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Donald D.KummingsWhite, William (1910–1995)White, William (1910–1995)From the 1950s to the 1990s, William
White was a strong presence in literary studies in general and in Whitman studies in particular.
Housman, Sir William Osler, Ernest Hemingway, and Nathanael West.
"William White, 1910–1995." Walt Whitman Quarterly Review 12 (1995): 205–208.
White, William (1910–1995)
William G. Hodges Quartermaster's Department, and his clerk, David V.
prosecution of said Whiting for compliicity with Hodges in the fraud.
Attorney for the Eastern District of Texas to prosecute Whiting. The U.S.
Whiting.
Akerman to William W. Belknap, 23 November 1871
condition feel it best to stay here—(Nelly, I don't feel as well as when you used to come there to White's
the ferry boat, & sail to & fro across the Delaware, occasionally—I had seen in the newspapers of William's
Whitman stayed at the Whites' from March 1, 1871, until he left Washington.
White, a chiropodist, acknowledged for his wife receipt of $28 "on account . . . for rent of room etc
Whitman gave up one room at the Whites' on June 10, 1873: "Kept the other at $2.50 a month" (The Library
letter to Peter Doyle, in which Whitman left instructions for the delivery of his boxes from the Whites
Walt Whitman Walt Whitman to William C. Skinner, 7 February 1885
William White, 3 vols. [1978], 2:351).
William Whiting to engage his services as special counsel for the Government, in the controversies with
William Whiting as spe. counsel see Let B'k H p.727 The following are responsible for particular readings
Akerman to William W. Belknap, 4 April 1871
William Whiting, Boston, Mass.
Whiting retained see Ex B'k. A. p. 58.
Akerman to William Whiting, 4 April 1871
Abdy-Williams, 7 January 1885
Sonnenchein | Time monthly office | White Hart Street Paternoster Square | London EC England.
One Williams College copy has a blank copyright page; two other copies, now at the University of Virginia
White notes by way of context that "the scrapbook was used by Whitman to keep clippings from newspapers
In research for a short article describing the discovery, William White determined that the document
White also identified the "Mr.
White, William. "More About the 'Publication' of the First American Literature 28.4 (1957): 516–17.
White, Esq. U. S. Marshal, Van Buren, Arkansas.
White, U. S.
White and designate Joseph S. C.
changes to this file, as noted: Elizabeth Lorang Kevin McMullen John Schwaninger Nima Najafi Kianfar William
White, 19 August 1868
White a going over, of which I wrote you some time ago.
William D. O'Connor to Walt Whitman, 7 March 1885
White," a literary critic and scholar who argued that Shakespeare was not a pseudonym of Francis Bacon
ABDY-WILLIAMS. MONTHLY, PRICE ONE SHILLING. EDITORIAL ROOM. W.
SWAN SONNENSCHEIN & CO., WHITE HART STREET, PATERNOSTER SQUARE, LONDON, E.C.
Abdy Williams Walt Whitman Rejected MSS. cannot be returned unless cover in Postage Stamps accompanies
EMA Williams Ellen M. Abdy-Williams to Walt Whitman, 16 March 1885
Smith devoted a chapter of Unforgotten Years to his remembrances of Whitman; however, William White has
version of the Smiths' arrangements for this visit differs from accounts found in sources cited by White
White, William. "Logan Pearsall Smith on Walt Whitman: A Correction and Some Unpublished Letters."
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a possible relationship between the opening words and the first poem of the 1855 edition,
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems Who Learns My Lesson Complete?
William White, in his edition of Whitman's Daybooks and Notebooks, noted a relationship between material
White also oversaw the production of several special issues and publications, including Walt Whitman
1982 Wayne State University Press abruptly withdrew its support of the Review, and White and Feinberg
White until it was discontinued after the 1985 issue.
In Japan, William L.
New Brunswick, N.J.: Rutgers UP, 1992.White, William.
For publication information see William White and G.R. Thompson; see also Thomas L.
Papers of the Bibliographic Society of America 67 (1973): 64–65.White, William.
Brent L.GibsonHartshorne, William (1775–1859)Hartshorne, William (1775–1859) William Hartshorne grew
White, William. "A Tribute to William Hartshorne: Unrecorded Whitman."
Hartshorne, William (1775–1859)
William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press
noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's
White's pitiful parody of L of G. in my face & thot he had floord me, he said he ahd heard that Edwin
William Sloane Kennedy to Walt Whitman, 3 October 1889
Richard Grant White (1822–1885) was a New York writer, journalist, and Shakespeare scholar.
