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  • Literary Manuscripts / Loose Manuscripts 91

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Search : part 2 roblox story kate and jayla
Sub Section : Literary Manuscripts / Loose Manuscripts

91 results

(Of the great poet)

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

Annotations Text:

Maurice Bucke printed a transcription of this manuscript, he added the following words to the end of leaf 2,

1848 New Orleans

  • Date: Between 1848 and 1887
  • Creator(s): Walt Whitman
Text:

On board steamer Griffith Upper part of Lake Huron, Saturday morning, June 10th, 1848.

My own pride was touched—and I met their conduct with equal haughtiness on my part.

They agreed to my plan (after some objections on the part of me); and I determined to leave on the succeeding

is difficult to speculate on the circumstances or date of its composition, but it seems likely that parts

Emory Holloway (Garden City, NY: Doubleday, Page & Co., 1921), 2:77–78. 1848 New Orleans

Annotations Text:

Emory Holloway (Garden City, NY: Doubleday, Page & Co., 1921), 2:77–78.

Advance shapes like his shape

  • Date: Between 1854 and 1860
  • Creator(s): Walt Whitman
Text:

wholesome, clear-eyed, Six feet ten inches high— tall— of noble head and bearded face, Every limb, every part

The Air

  • Creator(s): Walt Whitman
Text:

The Air (Space) considered with reference to the earth—as all parts of the universe bear reference to

present beauty, reality, & diversity , as the home of man.— At one point, this manuscript likely formed part

And I say the stars

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

Annotations Text:

Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport

are you and me

  • Date: 1855 or 1856
  • Creator(s): Walt Whitman
Text:

.— I swear I will am can not to evade any part of myself, Not America, nor any attribute of America,

As to you

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

2 (+) As to you, if you have never not yet learned to think, enter upon it now, Think at once with directness

Beneath them can be discerned the ink number 2.

Annotations Text:

Beneath them can be discerned the ink number 2.

Though the subject matter is similar, the manuscripts do not appear to be continuous.; 2; Transcribed

Asia

  • Date: About 1855 or 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Another series of draft lines on the back of this leaf were published as part of "Poem of Many in One

By thine own lips, O Sea

  • Date: 1883
  • Creator(s): Walt Whitman
Text:

utterance of these liquid tongues And To pass within my soul, which loves the grim, mysterious, wordless story

Citizens took by mutual agreement

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

The leaf originally was part of a larger notebook, "The regular old followers," that probably dates to

The leaf originally formed part of a larger notebook.

A City Walk

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

A City Walk: 2 V Just a list of all that is seen in a walk through the streets of Brooklyn & New York

Annotations Text:

.; 2; V; Transcribed from digital images of the original.

dithyrambic trochee

  • Date: Between 1846 and 1855
  • Creator(s): Walt Whitman
Text:

2 9A 1 dithyrambic trochee iambic anaepest.

regularly be a dactyl—the sixth always a spondee, So thus hav ing spok en the casque nod ding Hec tor de part

Annotations Text:

.; 2; 9A; 1; 3; Transcribed from digital images of the original.

Do I not prove myself

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

—the whole or any part of it?

Do you know what music

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

great as the feet and fingers of the soul, goads and witnesses and alarm clocks of the soul prokers 2

delights, enjoyments touches gives it some f or aint sign of its own the harmony and measure that are part

of its essence; as a good part of the soul is its craving for that which we incompletely describe by

Annotations Text:

.; 1; 2; 3; Transcribed from digital images of the original.

Eidólons

  • Date: 1875 or early 1876
  • Creator(s): Walt Whitman
Text:

No more the visible human fleeting, fractional face or limb, Nor hour, nor day—no segments, parts put

The order of the manuscript has been established based in part upon the order of linegroups in the poem

On the back of the fourth leaf is part of a faded letter in a hand other than Whitman's. Eidólons

Europe Cape Clear

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

Europe Laplanders

  • Date: Between 1850 and 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscipt likely formed part of Whitman's cultural geography scrapbook.

Fancies at Navesink

  • Date: Between about 1885 and 1888
  • Creator(s): Walt Whitman
Text:

sparse leaves of me Ah not that granite dead & cold published You tides with ceaseless swell & ebb 2

far. Amongst this

  • Date: Between 1844 and 1846
  • Creator(s): Walt Whitman
Text:

The January 1844 issue of The Knickerbocker magazine featured a story called "Ganguernet: Or, 'A Capital

The story includes a scene with a nearly identical plot to the one described in this portion of Whitman's

manuscript, although the wording is, for the most part, quite different.

It is unclear whether Whitman was simply paraphrasing Hunter's translation, or whether both stories were

Annotations Text:

The January 1844 issue of The Knickerbocker magazine featured a story called "Ganguernet: Or, 'A Capital

The story includes a scene with a nearly identical plot to the one described in this portion of Whitman's

It is unclear whether Whitman was simply paraphrasing Hunter's translation, or whether both stories were

for droppings

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

Transcribed from Joel Myerson's The Walt Whitman Archive: A Facsimile of the Poet's Manuscripts, vol. 1, part

2, Garland Publishing, 1993; Primary Source Media's Major American Authors on CD-Rom: Walt Whitman,

Annotations Text:

Transcribed from Joel Myerson's The Walt Whitman Archive: A Facsimile of the Poet's Manuscripts, vol. 1, part 2,

From the tips of his

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

This manuscript leaf originally formed part of a larger notebook.

