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  • Literary Manuscripts / Loose Manuscripts 91

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Search : part 2 roblox story kate and jayla
Sub Section : Literary Manuscripts / Loose Manuscripts

91 results

Walter Whitman, of Suffolk co.

  • Date: September 3, 1841
  • Creator(s): Walt Whitman
Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

Annotations Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

Jan 12. Walter Whitman

  • Date: January 12, 1842
  • Creator(s): Walt Whitman
Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

Annotations Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

far. Amongst this

  • Date: Between 1844 and 1846
  • Creator(s): Walt Whitman
Text:

The January 1844 issue of The Knickerbocker magazine featured a story called "Ganguernet: Or, 'A Capital

The story includes a scene with a nearly identical plot to the one described in this portion of Whitman's

manuscript, although the wording is, for the most part, quite different.

It is unclear whether Whitman was simply paraphrasing Hunter's translation, or whether both stories were

Annotations Text:

The January 1844 issue of The Knickerbocker magazine featured a story called "Ganguernet: Or, 'A Capital

The story includes a scene with a nearly identical plot to the one described in this portion of Whitman's

It is unclear whether Whitman was simply paraphrasing Hunter's translation, or whether both stories were

Like Earth O River

  • Date: 1848
  • Creator(s): Walt Whitman
Text:

.— These lines were probably drafted as part of the poem published as "The Mississippi at Midnight" on

Of a summer evening a

  • Date: Before 1850
  • Creator(s): Walt Whitman
Text:

Some of the language at the beginning of this story also appears in the draft poem "I am that half-grown

—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed

Nerve.—A Frenchman

  • Date: 1849
  • Creator(s): Walt Whitman
Text:

Daily Eagle in the days leading up to the launch, and the launch itself was reported in an unsigned story

Annotations Text:

Daily Eagle in the days leading up to the launch, and the launch itself was reported in an unsigned story

that it fibre and strengthen

  • Date: About 1854
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

The offices

  • Date: 1854
  • Creator(s): Walt Whitman
Text:

—They are part of the organic motion of the city, for the life and health of it from head to foot.— WW

It were unworthy a live

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

The last part of the manuscript recalls what ultimately became section 32, in which Whitman describes

This singular young man was

  • Date: 1840s or early 1850s
  • Creator(s): Walt Whitman
Text:

—He never drank rum, never went after women, and took no part in the county frolics.— He certainly had

with them, returning home and retiring where he was retired withdrew for a long time to a solitary part

poet of Materialism

  • Date: 1855 or earlier
  • Creator(s): Walt Whitman
Text:

immortal —that the processes of the refinement and perfection of the earth are in steps, It the least part

I know as well as

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

to the second poem in the 1855 edition of Leaves, ultimately titled "A Song for Occupations," and part

Give us men

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

Sesostris who who was 6 ft 10 inches high, and nobly s haped and nimble and conquered all Asia and part

along with another scrap, the reverse of which features prose notes that relate to what became section 2

manuscript scrap and the other scrap pasted to the larger backing sheet alongside it originally formed part

Annotations Text:

along with another scrap, the reverse of which features prose notes that relate to what became section 2

identical with the

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

manuscript scrap and the other scrap pasted to the larger backing sheet alongside it originally formed part

Annotations Text:

.; This manuscript includes prose notes that relate to what became section 2 of "I Sing the Body Electric

is rougher than it was

  • Date: Between 1848 and 1855
  • Creator(s): Walt Whitman
Text:

2 is rougher than it h w as on Michigan or Huron: (on St.

This page of notes, crossed out and numbered "2," describes the journey across Lake Erie; Whitman's visits

Annotations Text:

This page of notes, crossed out and numbered "2," describes the journey across Lake Erie; Whitman's visits

The article was later reprinted in November Boughs.; 2; Transcribed from digital images of the original

The wild gander leads his

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

number at the top of the manuscript is not inconsistent with the possible positioning of these lines as part

the most definitely

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

It appears to be part of a draft of a review essay by Whitman titled "An English and an American Poet

And I say the stars

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Priests

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

that relate to the first poem in the 1855 edition of Leaves, ultimately titled "Song of Myself," and part

See'st thou

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

See'st thou Knows thou The Three of the t T hree There is on the one part Between this beautiful but

dumb Earth, with all its manifold eloquent but inarticulate shows & objects And on the other part , the

It probably relates to the seventh poem in that edition, part of which eventually became "Song of the

From the tips of his

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

This manuscript leaf originally formed part of a larger notebook.

