball, and stops now and then for the knots, 2

and truckling fold with powders for invalids, conformity goes to the fourth- removed fourth-removed , 2*

I believe in the flesh and the appetites, Seeing, hearing, feeling, are miracles, and each part and tag

The sentries desert every other part of me, They have left me helpless to a red marauder, They all come

, any thing is but a part.

a TG 2 get— P description of Chr Poem—a perfect school, gymnastic, moral, mental and sentimental,—in

immortal —that the processes of the refinement and perfection of the earth are in steps, It the least part