Give us men

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

Sesostris who who was 6 ft 10 inches high, and nobly s haped and nimble and conquered all Asia and part

along with another scrap, the reverse of which features prose notes that relate to what became section 2

manuscript scrap and the other scrap pasted to the larger backing sheet alongside it originally formed part

Annotations Text:

along with another scrap, the reverse of which features prose notes that relate to what became section 2

Hear my fife

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The poem was later published in Leaves of Grass as part of the "Autumn Rivulets" cluster.

hexameters

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

hexameters —verses whose lines are six poetic feet, either dactyls or spondees "Then when An 1 dromache 2

I am become a shroud

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

On the back of this manuscript is a prose fragment containing phrases that later became part of the poem

I cannot guess what the

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

At one point, however, the manuscript was almost certainly part of "The Great Laws do not," which includes

I do not compose

  • Date: About 1855
  • Creator(s): Walt Whitman
Text:

do not pretend to compose an a grand opera, with choice good instrumentation, and harmonious good parts

so something to give fits to the dilletanti, for its elegance and measure.— The To sing well your part

I know as well as

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

to the second poem in the 1855 edition of Leaves, ultimately titled "A Song for Occupations," and part

The idea that in the

  • Date: Between 1854 and 1888
  • Creator(s): Walt Whitman
Text:

see notes Sept 2 1888 The idea that of the that in the nature of things, thr ough all affairs and deeds

national or individual, good and bad, each has its inherent law of punishment or reward, which is part

Annotations Text:

.; see notes Sept 2 1888; Transcribed from digital images of the original.

identical with the

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

manuscript scrap and the other scrap pasted to the larger backing sheet alongside it originally formed part

Annotations Text:

.; This manuscript includes prose notes that relate to what became section 2 of "I Sing the Body Electric

If I should need to name, O Western World!

  • Date: October 25, 1884
  • Creator(s): Walt Whitman
Text:

At one point this leaf was probably glued to the first leaf and constituted the first part of the note

In the gymnasium

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The poem was later published in Leaves of Grass as part of the "Autumn Rivulets" cluster.

in the West

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

West a hundred years from now— th two hundred years—five hundred years— (This ought to be a splendid part

incidents, for (Soldier in the Ranks)

  • Date: About 1865
  • Creator(s): Walt Whitman
Text:

had occupied, & where the preceding night, they had gathered their dead— the an dea d lay in certain parts

Iron works

  • Date: About 1855 to 1856
  • Creator(s): Walt Whitman
Text:

At one point, this manuscript likely formed part of Whitman's cultural geography scrapbook.

is rougher than it was

  • Date: Between 1848 and 1855
  • Creator(s): Walt Whitman
Text:

2 is rougher than it h w as on Michigan or Huron: (on St.

This page of notes, crossed out and numbered "2," describes the journey across Lake Erie; Whitman's visits

Annotations Text:

This page of notes, crossed out and numbered "2," describes the journey across Lake Erie; Whitman's visits

The article was later reprinted in November Boughs.; 2; Transcribed from digital images of the original

It were unworthy a live

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

The last part of the manuscript recalls what ultimately became section 32, in which Whitman describes

Jan 12. Walter Whitman

  • Date: January 12, 1842
  • Creator(s): Walt Whitman
Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

Annotations Text:

In August 1841, he had published a short story about a cruel schoolmaster, "Death in the School-Room,

A large, good-looking woman

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

Annotations Text:

The identity of the "large, good-looking woman" and the source of the story about Tom Thumb are unknown

Last of ebb

  • Date: 1885
  • Creator(s): Walt Whitman
Text:

last 2 11 At the Mouth of the River Last of the ebb, and daylight waning, Scented sea‑breaths landward

Last of ebb, and daylight waning

  • Date: About 1885
  • Creator(s): Walt Whitman
Text:

To th 9. 2 Last of the ebb, and daylight waning of the poured-out ebb, and daylight waning, s S cented

on —on, and do your part, ye shrouding burying waters! On, for your time, ye furious debouché!

left with Andrew

  • Date: 1854 or 1855
  • Creator(s): Walt Whitman
Text:

page of Skakspere Shakespeare 's poems 1600 letters in one of my closely written MS pages like page 2

1120) (7 7840 160 4 1160) 6400 (5 5800 600 2 for frontispiece & fly for title & blank 15—1 13 2 12 3

Like Earth O River

  • Date: 1848
  • Creator(s): Walt Whitman
Text:

.— These lines were probably drafted as part of the poem published as "The Mississippi at Midnight" on

Loveblows

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Other lines and words became part of the opening lines of "Broad-Axe Poem" and "Bunch Poem" in the 1856

Man, before the rage of

  • Date: Before 1855
  • Creator(s): Walt Whitman
Text:

34 2 Man, before the rage of whose passions the storms of Heaven are but a breath; Before whose caprices

The man-of-war.-Bird

  • Date: Between 1869 and 1876
  • Creator(s): Walt Whitman
Text:

verse, or a response to a newspaper piece about the frigate bird (also known as the man-of-war-bird), part

Merely What I tell is

  • Date: Between 1850 and 1860
  • Creator(s): Walt Whitman
Text:

The lines eventually became part of the independent poem "Poets to Come."

Mocking all the textbooks and

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

As if it were anything to analyze fluids and call certain parts oxygen or hydrogen, or to map out stars

the most definitely

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

It appears to be part of a draft of a review essay by Whitman titled "An English and an American Poet

The most immense part of

  • Date: Between 1855 and 1860
  • Creator(s): Walt Whitman
Text:

It is doubtless the case The The most immense share part of a A ncient History is altogether unknown

—The best and most important part of History cannot be written told.

dates and reliable information,— being It is surer and more reliable; because by far the It greatest part

The manuscript was therefore probably written between 1855 and 1860, and at one time likely formed part

The most immense part of

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