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in The Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, Page & Co., 1921) 1:

in The Uncollected Poetry and Prose of Walt Whitman (Garden City, NY: Doubleday, Page & Co., 1921) 1:

Hughes and the New York Schools Controversy of 1840-43," American Nineteenth Century History 5, no. 1

Office, 1884], 90; William Huntzicker, Popular Press, 1833–1865 [Westport, CT: Greenwood Press, 1999], 1–

Hughes and the New York Schools Controversy of 1840-43," American Nineteenth Century History 5, no. 1

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

"Family Gymnastics," which Whitman would have copied out of the Water Cure Journal 22, (July 1856): 1–

Some of these are at 11, 12, or 1 o'clock at night, when numbers of people gorge themselves with hearty

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

[New York: Peter Lang Publishers, 1998], 1: 222).

. ☞ Since writing the above, we hear from our windows at this moment (between 12 and 1 o'clock, morning

assembled at Providence, November, 1841 [Providence, RI: Knowles and Vose, printers] Article 2 Sections 1–

see: Chilton Williamson, "Rhode Island Suffrage since the Dorr War," The New England Quarterly 28, no.1

For further reading, see: Charles Hilbert, "The Fall of Seringapatam," Military Heritage 18, no. 1 (2016

Journal Of South Asian and Middle Eastern Studies 33, no. 3 (2010): 1–21. , a fortified city, situated

For further reading, see: Wendy Palace, "Afghanistan and the Great Game," Asian Affairs 33, no. 1 (2002

The Role of Maps in Negotiating and Defending the 1842 Webster–Ashburton Treaty," Imago Mundi 63, no. 1

The Role of Maps in Negotiating and Defending the 1842 Webster–Ashburton Treaty," Imago Mundi 63, no. 1

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Barth, "Coleridge on Beauty: 'Beauty, Love, and the Beauty-Making Power,'" Romanticism 11, no. 1 (2005

Testament, many Americans believe Solomon to be the ancestor of Jesus) (I Samuel 10–11, Ruth 4, Mathew 1:

1–8 [King James Version]; Max J.

in their beautiful friendship Jonathan and Saul are biblical figures whose story is mainly told in 1

Both Saul and Jonathan died on the battlefield at Mount Gilboa (1 Samuel 13–20, 31 [King James Version

Vol. 1. [Santa Barbara, CA: ABC-CLIO, 2003], 400-405).

until 1950 (William Huntzicker, The Popular Press, 1833-1865 [Westport, CT:Greenwood Press, 1999], 1–

Points and the Irish Conquest of New York Politics," Éire, Ireland: A Journal of Irish Studies 36, no. 1–

Hughes and the New York Schools Controversy of 1840–43," American Nineteenth Century History 5, no. 1

For more on the newspapers of Whitman's era, see: Alfred Lee, The Daily Newspaper in America, Volume 1

Hughes and the New York Schools Controversy of 1840–43," American Nineteenth Century History 5, no. 1

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

For example, see " The Mask Thrown Off, " New York Aurora , April 7, 1842, Vol 1, No. 115, pg. 2, col

1.

James Van Norden & Co., 1841], 3, 8; The People's Democratic Guide [New York: James Webster, 1842], 1:

Bartlett (MA) ( The American Laborer [New York: Greeley & McElrath, 1843], 1: 35).

verbatim from an article in the American Phrenological Journal and Miscellany on "Longevity," 8, no. 1

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

character eventually gave way to "Uncle Sam" ( The United States Postal Guide and Official Advertiser 1,

no. 1 [Washington D.C., 1850]: 163; Winifred Morgan, An American Icon: Brother Jonathan and American

Hughes and the New York Schools Controversy of 1840–43," American Nineteenth Century History 5, no. 1

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Illustrated article on "The Opera" and an unpublished manuscript about "A Visit to the Opera" ( NUPM 1:

Ruys, "Heloise," in The Oxford Encyclopedia of Women in World History, Volume 1 , ed. Bonnie G.

Lang, Sports Betting and Bookmaking: An American History [New York: Rowman and Littfield, 2016], 1).

Life and the Development of English Prize Law [Boston and New York: Houghton Mifflin Company, 1916], 1-

A Newly Discovered Whitman Poem About William Cullen Bryant," Walt Whitman Quarterly Review 32, no. 1

Snorer No. 1—Bass; deep and strong voice, bu but rather ragged, thus— "Who-o-o caw, puff; who-o-o caw

The Aurora of April 1 contained an untitled article that began with a quotation from "a report of the

History of the Good Book in the United States, 1777–1880 (Stanford: Stanford University Press, 1999), 70–1.

This edition, (in parts at 37 1/2 cents each,) of a work which seems destined to hold a long time yet

Recchia (New York: Peter Lang, 1998): 1: 9–10; "A Visit to Greenwood Cemetery," May 5, 1844, Sunday Times

& Noah's Weekly Messenger (New York), The Journalism , 1: 190–91; and "City Intelligence, An Afternoon

at Greenwood," June 13, 1846, Brooklyn Daily Eagle and Kings County Democrat , The Journalism , 1: 421

A line from Shakespeare's Julius Caesar , Act 3, Scene 1, line 270.

Godine; Fort Worth: Amon Carter Museum of Western Art, 1979], 1–22). cheap casts of statuary, Inexpensive

Development of a Popular Market for Sculpture in America: 1850–1880," Journal of American Culture 4, no. 1

Price, in muslin, $1 50—in sheep, $1 75.

See Duff Green, "[Untitled]," The Pilot and Transcript 1, No. 78 (Baltimore, July 15, 1840): 2; Richard

Herbert Bergman, vol. 1, 1834–1846 [New York: Peter Lang, 1998], 309–310). This piece is unsigned.

1 O TAKE my hand, Walt Whitman! Such gliding wonders! such sights and sounds!

SONG OF THE BROAD-AXE. 1 WEAPON, shapely, naked, wan! Head from the mother's bowels drawn!

1 BEAT! beat! drums!—Blow! bugles! blow!

FACES 1 SAUNTERING the pavement, or riding the country by- road by-road —lo! such faces!

TO A FOIL'D EUROPEAN REVOLUTIONAIRE. 1 COURAGE yet! my brother or my sister! Keep on!

AS I PONDER'D IN SILENCE. 1 AS I ponder'd in silence, Returning upon my poems, considering, lingering

IN CABIN'D SHIPS AT SEA. 1 IN cabin'd ships, at sea, The boundless blue on every side expanding, With

I SING THE BODY ELECTRIC. 1 I SING the Body electric; The armies of those I love engirth me, and I engirth

OUT OF THE ROLLING OCEAN, THE CROWD. 1 OUT of the rolling ocean, the crowd, came a drop gently to me,

A SONG. 1 COME, I will make the continent indissoluble; I will make the most splendid race the sun ever