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of me Heave the anchor short, Raise main-sail and jib—steer forth, for aye O little white-hull'd sloop
On the back of this manuscript is an undated letter to Whitman from Talcott Williams.
Walt Whitman sent to pub. in Herald early in Feb. '88 For Francis Howard Williams | May 1896 | Traubel
—he was called "Doctor"; wore a white cravat; was deaf, tall, apparently rheumatic, and slept most of
spasmic geyser‑loops ascending to the skies, ap— pearing appearing and disappearing, Nor Oregon's white
night I wend thy surf‑beat shore, Imaging to my sense thy varied strange suggestions, Thy troops of white‑maned
—Her father was Major Van Velsor, and her mother's name Naomi Williams.— Capt.
Williams had his wife, her parents, fine old couple, exceedingly generous— I remember them both (my mother's
—Her mother 's (my great grandmother's) maiden name was Mary Woolley, and her father Capt: Williams,
Onward, on, Circling, circling, moving roundward & onward As our hands we grasp for the Union all Red, white
, blue to eastward , western westward Red, white, blue, to the sou northern , southern with the breezes
The poem was written in response to an engraving by William J.
hastening waves from afar, smaller on larger, And the far billows reaching up, with their prying looks and white
but all through the land The names of the flowers. lilacs roses early lilies the colors, purple & white
fresh'd refresh'd by the storm, I watch'd with joy the threatening maws of the waves, I mark'd the white
had been battle flags Pioneers with axes on shoulders the crowds the perfect day—the clear sky—the white
Hospital Note Book Walt Whitman This prose narrative (probably describing the battle of White Oak Swamp
scene in the woods on the peninsula—told me by Milton Roberts, ward G (Maine) after the battle of White
The prose narrative at the beginning probably describes the battle of White Oak Swamp and is the basis
The prose narrative at the beginning probably describes the battle of White Oak Swamp and is the basis
men badly burnt by explosion of caissons &c —wrote a number of letters for Ohio & Indiana m en Wm Williams
Armory May 12 William Williams co F. 27th Indiana wounded seriously in shoulder— a he lay naked to the
Williams Lafayette Tippecanoe co. Indiana Noah Laing bed 36 Ward I Mrs. Edwin Burt.
on the old Hills homestead at West Hills—which was inherited by his son, His wife was Phebe Sarah White
— Sarah White born about 1713 " died " 180 1 see next page—bottom Jesse Whitman, born Jan. 29, 1749 died
—Lived in Classon from May 1st '56, '7 '8 '9 Lived in Portland av. from May 1st '59 '60 '61 Sarah White
.— All white working men, South as well as north are or ought to be against them; for the establishment
from the ancles ankles legs of the slave,—if his breast then feel no more the blood whether black or white
seize with violence on what our laws only know, until duly advised different, as peaceful Americans, white
wretched countrymen of mine, born and bred on American soil, his father or grandfather very likely a white
Democratic" poem of the 1860 edition of eventually titled "Our Old Feuillage," in which Whitman writes of "White
T bluey spoon-drift, like a white race-horse of brine, speeds before me This section bears some resemblance
The village on the highland, seen from afar at sunset—the sun sh ining on the red white or brown gables
red, white or brown the ferry boat ever plying forever and ever over the river This passage was used
John Williams & Mary Woolley Cold Spring, LI parents of Amy Williams mother's mother They (Capt.
Whitman transcribed part of William Collins's "Ode on the Passions" on the back of this leaf. of these
every syllable the flounderer spoke, up to his hips in the snow, and blinded by the cutting sharp white
crystals making that made the air densely one opaque white.
shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white
spring gushing out from under the roots of an old tree barn‑yard, pond, yellow g j agged bank with white
shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white
the "tooth of delight" and "tooth prong") may relate to the following passage in the same poem: "The white
Are you not from the white blanched heads of the old mothers of mothers?
shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white
woods and all the orchards—the corn, with its ear and stalk s and tassel —the buckwheat with its sweet white
western persimmon. . . . over the longleaved corn and the delicate blue-flowered flax; / Over the white
deliciously aching, / Limitless limpid jets of love hot and enormous . . . . quivering jelly of love . . . white
shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white
life car is drawn on its slip‑noose At dinner on a dish of huckleberries, or rye bread and a round white
1855 edition of Leaves of Grass, eventually titled "There Was a Child Went Forth": "And grass, and white
and red morningglories, and white and red clover, and the song of the phoebe-bird, / ... / And the appletrees
cottonwood—mulberry— chickadee—large brown water-dog— —black-snake—garter snake— —vinegar-plums—persimmon— — wh white-blossom
place with a pistol and killed himself, and I came that way and stumbled upon him locust, birch with white
reckon think mind less you very are a good manure —but that I do not smell— —I smell the your beautiful white
and "And as to you corpse I think you are good manure, but that does not offend me, / I smell the white
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
I believe in those winged purposes, / And acknowledge the red yellow and white playing within me, / And
Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white
body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white
—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed
.— Methinks, white‑winged angels, Floating unseen the while, Hover around this village green, And pleasantly