Citizens took by mutual agreement

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

The leaf originally was part of a larger notebook, "The regular old followers," that probably dates to

The leaf originally formed part of a larger notebook.

Not to dazzle with profuse

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

The sentence that begins "The soul has that measureless pride..." also later became part of the poem

Loveblows

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Other lines and words became part of the opening lines of "Broad-Axe Poem" and "Bunch Poem" in the 1856

there are leading moral truths

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

It was also part of a series of reviews printed separately and included in some copies of the 1855 edition

Mocking all the textbooks and

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

As if it were anything to analyze fluids and call certain parts oxygen or hydrogen, or to map out stars

vain the mastadon retreats beneath

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

B 2 They do not sweat and whine about their condition They do not lie awake in the dark and weep for

Will you have the walls

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

The first part of this manuscript resembles a line in the fifth poem of that edition, eventually titled

Poem—a perfect school

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

a TG 2 get— P description of Chr Poem—a perfect school, gymnastic, moral, mental and sentimental,—in

I cannot guess what the

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

At one point, however, the manuscript was almost certainly part of "The Great Laws do not," which includes

Do you know what music

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

great as the feet and fingers of the soul, goads and witnesses and alarm clocks of the soul prokers 2

delights, enjoyments touches gives it some f or aint sign of its own the harmony and measure that are part

of its essence; as a good part of the soul is its craving for that which we incompletely describe by

Annotations Text:

.; 1; 2; 3; Transcribed from digital images of the original.

dithyrambic trochee

  • Date: Between 1846 and 1855
  • Creator(s): Walt Whitman
Text:

2 9A 1 dithyrambic trochee iambic anaepest.

regularly be a dactyl—the sixth always a spondee, So thus hav ing spok en the casque nod ding Hec tor de part

Annotations Text:

.; 2; 9A; 1; 3; Transcribed from digital images of the original.

left with Andrew

  • Date: 1854 or 1855
  • Creator(s): Walt Whitman
Text:

page of Skakspere Shakespeare 's poems 1600 letters in one of my closely written MS pages like page 2

1120) (7 7840 160 4 1160) 6400 (5 5800 600 2 for frontispiece & fly for title & blank 15—1 13 2 12 3

You villain, Touch

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

most even you with the worst spasms worst most fierce most tightly closely bite with your teeth at parting

I am become a shroud

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

On the back of this manuscript is a prose fragment containing phrases that later became part of the poem

Do I not prove myself

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

—the whole or any part of it?

My hand will not hurt

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

so long enough there, to show us what life we can be,— And that my senses and our flesh, and even a part

Man, before the rage of

  • Date: Before 1855
  • Creator(s): Walt Whitman
Text:

34 2 Man, before the rage of whose passions the storms of Heaven are but a breath; Before whose caprices

(Of the great poet)

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

Annotations Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

I do not compose

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

do not pretend to compose an a grand opera, with choice good instrumentation, and harmonious good parts

so something to give fits to the dilletanti, for its elegance and measure.— The To sing well your part

Asia

  • Date: About 1855 or 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Another series of draft lines on the back of this leaf were published as part of "Poem of Many in One

Europe Laplanders

  • Date: Between 1850 and 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscipt likely formed part of Whitman's cultural geography scrapbook.

wainscot, hut

  • Date: Before or early in 1856
  • Creator(s): Walt Whitman
Text:

groin l tendon, a bundle of fibres by which a muscle is joined to a bone f fibre, a thread, a fine part

Iron works

  • Date: About 1855 to 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

are you and me

  • Date: 1855 or 1856
  • Creator(s): Walt Whitman
Text:

.— I swear I will am can not to evade any part of myself, Not America, nor any attribute of America,

Poem of Pictures

  • Date: Before 1856
  • Creator(s): Walt Whitman
Annotations Text:

That poem includes the following lines: "And here again, this picture tells a story of the Olympic games

A large, good-looking woman

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

Annotations Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

Europe Cape Clear

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Sculpture

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

Sculpture —then sculpture was necessary—it was an eminent part of religion it gave grand and beautiful

—It and was the true needed expression of the people, the times, and their aspirations.— It was a part

Slavery

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

distinction whatever, is neither more or less than another, and the debatable points to be settled 2

countrymen ours in several sections of the Republic who profess their readiness to pick out certain parts

of that half part of the compact as either not necessary or not right just.— .

—For myself however I am free to say with a candid heart I know not of any such parts.

— 20 References to the Fugitive Slave Law of 1850 indicate that parts of this manuscript were likely

Annotations Text:

.; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 15; 16; 17; 18; 19; 20; Transcribed from digital images

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