White served as an editor with various papers, including the New York Courier and Enquirer and the New
Interested in many fields, White published one novel, The Fate of Mansfield Humphries (1884), a philological
White also edited the anthology, Poetry, Lyrical, Narrative and Satirical, of the Civil War, that includes
TedWidmerLeggett, William L. (1801–1839)Leggett, William L. (1801–1839) William Leggett, poet and journalist
"William Leggett." United States Magazine and Democratic Review 6 (1839): 17–28. Leggett, William.
A Collection of the Political Writings of William Leggett. Ed. Theodore Sedgwick, Jr.
White. Indianapolis: Liberty, 1984. Meyers, Marvin.
Leggett, William L. (1801–1839)
. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and
"Summer Duck" or "Wood Duck" "wood drake" very gay, including in its colors white, red, yellow, green
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a possible relationship between the opening words and the first poem of the 1855 edition,
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a possible relationship between the opening words and the first poem of the 1855 edition,
Camden Sunday May 28 '82 Dear William O'Connor I like the big letter of May 25 the more I have read it—I
William, I submit to you whether it wouldnt wouldn't be well, in your reply to quote all this , as extracted
from a late letter to you from me — Walt Whitman to William D.
John White Chadwick (1840–1904), who termed himself a radical Unitarian, was the pastor of the Second
Rolleston, William D. O'Connor.] Walt Whitman to Jeannette L. and Joseph B. Gilder, [9 January 1884]
William White (New York: New York University Press, 1978), 2:327.
White, Marshal for the Western District of Arkansas, imputing to him misconduct in office.
White, and have been impressed with the feeling that a change in the office should be made.
changes to this file, as noted: Elizabeth Lorang Kevin McMullen John Schwaninger Nima Najafi Kianfar William
His long white hair and full white beard and mustache, which entirely shaded his lips, and his heavy
white eyebrows, characteristic of a man of magnetism, set off his massive face and gave him a look of
He is William Duckett. In an hour Mr.
White. He is an architect and the son of Richard Grant White. Then Mr.
William White (New York: New York University Press, 1978), 2:417–421;.
William White (New York: New York University Press, 1978), 2:417–421;.
Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
Whitely, Chief of the secret service, and respectfully request that the authority which he desires for
Akerman to William W. Belknap, 6 May 1871
the receipt of your letter of the 8th inst., inclosing enclosing the pardons of Charles Heydt, and William
Rhode, which I shall pardons received immediately forward to Colonel Whitely at New York.
DrewsHutchinsonRacial AttitudesRacial AttitudesWhitman has commonly been perceived as one of the few white
truth is that Whitman in person largely, though confusedly and idiosyncratically, internalized typical white
nationalist terms, opposing "the great cause of American White Work and Working people" to "the Black
Elsewhere he refers to slave labor as a "black tide" threatening white workingmen.
Walt Whitman's Champion: William Douglas O'Connor. College Station: Texas A&M UP, 1978.
also managed the promotion of his own poetry during the same period, kept similar records, which William
New York University volumes, supported by the National Endowment for the Humanities and edited by William
White, whose notes identify most individuals mentioned in the daybooks, placed primary materials within
Études Anglaises 32 (1979): 106.Charvat, William.
William White. 3 vols. New York: New York UP, 1978.Zweig, Paul.
White, suspended. Very respectfully, your obd't serv't, Wm M. Evarts, Attorney General.
changes to this file, as noted: Elizabeth Lorang Kevin McMullen John Schwaninger Nima Najafi Kianfar William
observes a colorful array of plant and animal life, including the grass, "early lilacs," the ovoid "white
Gertrude Traubel and William White. Vol. 6. Carbondale: Southern Illinois UP, 1982.
Blodgett, Arthur Golden, and William White. Vol. 1. New York: New York UP, 1980.
White, suspended; and to request you to deliver it to Mr.
changes to this file, as noted: Elizabeth Lorang Kevin McMullen John Schwaninger Nima Najafi Kianfar William
B p. 124 To Hon Wm Whiting—April 4, 1871—see p. 726, seq.
Akerman to William Dorsheimer, 4 April 1871
White, consists of three volumes.
The third volume edited by White contains the complete text of a diary Whitman kept during a trip to
Blodgett, Arthur Golden, and William White, consists of three volumes.
William White. 3 vols. New York: New York UP, 1978.____. The Early Poems and the Fiction. Ed.
Blodgett, Arthur Golden, and William White. 3 vols. New York: New York UP, 1980.____.
Intermediate Geography" (Falk 138).Some parodies were downright mean-spirited, like Richard Grant White's
But mainly White views Whitman as a drunken, disreputable boaster reveling in physical corruption—"Of
White especially takes umbrage at Whitman's vision "Of the beauty of flat-nosed, pock-marked" Africans
White's, is Helen Gray Cone's verse dialogue, "Narcissus in Camden: A Classical Dialogue of the Year
New York: Scribner's, 1922.Zaranka, William, ed. The Brand-X Anthology of Poetry.
Born in Scotland, as was his brother William, he resided there until the family's migration to Canada
"Whitman and William Swinton." American Literature 30 (1959): 425–449. Hyman, Martin D.
White, William. "Whitman and John Swinton: Some Unpublished Correspondence."
charisma and powerful position, Whitman was more deeply impressed by the Patriot's foreman printer, William
New York: Simon and Schuster, 1980.White, William.
"A Tribute to William Hartshorne: Unrecorded Whitman."
Hale White, 25 May 1877
William Hale White (1831–1913) was a British writer and civil servant who sometimes published under the
In 1880, White wrote a review of Whitman's Two Rivulets titled "The Genius of Walt Whitman."
See the letter from White to Whitman of March 21, 1880.
His William Blake (1868) includes a favorable comparison of Blake and Whitman, noting their identical
Noting that they both have flaws, Swinburne calls William Blake's work more profound but finds Whitman's
Published in 1887, "Whitmania" is a far cry from the admiration expressed in William Blake.
London: White, 1872. ———. "Whitmania." Fortnightly Review ns 42 (1887): 170–176.
William Blake: A Critical Essay. London: Hotten, 1868. Rpt. in Walt Whitman: The Critical Heritage.
polished mirror of the sand, how deftly the wind took each wave and tossed back from it a helmet-crest of white
implicated in the general tissue of the whole,—but what wd would you say to omitting the fourth line—white-maned
William Sloane Kennedy to Walt Whitman, 16 February 1884
near sunset—air a little tart)—I am quite immobile & don't get out except by being toted —a bunch of white
lilies is in the window & my bird is singing like a house afire — Walt Whitman Walt Whitman to William
William has a terrible cold just now, & sore throat, but has been very well & vigorous, as hearty as
The Count asks for you every time that he sees William or Charley.
William sees Mr. Swinton sometimes, I have not seen him yet. What about your poems?
William says every day that he is going to write you, & he will soon. How is Ms. Price?
Then lift your white hands, and my arms From harms And troubles the baby will keep.
Asselineau, Roger, and William White, eds. Walt Whitman in Europe Today.
William White. Detroit: Wayne State UP, 1976. 27. Senhor, Léopold Sédar.
Roger Asselineau and William White. Detroit: Wayne State UP, 1972. 33. Smuts, Jan Christian.
After a number of delays, William White and Arthur Golden were brought in to complete the textual variorum
New York: Putnam, 1902. 83–255.White, William. "Editions of Leaves of Grass: How Many?"
Blodgett, Arthur Golden, and William White. 3 vols. New York: New York UP, 1980.____.
see the brilliant star-show; noticed the big cherry tree in the lane splashed all over one side with white
William Sloane Kennedy to Walt Whitman, 22 February 1889
Hale White, 6 November 1882
This letter is addressed: W Hale White | Park Hill | Carshalton Surrey | England.
White (1831–1913) published under a pseudonym The Autobiography of Mark Rutherford (1881) and Mark Rutherford's
See White's letter to Whitman of October 23, 1882.
According to Kennedy, in The Fight of a Book for the World (1926), 41, White wrote about Whitman in the
""Black and White Slaves."" "Black and White Slaves."
texts show that he had little tolerance for abolitionism, that he thought blacks were inferior to whites
The lithograph to which Whitman refers was actually entitled "Black and White Slavery," and was created
by a Northern slavery apologist named Edward Williams Clay.
It compares Britain's "white slaves" (factory workers) to America's black slaves in an effort to show
texts show that he had little tolerance for abolitionism, that he thought blacks were inferior to whites
Vintage Books, 1996), 125–127.; The lithograph to which Whitman refers was actually entitled "Black and White
It compares Britain's "white slaves" (factory workers) to America's black slaves in an effort to show
Boston: Little, Brown, 1942.Shurr, William H.
Blodgett, Arthur Golden, and William White. 3 vols. New York: New York UP, 1980.